by Joshua Dight
Today, you do not need to go far to locate debates on how to remember the past. From public squares in Glasgow to parks in Australia, questions over statues have been drawn into an open contest. However, this opposition over meaning, and the fight for one reading of history over another is not a new phenomenon. As the title of this piece of writing suggests—How to Read History?—it comes not from the latest newspaper headline, but rather, the past itself. Printed in the Chartist newspaper the Northern Liberator in 1837 at the outset of this mass working- and middle-class movement, the article spoke to the mood of radicals by rejecting established historical narratives that favoured elites. ‘George the third’ for instance, is portrayed as a ‘cold hearted tyrant’ and a ‘cruel despot’, not an uncommon refrain amongst radicals and their chosen lexicon in the unrepresentative political structure of Britain during this period and George III’s reign (1760-1820).[1] Yet, this reimagining does strike upon the issue of locating ‘truths’ within the past, and, by inference, falsehoods. As this article explores, Chartist responses to the existing composition of an anti-radical historical narratives gave them the opportunity to voice their ideology and make commemoration am instrument of their opposition.
From the late 1830s through to the early 1850s, Chartists nurtured this attachment to the past in the pursuit of the Six Point Charter (hence Chartism). These core demands guided the principles of Chartism, and included suffrage for all men over the age of 21, annual Parliaments, the secret ballot, eliminating property qualifications for becoming a Member of Parliament (MP), ensuring equal electoral districts, and supplying MPs with salaries.[2] Fulfilling the Six Point Charter promised the means to restructure the political system away from an ‘Imperial’ institution of ‘class legislation’ and move towards ‘the empire of freedom’.[3] Even at the earliest stages of Chartism, the past was instrumentalised and narrativised as an expression of politics. Chartists evoked a welter of radical heroes from a wide and sprawling pantheon. It brought together mythicised patriots like Wat Tyler, the leader of the 1381 Peasants’ Revolt, with recently deceased radicals like Henry Hunt, Britain’s preeminent orator of radicalism and a leading figure at the Peterloo Massacre in 1819.[4] Its application was flexible and accessible, with an intangible pantheon at surface level ready to be put to use within the rhetoric of those agitating for the Charter. The deployment of memory as an expression of protest can be found at different levels of Chartism. The work of the great Chartist historian Malcolm Chase identified fragments of a radical past within the language of the three great National Petitions Chartism produced and presented to Parliament. In 1839 this document invoked Britain’s constitutional past with reference to the Bill of Rights 1689, whereas the petitions of 1842 and 1848 moved towards using the idioms of the American and French Revolutions.[5] Viewed more generally, memory was a presence in Chartism that was flexible enough to contribute to arguments concerning a myriad of issues, such as whether force should be used in order to obtain the Charter if the petitions failed, along with discussions on what it meant to be a Chartist. This subsequently contributed to personalities like Thomas Paine, the republican author of Common Sense (1776) and Rights of Man (1791), and the radical journalist William Cobbett being redescribed as something akin to proto-Chartist in the rhetoric of meetings held across the country. The past was something practical, and the Chartists put it to use. This engagement with the past saw Chartists responded to ‘libels’ on radical memory by constructing their own marginalised histories that spoke to their ideology.[6] One clear example of this intervention was radical journalist Bronterre O'Brien’s ‘The Life and Character of Maximillian Robespierre’.[7] In this work, he sought to recover the lawyer and the French Revolution from Burkean denouncements of earlier generations. O'Brien’s ‘long promised’ dissenting narrative recast this context by emphasising its democratic qualities in the minds of readers and erasing images of the Terror. He considered the French Revolution as something requiring attention, and to encourage a kinship with this ‘democratic’ episode. The production and celebration of such histories opposed the output of Whiggish narratives that venerated ‘tradition made malleable by change’. [8] The output of the Edinburgh Review and works like Henry Cockburn’s Examinations of State Trials set out a narrative that was paternalistic and progressive in tone. Worse still for Chartists, moments identifiable as radical victories over a repressive state were claimed by Whigs and incorporated into tales of liberty and progress.[9] Vexation for the Whig government and their handling of the restructuring of Britain’s political system with the Reform Act in 1832 showed how lacking Whig histories were from a Chartist perspective. By reframing the historical narrative, Chartists were able to express their ideology by lionising the memory of radicals whilst puncturing Whig readings that supported the social hierarchy. This relationship with the past was not confined to the written word. Chartists were practitioners of remembrance and celebrated the memory of the ‘illustrious dead’ at banquets and dinners that anchored their political opposition. By the late 1830s regular meetings across the country saw radical icons honoured. Reading over newspaper reports of these gatherings reveals the orderly manner in which these affairs were conducted – the announcement of a chairman, polite speeches, and finally a selection of toasts, often conducted in ‘solemn silence’. As is the case with memory formation, the roots of these rituals of remembrance are complex. They were, in part, taken from elite dining culture or were developed by radicals in the earlier part of the nineteenth century.[10] Chartists assumed these civilised niceties, but crucially, as with O’Brien’s penwork, recalibrated them to remove the sting of anti-radicalism. In halls, taverns, and homes, Chartists rehabilitated the memories of their patriots through singing about the career of Paine, toasting Cobbett, or cheering Hunt’s heroic stand at the Peterloo Massacre in 1819. This organised culture of commemoration served Chartism by encouraging and structuring social engagement with its ideology. One of the key attributes of memory is its function as something inherently sociable, inviting the community to participate in ceremonies and share in the past.[11] Evidence of this communal festivity is found in the many anniversaries of a radical’s birth or death that were adhered to.[12] These frequent fixtures were often promoted in the Chartist press beforehand, showing the dedication to memory and its importance in uniting radicals. Notices included titles that read ‘THOMAS PAINE’S BIRTHDAY’, or tickets available to those wishing to spend an evening dining to the memory of William Cobbett.[13] These anniversaries were a stimulant to popular protest, a particularly useful quality for a movement like Chartism that rested on mobilising the masses. This collection of radical anniversaries and the reports they produced speaks to the structure commemoration provided. The value of anniversaries to a protest movement like Chartism should not be underestimated. Memory is inherently social and, as observed by the Chartists, encouraged exchanges between persons within the community and other constituencies. Details of this coverage reveal that anniversaries events, such as the birthday of Henry Hunt, allowed for opportunities to celebrate the memories of other heroes in the radical pantheon. This was particularly true for places like Ashton-under-Lyne which had a strong radical tradition. A newspaper report of one such commemorative dinner to Hunt in November 1838 reveals the breadth of patriots honoured, from Irish romantic hero Robert Emmett, to the Scottish Martyrs.[14] These proliferations of commemoration allowed Chartism to act as a juncture in which the wide sprawling past intersected. For instance, during the same dinner, Chartist leader Feargus O’Connor personified this interaction between past and present. As a symbol of Chartism, he was at one point described as the ‘father of reform’, a title initially bestowed to Paine, and later in the evening, aligned with Hunt, who ‘could not be dead while Feargus O'Connor was alive’.[15] Here, the strongest symbol of Chartism, O’Connor himself, was imprinted onto the projections of those being commemorated The connection established here speaks to the reciprocal relationship in which Chartists popularised the memory of radicals whilst inscribing the hallmarks of Chartism. Not only then did the collection of radical anniversaries offer structure, their calendrical qualities secured moments in the year that guaranteed the practice and pronouncement of Chartism’s opposition to the state with almost limitless personalities to deploy as an expression of their protest. These festivities were frequently reported on and circulated in the Chartist press. Indeed, the popularity of these affairs was such that some felt it necessary to hold newspapers to account for not reporting upon them.[16] Studying these newspaper reports shows a spike in commemoration through the months of January, March and November in honour of Thomas Paine, William Cobbett and Henry Hunt. At times, multiple reports of these banquets are scattered throughout the issues of newspapers like the Northern Star. This Chartist press was crucial to helping to sustain the movement itself, with newspapers acting as a channel for Chartism’s ideology and showcasing to readers the national activity of the movement. Yet, it should not be forgotten that these newspapers were also vital in capturing and bringing together Chartism’s culture of commemoration. These transcriptions allowed readers to reexperience the remembrance of their past patriots, and so share in any ideological impressions placed onto memory. By analysing newspaper reports we can gain further insights into how a dedicated commemoration culture allowed the past to be recalled in order to serve the politics of Chartism. At a ‘Great Demonstration in Commemoration of the Peterloo Massacre’, held at Manchester and reported in the Northern Star on 18th August 1838, attendees discussing the adoption of what would become the 1839 National Petition did so on a sacred site of memory.[17] Nineteen years before, in August 1819, protesters at St. Peters Field gathered to listen to Henry Hunt on the right to political representation. The response from local magistrates was heavy handed and resulted in the violent use of force on the crowd. The memory of the Peterloo Massacre was sacred to Chartists, and this sense of the past contributed an historical significance to the meeting. In addition to the symbolism memory leant to the staging of this affair, visual displays in the form of banners, flags, portraits, and old ballads that all contributed to creating a sense of the past at this important juncture in Chartism. Within these surroundings, Chartists expressed their animosity towards Britain’s ruling elites; Whigs and their cheap ‘£10 Reform Bill’, along with ‘Sir Robert Bray Surface Peel’ and his Tory supporters.[18] The clearest sign of memory combining with this political expression came later on, when personalities of reform—Major John Cartwright, Cobbett, and Hunt—were declared as the tutors of radicalism. Through the didacticism of their memories, Chartism was made a part of this earlier radical narrative. At the same time, by making these figures of reform relevant, they were inducted into Chartism and used as devices that allowed Chartists to express their commitment to the cause. Celebrations of the past were not always grandiose events but could be small local affairs. Sacred sites of memory or the possession of radical relics were not a prerequisite for social gatherings to take place, nor for the past to be invited into proceedings. This accessibility to a common view of the past speaks to the pervasive nature of memory, and personalities from the pantheon of the ‘illustrious dead’ could be recalled when necessary at local dinners or banquets. The flexible qualities of memory allowed it to be remembered and applied however needed. Conjuring the past in this way was particularly useful to a political movement like Chartism, which was formed through a patchwork of regional affairs mixing with common political grievances felt across the country. Drawing on a common past helped to inspire a sense of unity. Whilst some attendees may have taken umbrage at how an illustrious patriot was represented, the malleability of memory allowed Chartists to immediately render the radical relevant to the current debate. Paine could be invoked for his ardent republicanism, as a working-class hero, or enlightened philosopher. Memories of radicalism not only helped to inspire a spirit of protest, but circulated a political language, contributing rhetorical devices at meetings that were subsequently captured and reported in the Chartist press, thus consolidating the ideological foundations of Chartism. As discussions on the collective nature of anniversaries has shown, celebrations of a shared past helped to remedy some of the fractures within the Chartist movement, for instance, splits among the leadership, or disagreements on the use of physical force (‘ulterior measures’) to obtain the Charter.[19] The mere evocation of an intangible past did not prevent these divisions from occurring. However, uniting to celebrate radicalism’s key moments and an ‘illustrious dead’ helped to restore a degree of cohesion. Recognition of this ability to overcome fault lines within the movement only heightens the remarkable nature of Chartism’s commemoration culture. Despite the different locations, diverging interpretations of the past or political viewpoints, memory provided intersections within a wide national movement of regional affairs in the nineteenth century. Commemorations of the past continued to be a part of Chartism until its decline following the last of the great National Petitions in 1848. In being able to reach for a familiar past, Chartists were able to enthuse a spirit of protest and celebrate intervals in the calendar year with anniversaries that strengthened their ideological commitments. This pantheon of radical heroes continues to be mobilised today, and, arguably, has only grown in number. Perhaps the most recent personality to be recovered and admitted is William Cuffay, the black Chartist and long-term political activist. These figures are a reminder of the potency of memory as an expression of protest and the malleability of the past when ideology is put into practice. [1] Northern Liberator, 9 December 1837. [2] J. R. Green, A Short History of the English People (1874), 859. [3] Northern Star, 24 October 1840. [4] Matthew Roberts, Chartism, Commemoration and the Cult of the Radical Hero (Routledge, 2019), 3. [5] Malcolm Chase, ‘What Did Chartism Petition For? Mass Petitions in the British Movement for Democracy’, Social Science History, 43.3 (2019), 531–51. [6] Katharine Hodgkin and Susannah Radstone, Contested Pasts: The Politics of Memory (Routledge, 2003). [7] Northern Star, 17 March 1838. [8] David Lowenthal, The Past Is a Foreign Country - Revisited (Cambridge University Press, 2015), 181. [9] Gordon Pentland, Michael T. Davis, and Emma Vincent Macleod, Political Trials in an Age of Revolutions: Britain and the North Atlantic, 1793-1848, Palgrave Histories of Policing, Punishment and Justice (Basingstoke, Hampshire: Palgrave Macmillan, 2019), 215. [10] Roberts, Chartism, Commemoration, xii; James Epstein, Radical Expression: Political Language, Ritual, and Symbol in England, 1790-1850 (Oxford University Press, 1994), 192. [11] Geoffrey Cubitt, History and Memory, History and Memory (Manchester University Press, 2013), 219-20. [12] Steve Poole, ‘The Politics of “Protest Heritage”, 1790-1850’, in C. J. Griffin and B. McDonagh (eds.), Remembering Protest in Britain since 1500 Memory, Materiality, and the Landscape (London: Palgrave Macmillan, 2018), 194. [13] Northern Star, 8 January 1842. [14] Northern Star, 17 November 1838. [15] Ibid. [16] Northern Star, 6 February 1841. [17] Northern Star, 18 August 1838. [18] Ibid. [19] Malcolm Chase, Chartism: A New History (Manchester: Manchester University Press, 2007), 67. Comments are closed.
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