Category: American Politics

15/5/2023

Infrastructure as Monument: The Dos Bocas Refinery in AMLO’s Mexico

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by Tania Islas Weinstein and Agnes Mondragón

Prof. Tania Islas Weinstein is Assistant Professor in the Department of Political Science, McGill University, and Dr Agnes Mondragón is Teaching Fellow in the Department of Anthropology and the College at the University of Chicago. Their research interest lie in political representation struggles of gender, race, and class, democratic erosion, political violence, the politics of Latin America, concepts of community, and cultural and knowledge production. This contribution is part of an open-ended Ideology Theory Practice series on "Contested Monuments, Contesting Memory", curated by Co-Editor Emily Katzenstein.

On July 1st, 2022, Mexican president Andrés Manuel López Obrador (also known as AMLO) inaugurated the Dos Bocas oil refinery in his home state of Tabasco. The inauguration was a huge publicity coup for the president, who had promised to build the refinery when he first took office.

One of the highlights of the ceremony was the moment when the president unveiled—and fawned over—“La Aurora de México” (1947). La Aurora de Mexico [“The Dawn of Mexico”] is a painting depicting a woman embracing several oil towers as if these were her babies. La Aurora was painted by the late Mexican muralist David Alfaro Siqueiros. It celebrates the expropriation of foreign oil companies and the nationalisation of the Mexican oil industry in 1938 by then-President Lazaro Cárdenas. Cárdenas appears at the top left of the painting together with Vicente Lombardo Toledano, a labour organiser who helped oil workers unionise.

La Aurora harkens back to a product of an era in which the Mexican state actively supported artworks and monuments in public plazas, crossroads, and buildings around the country. That the authoritarian Revolutionary Institutional Party (PRI) was able to maintain a one-party rule for over seventy years (1929–2000) can, in part, be explained by its ability to tie its political achievements to those of the nation and ideologically interpellate the public into its political project through widespread political communication. The latter included supporting the production of artworks and monuments, many of which were was based on the idea of “art for the people” and, like La Aurora, are characterised by their “narrative style, realist aesthetic, populist iconography, and socialist politics”.[1]

AMLO’s public celebration of La Aurora is noteworthy because the Mexican state’s support for the arts and its collaboration with artists has been waning for decades. This decline has accelerated in the wake of the country’s transition to a formal electoral democracy in 2000. Market-oriented reforms have enabled an unprecedented incursion of private corporations and collectors into the art world, who have increasingly supplanted the state as the arts’ main patron.[2]

Despite AMLO’s declared opposition to the neoliberal turn in Mexican politics and his nationalist rhetoric that recalls the PRI era, this process has accelerated during his time in power. One of the most surprising characteristics of AMLO’s tenure has been his vocal disdain for artists and intellectuals. Rather than bringing artists back under the aegis of the state, the president has excluded them from his populist project by consistently accusing them of being members of a nebulous, neoliberal elite, and by cutting resources earmarked for artistic institutions as part of his fiscal policy of austeridad republicana or republican austerity.[3]

In this context, the display of La Aurora de México during the Dos Bocas refinery’s inauguration is telling. Instead of commissioning a new artwork or monument for the new infrastructure, the government used an old painting that harkens back to the country’s post-Revolutionary authoritarian era and one that celebrates a key political accomplishment that has been framed by official history as a major act of anti-imperialist sovereignty.

By displaying this painting at the inauguration, AMLO sought to signify a new era of assertive Mexican sovereignty and nostalgia for a time when Mexico’s economy grew rapidly through a politics of economic nationalisation. As he has argued repeatedly, the refinery will generate a “massive turn” (“un gran viraje”) back from the “neoliberal turn” of the 2000s and 2010s that had made Mexico dependent on imported petroleum.[4] In so doing, it will pave the way for the country to become more economically self-sufficient, which in turn suggests the return of an accompanying economic prosperity.

The Aurora itself, meanwhile, is not actually publicly owned. Instead, it belongs to a private owner who loaned the piece to AMLO for the occasion. The Aurora will not remain at the refinery; the painting was returned to the owner as soon as the inauguration was over.[5]

AMLO’s one-day exhibition of Siqueiros painting during the Dos Bocas inauguration is paradoxical. On the one hand, AMLO is using the Aurora to signify continuity with a past that is associated with the assertion of Mexican sovereignty and a state-driven economic policy, as a way to signal a break with neoliberal policy. On the other, the brevity of the display, and the fact that the artwork is privately owned also signifies the decline of the Mexican state’s support of public art and thus a continuity with the neoliberal turn rather than a break with it. But what if this interpretation is missing the point? What if rather than focusing on the Siqueiros’ painting as the refinery’s aesthetic and ideological locus we focused on the refinery itself? What if AMLO’s works of infrastructure—of which the Dos Bocas refinery is one among many—are the current administration’s monuments and works of art?

Traditionally, monuments have been defined as interventions into the landscape that are built with the purpose of celebrating, commemorating, and glorifying a particular person or event and doing so by conveying a sense of permanence.[6] Extending J.L. Austin’s famous definition, Kaitlin Murphi argues that “monuments effectively function as speech acts: they are public proclamations of certain narratives that are intended to simultaneously reify that narrative and lay claim to the space in which the monument has been placed.”[7] In other words, Murphi maintains, in addition to conveying information, monuments also do things: they usher in or create a new state of affairs simply by laying claim to a space through their presence.

While the Siqueiros painting cannot be said to have achieved this, given its impermanent presence, the refinery itself certainly did. Briefly framed by La Aurora, the refinery draws selectively from that celebrated past of oil nationalisation, thus operating like a monument. Indeed, works of infrastructure, much like monuments, possess a sign value that enables them to engage in similar meaning-making and political operations.[8] The Dos Bocas refinery instantiates the ways in which infrastructures may be attributed the symbolic power to effectively function as monuments.

Monuments are “focal points of a complex dialogue between past and present,” connecting historical events that are worthy of monumentalisation and spectators who engage with the past via these objects.[9] The relationship that Dos Bocas establishes with that past and its glory is, crucially, mediated through the current political significance that this refinery is expected to have: it is not merely meant to be a repetition of the past, but rather another such moment of revolutionary change. This change, in the president’s words, is marked by a revival of the nationalised oil industry, which had been weakened by neoliberalisation, and thus a recovery of the nation’s lost dignity as a notable producer of oil. The refinery may then be mobilising the past of the Aurora towards its self-fashioning as part of an autonomous aesthetic-political project, making this infrastructure both a monument to the past and to itself. It is also, in many ways, a monument to an economic ideology that once proved to be quite fruitful and an attempt to revive the historical moment in which it did.

However, when AMLO inaugurated the refinery, it was not yet ready to be used. Dos Bocas was rushed into being so as to mark a milestone of the current administration, but it was still at least a year away from beginning production. According to several news outlets, only the administrative part of the plant was ready, which represented 30% of the infrastructure. This was not lost on commentators, including prominent critical journalists who described the inauguration as a simulation, forcing AMLO to admit that the refinery was in fact just starting a trial period and would begin operations in earnest in 2023.

In a sense, the incomplete—and, in a technical sense, useless—refinery merely constituted the staging of AMLO’s celebration of himself. By inaugurating it before it was finished, the president set the refinery in what Marrero-Guillamón calls a state of suspension, which is not “a temporary phase between the start of a project and its (successful) conclusion, but as a mode of existence in its own right.”[10] Without performing any technical function, the refinery’s power and meaning remain purely aesthetic and discursive, rendering it a monument.

By being inaugurated in pieces, infrastructures may work as promises[11] and, therefore, as monuments to those who build them. For AMLO, this was not the first time he used Dos Bocas to stage a political event. On December 9, 2018, barely a week after his inauguration, AMLO laid the first stone at a massive event at the same site. This was marked by the attendance of several high-ranking politicians and a lengthy presidential speech that framed the refinery as part of an urgent solution to a profound crisis in Mexico’s oil industry, caused by waning investment in the state company, Pemex, and the failed effort to open the oil sector to private companies. This event circulated widely: its video was uploaded that same day to AMLO’s personal YouTube account, where it has been streamed over half a million times. The president has also frequently spoken about the refinery during his daily press conferences, showcasing other milestones in its construction, each time setting off discussions in the press and on social media.

Following Isaac Marrero-Guillamón, we may see the materiality of Dos Bocas as “redistributed… into multiple instantiations other than its construction, such as exhibitions, technical documents, and public presentations.”[12] We can further extend this redistribution by considering how the extensive media coverage of these public events stretched the refinery’s visibility throughout the public sphere in its capacity as a monumental setting of presidential power. Indeed, a large part of the refinery’s public presence depends not on the concrete and steel of the infrastructure itself, but rather on the circulation of its representations. Given its remote location in a small coastal town in southwest Mexico, the refinery is only connected to most Mexican citizens in these highly indirect ways, much as the gasoline it will (eventually) produce will make its way through the pipelines and into the gas tanks of the vehicles transporting them.

Like a monument, the meaning and experiences around Dos Bocas are produced in its abundant “verbal and textual sources.”[13] In official discourse, the refinery is meant to materialise the president’s project of soberanía energética, or energy sovereignty, which, in turn, points to a broader notion of sovereignty—that of an autonomous nation, no longer the object of its commercial partners’ imperial power. More than that, Dos Bocas is meant to be exemplary of the president’s political-economic project, dubbed the Fourth Transformation (4T). Though a precise definition of the 4T is lacking, the president usually invokes it “to describe a revindication of national pride, a political project of aligning the presidency with the popular will, and the creation of a social movement that could do away with the old party system, social inequality, and the economic status quo.”[14] It is meant to match the magnitude of three previous watershed moments in Mexican history: the Independence War (1810–1821), the Guerra de Reforma (Reform War, 1858–1861), and the Revolution (1910–1917). One could perhaps wonder whether the construction of a refinery can in fact be seen as revolutionary in an era of climate change, or whether it in fact constitutes an anticolonial, sovereign act.

The refinery’s value rests less (if at all) in its technical function than in its performative capacity. Going back to Murphi’s definition of monuments, Dos Bocas, even in its unfinished stage, does things: it reifies the profound political transformation that AMLO claims to be spearheading and gives AMLO’s discourse concrete reality, thereby conjuring it into being. In so doing, the refinery ushers in a state of affairs that connects multiple temporalities. It draws on a glorified sovereign past and heroic struggle to shape a present that is rendered permanent through the infrastructure’s claim to space. In this scenario, artworks and monuments that celebrate AMLO’s political project are no longer needed, it is the infrastructure itself that does the work.

The effectiveness of this infrastructure’s performative power vis-à-vis the old regime’s use of public art remains, however, an open question. To evaluate it, one may need to delve more deeply into the features of the ideological projects that each one is a part of and the conditions that have sustained them. These may include the actors involved in their orchestration and their aims; the distinct ways in which each project’s message has circulated—the former, for instance, privileging visual form in artistic representations of infrastructure, while the latter has resorted to discourse and spectacle; and the ways in which each has been taken up by those they are meant to address; as well as the possibilities for each message to be debated and challenged. But rather than thinking of these two projects separately, as competing endeavours, we must look at their mutual intertwinement as the source of their power. As we saw, La Aurora’s brief display at Dos Bocas’ inauguration meant to transfer its dense meaning to this infrastructure. The refinery’s symbolic force then hinged upon La Aurora’s own (historical) force, which AMLO sought to take in new directions. And, as he did so, he reaffirmed, perhaps reinvigorated, the force of an old, superseded medium, making it part of a new form of political communication.

[1] Mary Coffey, How a revolutionary art became official culture (Durham: Duke University, 2012): 22.

[2] Daniel Montero, El Cubo de Rubik. Arte Mexicano en los Años 90. (México, RM, 2014).

[3] https://www.diputados.gob.mx/LeyesBiblio/pdf/LFAR_191119.pdf

[4] Jon Martín Cullel. “López Obrador defiende la “autosuficiencia” en gasolinas en la inauguración de la refinería de Dos Bocas,” El País (July 1, 2022): https://elpais.com/mexico/2022-07-01/lopez-obrador-defiende-la-autosuficiencia-en-gasolinas-en-la-inauguracion-de-la-refineria-de-dos-bocas.html

[5] Leticia Sánchez Medel. “Obra de Siqueiros es exhibida en la inauguración de la Refinería Dos Bocas,” Milenio (July 1, 2022): https://www.milenio.com/cultura/refineria-bocas-exponen-obra-siqueiros-inauguracion

[6] James Young, The Texture of Memory (New Haven, CT: Yale University Press, 1993).

[7] Kaitlin Murphy, “Fear and loathing in monuments: Rethinking the politics and practices of monumentality and monumentalisation,” Memory Studies 14 (6): 1143-1158.

[8] Hannah Appel, Nikhil Anand, and Akhil Gupta, The Promise of Infrastructure (Durham: Duke University Press, 2018)

[9] Peter Carrier, Holocaust Monuments and National Memory Cultures in France and Germany since 1989 (New York/Oxford: Berghahn Books, 2005, 7).

[10] Isaac Marrero-Guillamón, “Monumental Suspension: Art, Infrastructure, and Eduardo Chillida’s Unbuilt Monument to Tolerance,” Social Analysis 64 (16): 28.

[11] Appel, Anand, and Gupta 2018; and Brian Larkin, “The Politics and Poetics of Infrastructure,” Annual Review of Anthropology 42: 327-343, 2013.

[12] Marrero-Guillamón 2020, 28.

[13] Carrier 2006, 22.

[14] Humberto Beck, Carlos Bravo Regidor, and Patrick Iber, “Year One of AMLO’s Mexico,” Dissent (Winter 2020): https://www.dissentmagazine.org/article/year-one-of-amlos-mexico

9/3/2023

Contested memory, contesting monuments: Introduction to the series

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by Emily Katzenstein

Emily Katzenstein is a Co-Editor of Ideology Theory Practice, and editor of the open-ended Ideology Theory Practice series on "Contested memory, contesting monuments". Here she gives an initial overview of the intellectual origins and contemporary contours of the debate around whether to keep or remove controversial statues and other monuments, along with an introduction to the inaugural authors of the series: Moira O'Shea, Yolanda Gutierrez, Chong-Ming Lim, Sasha Lleshaj, and Tania Islas Weinstein and Agnes Mondragón.

Recent years have seen successive waves of “statue wars”[1]—intense controversies over the visible traces of European colonialism in built commemorative landscapes. The most recent wave of controversies about so-called “tainted” monuments[2]—monuments that honour historical figures who have played an ignominious role in histories of slavery, colonialism, and racism—occurred during the global wave of Black Lives Matter protests that started in reaction to the murder of George Floyd in the summer of 2020. During a summer of global discontent, demonstrators famously toppled statues of Jefferson Davis (Richmond, Virginia), and Edward Colston (Bristol), beheaded a Columbus statue (Boston), and vandalised statues of King Leopold II (Antwerp, Brussels, Ghent), Otto von Bismarck (Hamburg), Winston Churchill (London), and James Cook (Melbourne), to name just a few examples.

These spectacular events sparked heated public debates about the appropriateness and permissibility of defacing, altering, or permanently removing “contested heritage”.[3] These public debates have also led to a renewed interest in questions of contested monuments and commemoration in political theory and political philosophy.[4] So far, however, this emergent debate has focused primarily on normative questions about the wrong of tainted commemorations and the permissibility of defacing, altering, or removing monuments.[5] Engagement with the political-sociological and aesthetic dimensions of monuments, monumentality, and commemoration, including their relationship to political ideologies and subjectivities, by contrast, has remained relatively thin in recent debates about commemoration and contested monuments in political theory. This means that crucial questions about the role of commemorative landscapes in political life and in the constitution of political subjectivities have remained underexplored. For example, there has been only a relatively superficial reconstruction of the ideological stakes of the debate over the fate of contested colonial monuments. Similarly, while there have been several powerful defences of vandalising and defacing “tainted commemorations,”[6] the literature in political theory and political philosophy has not yet engaged fully with innovative aesthetic strategies for contesting colonial monuments through decolonising artistic practices.

This series, Contested Memory, Contesting Monuments, seeks to curate a space in which emergent debates about monuments and commemoration in political theory can be in conversation with debates about the politics of the built commemorative landscape in political science, anthropology, sociology, and area studies that explore political-sociological and aesthetic dimensions of monuments and commemoration. Importantly, it also seeks to facilitate a direct exchange of perspectives between scholars of monuments and commemoration in the academy, on the one hand, and memory activists and artists who are actively involved in today’s politics of memory and monuments, on the other.

This is intended to be an open-ended series but we start with a wide-ranging series of inaugural contributions. In the first contribution to the series, Moira O’Shea traces the history of contesting Confederate monuments in the US and reflects on our relationship to the past. Upcoming contributions include an interview with Yolanda Gutierrez, a Mexican-German performance artist, and the founder of Bismarck Dekolonial, in which we discuss the realities of attempting to decolonise the built environment through artistic interventions; Chong-Ming Lim’s exploration of vandalising tainted commemorations; Sasha Lleshaj’s Sound Monuments, which reflects on very idea of monumentality, and connects struggles over ‘contested heritage’ to political contestations of ‘soundscapes’; and Tania Islas Weinstein and Agnes Mondragón analyses of the political uses and abuses of public art in contemporary Mexican politics.

[1] Mary Beard, "Statue Wars," Times Literary Supplement, 13.06.2020 2015.

[2] Chong‐Ming Lim, "Vandalizing Tainted Commemorations," Philosophy & Public Affairs 48, no. 2 (2020).

[3] Joanna Burch-Brown, "Should Slavery's Statues Be Preserved? On Transitional Justice and Contested Heritage," Journal of Applied Philosophy 39 no. 5 (2022).

[4] Helen Frowe, "The Duty to Remove Statues of Wrongdoers," Journal of Practical Ethics 7, no. 3 (2019); Johannes Schulz, "Must Rhodes Fall? The Significance of Commemoration in the Struggle for Relations of Respect," Journal of Political Philosophy 27, no. 2 (2019); Burch-Brown, "Should Slavery's Statues Be Preserved? On Transitional Justice and Contested Heritage."; Lim, "Vandalizing Tainted Commemorations."; Macalester Bell, "Against Simple Removal: A Defence of Defacement as a Response to Racist Monuments," Journal of Applied Philosophy 39 no. 5 (2021).

[5] Daniel Abrahams, "Statues, History, and Identity: How Bad Public History Statues Wrong," Journal of the American Philosophical Association, First View , pp. 1 - 15 (2022).

[6] Bell, "Against Simple Removal: A Defence of Defacement as a Response to Racist Monuments."; Ten-Herng Lai, "Political Vandalism as Counter-Speech: A Defense of Defacing and Destroying Tainted Monuments," European Journal of Philosophy 28, no. 3 (2020); Lim, "Vandalizing Tainted Commemorations."

6/3/2023

Is the past past? Confederate monuments, narrative tropes, and understandings of history

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by Moira K. O'Shea

Dr Moira K. O'Shea is a Teaching Fellow in Sociology and the College at the University of Chicago. Her research focuses on nationalism and representation, nation-building, and national attachments in the US and post-Soviet space. In this post, she explores the history of the controversies over monuments commemorating the leaders and servicemen of the Confederate States of America in New Orleans, culminating in their removal in 2017. This contribution is the first of an open-ended Ideology Theory Practice series on "Contested Monuments, Contesting Memory", curated by Co-Editor Emily Katzenstein.

Questions of how we relate to our history have been at the forefront of U.S. national discourse as debates about school curricula, the renaming of military bases and public institutions, and other topics seem to be represented in online fora and the pages of newspapers every week. In these debates, we argue not only about how to represent the past, but whether the past is really past at all. Not least among the arguments that touch on these issues is the debate around Confederate monuments and other public commemorations of historical figures who have participated in oppression in various forms. Cities such as Richmond, Chicago, and New York have commissioned studies of their monuments, inviting comment and, in the case of Chicago and New York, issuing reports on the state of their urban representation of historical figures and events. While the last ten years have seen two waves of monument removals—the first in 2015-2017, and the second in 2020—controversies around the appropriateness of public monuments are no new phenomenon. In this essay, I outline a history of the debates around the removal of monuments to illustrate how our current debates about monuments have a past of their own that we have forgotten. Inherent in these debates and the suggestions for what to do with problematic monuments are diverse and sometimes contradictory understandings of our relationship to history. Take, for example, the removal of four Confederate monuments in New Orleans almost six years ago.

The removal began around 2 a.m. on April 24, 2017. While the police and onlookers watched, and snipers stood guard, workers with covered faces began to dismantle the monument to the Battle of Liberty Place. Despite worries to the contrary, there was little disruption, and around 5 a.m. the monument was loaded onto a flatbed and driven away. For the third and perhaps last time in 126 years, the monument was removed from public sight. Amid protests that sometimes turned violent, the city of New Orleans removed three more monuments over the next 25 days. By May 5th, a bright Friday afternoon, the last of the monuments, that of Robert E. Lee, was hauled away, leaving Lee Circle without a statue of its namesake for the first time in 133 years.

At first glance, it might seem as if the events leading to the removal of these monuments began in June 2015, when then-mayor of New Orleans, Mitch Landrieu, called for the removal of four monuments: the statues of Robert E. Lee, P.G.T. Beauregard, Jefferson Davis, and the monument to the Battle at Liberty Place. Or one might assume that these events were sparked by contemporary events, such as the shooting of nine Black worshipers at Emanuel African Methodist Episcopal Church in South Carolina by a White man and the subsequent removal of the Confederate flag from that state’s capitol building. Indeed, as New Orleans newspapers such as the Times-Picayune and the Advocate, and national newspapers such as the New York Times, the Chicago Tribune, and the Washington Post covered the story, coverage of the monuments frequently referenced these events. As in subsequent waves of monument removals, public commentary linked controversies surrounding the monuments to broader contemporary issues of racial justice and racial violence, making questions about the future of Confederate monuments all the more salient.

However, as I will show, the contestation—and eventual removal—of confederate monuments in New Orleans cannot be understood simply in terms of contemporary events, or as the actions of a single politician. Instead, the removal of these monuments must be understood as part of a much longer history of contesting confederate monuments in New Orleans. In the words of a local councilman, “I am the descendant of slaves. Before I knew there was a person called Mitch Landrieu, the people I cared about were talking about the need to take those statues down.”[1] Indeed, in the case of these four monuments in New Orleans, very public contestations had occurred since at least the 1960s. For example, groups such as the NAACP, Concerned Clergy, and Black Lives Matter held protests in 1974, 2000, and 2014 respectively, seeking the removal of the monument to the Battle of Liberty Place, and later, to Robert E. Lee.

Throughout these controversies, monuments were sometimes temporarily removed or were amended with the addition of explanatory or exculpatory plaques; however, they were always returned, until 2017. As support for monument removal in public discourse grew over the decades—from being expressed primarily in the pages of newspapers such at the Louisiana Weekly, which began by serving predominantly the African American community, to being outspoken in the pages of the Times Picayune, a newspaper that has struggled with issues of race—the arguments both for and against the monuments themselves have remained remarkably stable, with both sides articulating their desires in terms that reflect distinct and divergent understandings of the relationship between the past and the present. It seems our disagreements about the past have their own past.

***

The monuments that were eventually removed in 2017 honoured three important figures of the Civil War and one event during the post-war Reconstruction period: Robert E. Lee, the commander of the confederate army; P.G.T. Beauregard, a confederate general and native son of New Orleans; Jefferson Davis, the president of the Confederacy; and the Battle of Liberty Place. This battle, or really skirmish, took place on September 14th, 1874, when the integrated Metropolitan Police attempted to block the White League, a paramilitary organisation associated with anti-Black and anti-Republican violence, from receiving a shipment of arms. The Metropolitan Police were quickly overwhelmed, and the White League overthrew the government of Republican Governor William Kellogg. Although the city came back under Republican and Union control, the “battle” has been characterised by some as a fight for liberty from the rule of Republican “carpetbaggers.”

The monuments were all erected in the post-Reconstruction years between 1884, with the unveiling of the R.E. Lee monument, and 1915, with the unveiling of the P.G.T. Beauregard monument. They were part of an attempt to romanticise and valorise the Civil War, known as the Lost Cause, and were erected in a political climate that saw the rolling back of civil liberties and voting rights for African Americans.[2] The Lee monument was unveiled on January 22, 1884—George Washington’s birthday. In the dedication speech given at the unveiling[3] and articles written at the time, attempts were made to link the two historical figures as men equally dedicated to honour and country, thereby attempting to lift Lee to the status of Washington in the pantheon of national heroes. In one opinion piece written at the time, the author remarks that they “were both charged with rebellion”[4] (emphasis in the original). After these monuments were unveiled, commemorative activities, often organised by the United Daughters of the Confederacy or the Sons of Confederate Veterans, were held annually into the 1970s, with speeches, organised laying of wreaths, and musical performances.

However, beginning in the 1960s and 70s, public protest surrounding the monuments began to arise in New Orleans. Perhaps first among the four monuments to be the subject of this attention was the monument to the Battle of Liberty Place. This monument had become a rallying place for white supremacist groups including the Ku Klux Klan,[5] and a site at which speakers at commemorative events in the 1960s decried federal interventions impinging on ‘school choice’ (read desegregation) and other areas as akin to those of the Reconstruction era.[6] In 1964, the monument was put into storage for approximately five years to make way for the construction of the International Trade Mart. Groups that supported the monument extracted a promise from the mayor at the time that it would be returned to its original site and that the removal would be handled “just as was the repair and restoration of the Robert E. Lee statue on St. Charles.”[7] While the monument was in storage, commemorative activities continued to take place without the monument itself, and after the monument was returned in 1970, the speeches at subsequent commemorations included reference to the idea that it was not only White Leaguers who were against the “carpetbaggers,” but that Black New Orleanians also rallied against Reconstruction “interlopers.” These narratives, which explained the monument not in terms of race, but in terms of liberty, ran directly counter to a plaque that had been added to the monument by the Crescent White League in 1932 that “recognised white supremacy in the South.”

In 1974, the NAACP New Orleans College Chapter and the New Orleans NAACP Youth Council organised protests against the monument. In a page of letters to a local newspaper, the Times Picayune, about the Battle of Liberty Place monument, readers began to voice tropes that continue to resonate in contemporary debates about the fate of contested monuments. These letters are predominantly supportive of the monument. They range from arguments about the destruction of history and assertions that “slavery was never truly the issue behind the Civil War,”[8] to fears of a ripple effect:

The National Association for the Advancement of Colored People must be embarked upon a movement to destroy everything related to history. Should they continue, and be successful with their asinine efforts to remove the Liberty Monument… probably their next move would be to destroy the Coliseum in Rome.[9]

The single opposition to the monument came in a letter written by a self-identified young Black man who, nevertheless, did not want the monument to come down. He explained:

[as someone] opposed to white supremacy… [I] cannot accept the views that the plaque proclaims. But the monument should be allowed to stand, for it is a constant reminder of what can happen if blacks should become zeal-less in their efforts to gain and keep the rights that so many have paid the price for.[10]

This movement was seemingly put to rest by the installation of an additional plaque that read: “Although the Battle of Liberty Place and this monument are important parts of New Orleans’s history, the sentiments in favour of White supremacy expressed thereon are contrary to the philosophy and beliefs of present-day New Orleans.”

By 1981 the controversy began anew. Then-Mayor Dutch Morial was accused of having tried quietly to remove the monument without public notice. However, by this time, opposition to the monument had a clear voice in the pages of the Times-Picayune. Comparing a page of letters called “Your Opinions” in 1981 to a similar page mentioned above in 1974, an almost complete reversal can be seen. Instead of almost all letters being in support of the monument, almost all were in favour of taking it down. Letters in opposition to the monument draw attention to the continued injustices taking place in New Orleans at the time: “The doctrine of white supremacy is alive and well, waiting for the right political climate to re-release itself. This is evident in the popular upsurge of the Klan.”[11] Others applauded the mayor for initiating a symbolic “decision to further King’s vision of peace, love, and brotherhood.”[12]

As in recent controversies, contemporary events sharpened the debate. Police shootings of four Black New Orleanians in the Algiers neighbourhood as well as KKK activities were cited, not as precipitating forces, but as events that made the issue of the monument all the more pressing. Former KKK grand wizard David Duke tried unsuccessfully to obtain a restraining order preventing the removal of the monument and claimed equivalency between the monument to Martin Luther King, Jr. and the monument to the Battle of Liberty Place. However, these claims are vehemently contradicted in opinion pieces appearing around the same time. In the end, the matter was left unresolved. The City Council of New Orleans voted to retain for itself the final say in the removal of any monument, statue, or plaque in the city of New Orleans and planned to remove the inscription referencing white supremacy.[13] Instead of removing the inscription, it was, in the end, simply covered over.

In 1989 it was reported that the monument was to be moved due to “traffic engineering” and to improve access to the Canal Street ferry and the Aquarium and that city officials did not know if the monument would be returned when the work was finished.[14] This set off the largest and most protracted controversy until the monument’s removal. Lasting four years, it involved state and federal preservationists, a suit by a local pharmacist against the city for emotional damages caused by the absence of the monument, and federal Housing and Urban Development officials demanding repayment of funds used for the traffic improvement if the monument was not returned.

Despite the fact that the monument was not on the National Register of Historic Places, the idea that it might be eligible, its being considered historically significant by the Louisiana Landmarks Society and other groups, and the fact that the roadway, sidewalk, and traffic-signal improvements were in part federally funded, led to the necessity of an agreement being negotiated with the Advisory Council on Historic Preservation. This agreement stipulated that the monument be re-erected by May 1, 1991. Whether or not there were underlying reasons for the monument’s initial removal, it became clear that the city administration was loath to return it to its initial location. In April of 1991, a four-month extension was granted to the city, and while the city attempted to give the monument to the Louisiana State Museum, their offer was refused. Having missed a September deadline as well, federal historic preservation officials began action to coerce repayment of funds, and a private citizen brought a suit against the city and the mayor’s office. After missing three deadlines, the city was, in the end, forced to re-erect the monument, although in a slightly less prominent position, but protests broke out at the re-dedication ceremony, which was marked by speeches by David Duke, among others, as well as by the very public, forceful arrest of a respected civil rights leader, Avery Alexander.

Public discourse regarding the monument was more negative at this time than during any of the previous incidents. Opposition to the monument and to arguments that it was not connected to racism used David Duke’s involvement to illustrate their points. One staff writer argued:

First supporters of the Liberty Monument tried to tell us that the controversial piece of stone that sits at the foot of Iberville Street has absolutely nothing to do with race. Then, they brought in former Ku Klux Klan Grand Wizard David Duke for the monument’s rededication ceremony last Sunday and obliterated that argument.[15]

Others leveraged analogies between Hitler and the Holocaust to express disagreement with a previously published article calling for a nuanced understanding of the Battle of Liberty Place:

If a citizens’ group in Munich, Germany, attempted to dedicate a memorial to commemorate Adolph Hitler's futile effort in 1923 to take over the German government—what we now call the Munich Beer Hall Putsch—surely Mr. Gill would understand if the Jewish citizens of that city were a bit nervous about any such attempt. Certainly, Mr. Gill’s support of these Jews would not waver, even if the citizens’ group argued that the memorial did not celebrate Hitler’s later persecution of the Jews and other minorities (after all, no Jews were killed in Hitler’s putsch) and was only meant to commemorate the Fuehrer’s wonderful record of German economic recovery and his all too successful establishment of the Third Reich.[16]

The tide of sentiment had clearly turned. Despite this, supporters of the monument continued to advance arguments in favour of preserving the monument that would sound familiar to observers of today’s monument controversies, citing a need to honour history and fear of a ripple effect (that is, the argument that if one is removed, many or all will be removed). During public hearings on the monument held in 1993, Rev. Henry McEnery asked: “Should we demand the Egyptian pyramids be destroyed because they were built by slaves?”[17]

Like the 1981 conflict, this controversy was also left somewhat unresolved. It left the monument under a federal protection order but with a new law that enabled the New Orleans City Council to remove monuments that are considered nuisances[18] and a new amendment to the monument with the addition of a plaque honouring “Americans on both sides.” The plaque listed the names of the members of the Black and White members of the metropolitan police who died in the skirmish and concluded with a missive that it was “[a] conflict of the past that should teach us lessons for the future.”

In the most recent controversy, the office of the New Orleans Mayor, Mitch Landrieu, spoke of discussions surrounding the 2018 tricentennial of New Orleans, saying:

Part of this process should include a close examination of the historical symbols throughout our city and what changes could be made as we approach 2018, including the Robert E. Lee statue in Lee Circle. These symbols say who we were in a particular time, but times change. Yet these symbols—statues, monuments, street names, and more—still influence who we are and how we are perceived by the world.[19]

The statements of the mayor and the mayor’s office set off another round of controversy, and in this controversy, ultimately opposition to the monuments succeeded. In the months after June of 2015, there were at least three opportunities for public commentary at City Council meetings, heated public discourse in newspapers and online, and the creation of several committees and organisations with the purpose of either taking down or retaining this and other confederate monuments. While the shooting of nine people in a Charleston, SC, church and the subsequent removal of the confederate flag from that state’s capitol in Columbia may have preceded and even given greater urgency to the issue of the monuments in New Orleans, both the Mayor and citizens who fought to take them down insisted that the movement is not a response to these other actions, but something with deeper roots.

Despite a 6-1 resolution of the New Orleans City Council in December 2015 to remove the monument to the Battle of Liberty Place as well as those to Lee, Davis, and Beauregard, the process faced numerous obstacles. A lawsuit to keep the monuments, which stayed the city’s hand for a number of months, was resolved in favour of the City Council’s resolution; however, the city was not able to immediately remove the monuments. At first there was difficulty finding a contractor to do the actual work, the first contractor having rescinded his bid due to death threats and his Lamborghini having been set on fire; later, continuing lawsuits stymied the removal. It was only two years later that the monuments were finally removed.

In this most recent example, a culmination of both narrative style and legal precedent can be seen. Opponents of the monuments declare that these monuments were erected to propagate the ideology of the Lost Cause and that they reflect and perpetuate a history of pervasive inequality in the United States. If David Duke and Hitler are considered anathema to the supporters of the monuments, then they must also consider the monuments and their symbolism to be highly inappropriate in the public sphere. In leveraging these narrative tropes, a memorial and moral dissonance is asserted which attempts to put supporters of Confederate monuments in a difficult position. By drawing these connections, monuments are burdened with additional memorial frameworks—most strikingly, that of the holocaust—and ostensibly supporters of the monuments would then have difficulty maintaining that they support the monuments simply as representations of military figures or objects of the past that have no bearing on the present.

Supporters of Confederate monuments use their own well-established narrative tropes: one might be characterised by the separation of history and current social problems; another might be characterised as predicting a ripple effect that would generate an overwhelming number of similar claims. These tropes are remarkably similar to those expressed almost twenty-five years earlier. After Mayor Landrieu called out a local businessman for his support of the monuments (for which he later apologised), the man in question responded with a two-page ad in The Advocate in which he addressed Mayor Landrieu directly:

I ask you, Mitch, should the Pyramids in Egypt be destroyed since they were built entirely from slave labour? We all have learned about the power and abuses of the Pharaohs and the plight of the slaves since the Pyramids are still with us today. What about the Roman Coliseum? It was built by slaves, who lived horrible lives under Roman oppression, but it still stands today and we learn so much from seeing it. Egypt and Italy should be grateful they had no Mitch Landrieu in power or these magnificent structures would not exist for the world to see today.[20]

When supporters of the monuments use the tactic of ripple effect or bring out the example of the Colosseum or the pyramids of Egypt, they argue for a moral and historical equivalence between these objects and those like Confederate monuments: they are part of a difficult past, but it is a past from which we can learn.

***

As these comments by supporters and opponents of confederate monuments demonstrate, there exist radically different views on what monuments have to do with history, and the role that history plays and ought to play in present-day life. Opponents of the monuments see an incongruence between the values represented by the monuments and the values of equality and justice that should characterise present-day society. They assert that it is because injustice continues in the present that the past is not really past, and that the monuments themselves should be understood as destructive, reflecting and participating in a continuing legacy of racism in the United States. Supporters of Confederate monuments take different views. While most agree that the past associated with these monuments diverges from our understandings of what society ought to be today, they argue that the monuments themselves are not problematic precisely because they should be understood as historical rather than contemporary objects and protected for their historical value. Another group of participants in the debate call for a process of “fixing” or contextualising the monuments by adding plaques or explanatory material in order to present them “in the context of their time.” Thus, the three distinct temporal relationships to the monuments emerge in the narrative tropes that are used to support varying positions as well as in the suggestions for how to respond to the monuments themselves.

Over the last five decades during which it was in public view, the Battle of Liberty Place monument was removed, returned, amended, and re-amended. Yet, it continued to be site through which struggles over the role of history in the present took place. If monuments such as the Battle of Liberty Place can be materially amended or even removed while the narratives surrounding them remain relatively stable, how are we to think about the past and the possibility of reshaping our public spaces? The choice between keeping or toppling monuments seems inadequate to the task of bridging divergent understandings of the role of history in the present, and yet the presence of heavy material symbols such as Confederate monuments cannot be ignored. It is time, then, to radically rethink the role, form, and lifespan of monuments in our public spaces.

[1] Quoted in Robert McClendon in the Times Picayune, December 18, 2015, “Charges May Not End with Four Statues - Liberty Place Under Protective Order”

[2] For more information on the construction of Confederate monuments, see Winberry, John. “‘Lest We
Forget’: The Confederate Monument and the Southern Townscape.” Southeastern Geographer 23, no. 2 (November 1983): 107–21, and Fahs, Alice., and Joan. Waugh, eds. The Memory of the Civil War in American Culture. Chapel Hill: University of North Carolina Press, 2004.

[3] R.E. Lee Monumental Association (New Orleans), and Charles E. Fenner. Ceremonies
Connected with the Unveiling of the Statue of General Robert E. Lee, at Lee Circle, New Orleans,
La., Feb. 22, 1884: Oration. 46 p. New Orleans: W.B. Stansbury & Co., Print., 1884.

[4] 1884. “Washington and Lee” Times Picayune, January 22.

[5] C.f. Fealing, Ken. 1981. “Mayor Takes Steps to Remove Liberty Monument from Canal Street” Louisiana Weekly, January 24.

[6] C.f. 1963. “Tribute Paid to Liberty Battle Heroes by Herbert” Times Picayune, September 14 and 1967. “Herbert Says U.S. Courts Hurt Freedom of Choice” Times Picayune, September 15.

[7] 1964. “Mayor Pledges Obelisk to Stay: Move from Canal Street Site Opposed” Times-Picayune, December 19. The removal of Robert E. Lee referred to in this piece occurred in 1954 when the wood of the pedestal had dry-rotted and had to be replaced. As far as I can tell, the only outcry was from the United Daughters of the Confederacy, which did not want the statue to be removed from the pedestal at all.

[8] Theodore, William. 1974. “Against Despotism” Times-Picayune, February 19.

[9] Sloan, L. 1974. “Coliseum Next?” Times-Picayune, February 19.

[10] Hunter, Joe. 1974. “Meaning for Blacks” Times-Picayune, February 19.

[11] Marcelia, Vanward. 1981. Times-Picayune, January 26

[12] Smith, M.D. 1981. “Pulverize Monument” Times-Picayune, January 26

[13] DuBos, Clancy., & Massa, Joe. 1981. “Monument inscription will be removed by city” Times-Picayune, February 27

[14] C.f. Eggler, Bruce. 1989. “Monument to whites is canned on Canal”. Times-Picayune, October 11.

[15] Frazier, Lisa. 1993. “Celebrating Old Divides” Times-Picayune, March 12.

[16] Epstein, James. 1993. “Liberty Monument - How to satisfy everybody” Times Picayune, April 6.

[17] Finch, Susan. 1993. “Monument Hearing Is Divided - History Invoked for And Against” Times-Picayune, June 30. Incidentally, there is now broad consensus among Egyptologists that the pyramids were built with paid labour.

[18] Section 146-611 of the Code of the City of New Orleans.

[19] Barry, Jarvis. 2015. “Statue of Lee and issue for N.O. - Mayor concerned how symbol fits in city’s future” Times-Picayune, June 24.

[20] Stewart, Frank. 20176. “An Open Letter from Frank Stewart to Mayor Mitch Landrieu.” The Advocate, May 3.

7/3/2022

Beyond populism: The ideological dimension of anti-politics

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by Blendi Kajsiu

Prof. Blendi Kajsiu is Assistant Professor of Political Science in the Faculty of Law and Political Science at the Universidad de Antioquia, Medellín, Colombia. His research interests lie in discourse analysis, anti-corruption, populism, neoliberalism, and Albanian and Colombian politics. His article 'Beyond populism: the ideological dimensions of anti-politics' is forthcoming in volume 27 of the Journal of Political Ideologies.

There is a strong tendency to conflate populism and anti-politics. In the media every political actor or party that rejects the political status quo is labelled populist, regardless of their political ideology. In academia, on the other hand, the rejection of the existing political class and institutions is understood as the very essence of populism. According to one of the leading political theorists of populism, Margaret Canovan, ‘in its current incarnations populism does not express the essence of the political but instead of anti-politics.’[1] In similar fashion, Nadia Urbinati argues that anti-politics constitutes the basic structure of populist ideology.[2] Hence, the concept of populism has been ‘regularly used as a synonym for “anti-establishment”’.[3]

The conflation between populism and anti-politics is understandable given that anti- elitism constitutes one of the core features of populism in its dominant definitions, whether as a thin ideology or as a political logic.[4] In most contemporary populist movements anti- elitism has taken the specific form of anti-politics, whether in the rejection of traditional political parties (la partidocracia) by Alberto Fujimori in Peru, Rafael Correa in Ecuador, Evo Morales in Bolivia, and Hugo Chavez in Venezuela, or the denunciation of the political establishment by Podemos in Spain and Syriza in Greece. The traditional political class has also been the main enemy of right-wing neo-populist movements in Latin America.[5] Likewise, dissatisfaction with the political establishment has constituted an important source of right-wing populism in Europe.[6] Hence, the confusion between anti-politics and populism, even when absent theoretically, can easily appear at the empirical level.

Yet anti-politics and populism are two distinct phenomena. The rejection of the political status quo, the denunciation of the existing political class and institutions can be articulated from different ideological perspectives. Politics, politicians, and political institutions can be rejected for violating the popular will (populism), for undermining market competition (neoliberalism), for weakening the nation (nationalism), for undermining tradition and family values (conservatism), or for producing deep inequalities and high concentrations of wealth (socialism). Hence, there are populist, conservative, socialist, neoliberal, and liberal anti-political discourses, alongside many others, which combine various ideological perspectives in their rejection of the political class and political institutions.

It is only when the rejection of politics, politicians, and the political status quo is combined with key concepts of populism that we can talk of populist anti-politics. Following Mudde, I understand populism as a “thin-centred ideology that considers society to be ultimately separated into two homogenous and antagonistic groups, ‘the pure people’ versus ‘the corrupt elite,’ and which argues that politics should be an expression of the volonté générale (general will) of the people.”[7] The antagonism between the honest people and the corrupt elite, the people as the underdog and the only source of political legitimacy, as well as popular sovereignty, constitute the conceptual core of any populist discourse because they are present in all its historical manifestations.

Populism functions as an ideology insofar as it partially fixes the meaning of these concepts in relation to each other. Thus, from a populist perspective, democracy is understood primarily as a direct expression of ‘the’ people’s will rather than as a set of institutional or procedural arrangements (liberal democracy). Popular sovereignty here means that ‘the people are the only source of legitimate authority’. Political legitimacy is defined in terms of the will of the people, as opposed to tradition (conservatism) or procedures (liberalism). Within the people–elite antagonism, the people are defined vertically as the underdog (the plebs) against a corrupt elite. This is different from the horizontal definition ‘the-people-as-nation’ within nationalist ideology, where the people are defined primarily in opposition to non-members rather than against the elite.[8]

The last point is important in order to distinguish between populism and nativism. The latter denotes an exclusionary type of nationalism ‘that holds that states should be inhabited exclusively by the members of the native group [….] and that non-native people and ideas are fundamentally threatening to the homogeneous nation-state.’[9] It is normally conflated with populism given that ‘both nationalism and populism revolve around the sovereignty of “the people”, with the same signifier being used to refer to both [“the people” and “the nation”] in many languages (e.g., “das Volk”).’[10]

Although in practice these two ideologies are interweaved, they define ‘the people’ in distinctive ways. From a populist perspective, the people is defined vertically as the underdog against an oppressive elite. This is an open-ended definition which implies that all those social groups that are being oppressed by the elite could be part of the people. In other words, the ‘people’ is not defined positively through a fixed set of criteria, as much as negatively in opposition to the corrupt elite.

The nativist ideology, on the other hand, defines the people horizontally as a nation in opposition to other nations, cultures, religions, or social groups. This is a closed definition that assigns a set of positive attributes to the people in terms of language, territory, religion, race, culture, or birth. Hence, from a nativist perspective the national elite remains ‘part of the nation even when they betray the interests of the nation and their allegiance to the nation is questioned.’[11] This is not true in the case of populism where ‘the elite’ by definition is not part of the ‘people’.

Given that populism as a very thin ideology articulates a very limited number of key concepts, anti-politics can rarely be simply, or even primarily, populist. This is why a number of scholars have argued that although radical right-wing parties in Europe are often labelled populist they are primarily defined by ethnic nationalism or nativism.[12] In other words, their rejection of the existing political class and institutions is more nativist than populist. Yet despite the growing consensus that ethnic nationalism or nativism is the key ingredient of extreme right-wing parties in Europe, they are still labelled populist radical-right parties, and not nationalist or nativist radical-right parties.

This is not to say that there cannot be right-wing political parties that articulate anti-politics primarily in a populist fashion, although they are hard to find in Europe. A number of leaders and political movements in Latin America, usually labelled neo-populists, have successfully combined a neoliberal ideology with populism. Presidents Alberto Fujimori in Peru (1990–2000), Carlos Menem in Argentina (1989–1999), and Fernando Collor (1990–1992) in Brazil combined populism and neoliberalism when in office.[13] In all these cases, populism, and not nativism, was the key element of their political articulation.

Hence the articulation of populism with nativism in right-wing populist movements is contingent rather than necessary. It appears natural due to the Eurocentrism of most literature on radical right-wing populism, which focuses on Europe and often ignores right-wing populist movements in Latin America and beyond. Our obsession with populism can blind us to the ideological zeitgeist that fuels the current anti-politics. Instead of identifying the populist versus anti-populist cleavage that has supposedly displaced the left–right division, it could be more productive to clarify how ideological polarisation has been producing rejections of current politics, whether along the cosmopolitan–nationalist or the left–right ideological dimensions.

Indeed, ideological polarisation along the left–right and the cosmopolitan–nationalist spectrums would tell us a lot more about the 2020 Presidential Elections in the USA than the populist–non-populist cleavage. A focus on nationalism would tell us a lot more about the emergence of radical-right parties in Europe, as well as the rise of extreme right-wing politicians such as Eric Zemmour in France, which mainstream media calls “populist”. Not to mention that populism, unlike nationalism, tells us very little about the current invasion of Ukraine by Russia.

Focusing on populism diverts our attention from the multiple ideological dimensions of anti-politics discourses today. The rejection of politics, the political class, and political institutions is rarely developed simply from a populist perspective, especially in Europe. It is often justified in the name of tradition, equality, identity, and especially in the name of the nation. Equating populism with anti-politics tends to obscure the ideological dimension of the latter, especially when populism is understood as a non-ideological phenomenon that lies beyond the left–right spectrum.

[1] M. Canovan, The People (Cambridge: Polity Press, 2005), 78.

[2] N. Urbinati, Me the People: How Populism Transforms Democracy (Harvard: Harvard University Press, 2019), 62.

[3] J. W. Müller, What Is Populism? (Philadelphia: University of Pennsylvania Press, 2016), 1.

[4] See C. Mudde, 'The populist zeitgeist', Government and Opposition 39:4 (2004), 542–563, at p. 543 and E. Laclau, On Populist Reason (London: Verso, 2005).

[5] K. Weyland, 'Neopopulism and Neoliberalism in Latin America: Unexpected Affinities', Studies in Comparative International Development 33:3(1996), 3–31, at p. 10.

[6] See C. Fieschi & P. Heywood, 'Trust, cynicism and populist anti-politics', Journal of Political Ideologies 9:3 (2004), 289–309; as well as H. G. Betz, ‘Introduction’, In Hans-Georg Betz and Stefan Immerfall (Eds.) The New Politics of the Right: Neo-Populist Parties and Movements in Established Democracies (New York: St. Martin’s Press, 1998).

[7] C. Mudde, 'The populist zeitgeist', 543.

[8] B. De Cleen and Y. Stavrakakis, 'Distinctions and Articulations: A Discourse Theoretical Framework for the Study of Populism and Nationalism', Javnost – The Public 24:4 (2017), 301–319, at p. 312.

[9] C. Mudde, ‘Why nativism not populism should be declared word of the year’, The Guardian, 7 December 2017, Available at: https://www.theguardian.com/commentisfree/2017/dec/07/cambridge-dictionary-nativism-populism-word-year

[10] B. De Cleen and Y. Stavrakakis, 'Distinctions and Articulations', 301.

[11] B. De Cleen, ‘Populism and Nationalism’ in C. Rovira Kaltwasser, P. Taggart, P. Ochoa Espejo, and P. Ostiguy, (Eds.) The Oxford Handbook of Populism (Oxford: Oxford University Press, 2017), 342–362, at p. 351.

[12] See B. Moffit, ‘The populism/Anti-populism Divide in Western Europe’, Democratic Theory 5 (2018), 1–16; B. De Cleen, ‘Populism and Nationalism’, 349; J. Rydgren, ‘Radical right-wing parties in Europe: What’s populism got to do with it?’, Journal of Language and Politics 16:4 (2017), 485–496.

[13] K. Weland, 'Neoliberal Populism in Latin America and Eastern Europe', Comparative Politics 31 (1999), 379–401, at p. 379.

31/5/2021

After Afropessimism

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by Elizabeth Jordie Davies

Elizabeth Jordie Davies is a doctoral student in Political Science and Ford Foundation Dissertation Fellow at the University of Chicago. Her research interests lie at the intersection of race studies and American political behaviour, focusing on progressive and racial justice movement activism, Black politics and social movements, participation, communication, political attitudes, and new media. This post is part of Ideology Theory Practice's series on Afropessimism as a social and political ideology, and is a direct response to Michael C. Dawson's engagement with the Afropessimist thought of Frank Wilderson and Jared Sexton.

“I can’t say too emphatically that we stand at a terminal point in history, at a moment of supreme world crisis. Destruction lies ahead unless things are changed. And things must be changed. And changed by the people.”
-- Ralph Ellison, Invisible Man[1]

I approach Afropessimism with a question: what here can move us forward? I understand Afropessimism as an intellectual project, a description of the state of the world as anti-Black. Afropessimism asserts that Black people exist outside of the category Human and are fundamentally excluded from social and civil life. I also understand Afropessimism as having potential as a political project, one that presents both opportunities and challenges. In this way, I depart from Michael Dawson, who, in his essay “Against Afropessimism,” warns against Afropessimism’s anti-political stance.

Afropessimism makes an important political intervention by accounting for the slings and arrows of anti-Blackness, the indignities suffered by Black people and the right-ness of Black anger and despair. As such, slavery and anti-Blackness provide foundational understandings of the past and present by validating the Black experience and by explicating the relationship of Black people to the rest of the world. Even though Afropessimism itself locates Black people outside of politics, it prompts those of us who are interested in a politics after Afropessimism to consider what we might or can do in the face of a world that again and again refuses Blackness.

While I stress the political potential of Afropessimism, I also agree with and extend a few of Dawson’s criticisms of Afropessimism. I am particularly interested in the political stakes of centering Black death as the lens through which to view the world. Afropessimism’s singular lens is useful when naming the enduring problems of white supremacy and anti-Blackness; however, I worry that it limits the scope of political possibilities that can be pursued by linking anti-Blackness with the struggles of other marginalised people and by embracing the fights of multiply-marginalised Black people.

Thus, I conclude that a Black politics and Black life must be pursued beyond Afropessimism. Black culture and Black recognition provide the foundation that links Black people together beyond conditions of oppression, forms the basis of solidarity politics, and prompts us to imagine otherwise.

I. A Black Experience

Afropessimism offers a paradigm through which Black anger and despair can be fully recognised given the terrain of anti-Blackness, which is a result of the position of Black as “slave.” Wilderson’s Afropessimism follows and extends Hartman who locates Black people in the “after-life of slavery—skewed life chances, limited access to health and education, premature death, incarceration, and impoverishment.[2] Yet for Wilderson, the Black condition is not solely an “after-life” but a static condition of slavery and Black exploitation in relation to the rest of the world. Blackness is the “other” upon which the world turns and operates.

In reading Wilderson’s descriptions of his life experiences of racism, both micro and macro aggressions, it seemed clear to me something was being articulated that was familiar to all Black people, something worth acknowledging for the truth it reveals and the foundational understanding it provides: the Black experience of being unacceptable to white people, being outside of social life, and unworthy of recognition.

Wilderson recounts conversations with his childhood friend’s white mother, wherein she asks the “unasked question,” first through his friend, then directly “How do you feel, being a Negro?”[3] This exchange echoes Du Bois’ Souls of Black Folk, wherein he ponders, “How does it feel to be a problem?”[4] Wilderson’s personal experiences, though in some ways limiting the scope of his argument due to his positionality as a middle-class man, provide entry into the experience of Blackness as Black autobiographical writing has done throughout history. The barrage of attacks on Wilderson from white neighbors and colleagues echo a common theme throughout Black biography: an outsider looking in, an invisible man, or a woman hiding in the attic.

Wilderson asserts that the senselessness and inhumanity of racism and anti-Blackness can only make sense if to be Black is to not be human but to be in the category of slave. He emphasises that the history and presence of anti-Black violence is insurmountable in the political arena. He expounds on this in conversation with Linette Park for The Black Scholar, wherein he declares that there is no need for some “telos” or “destination” for Black rage.[5] Instead, Wilderson suggests we should “pick the scab and let Black people do the work of combustion” without the “mandate of uplift” or the “mandate of civil rights.” In this way, Wilderson says, we have a “mandate of true acknowledgement of what snaps in the mind from the death of Black desire, and we’re saying that’s okay. Because, nothing can happen in this world without Black people being at the core!”

I am open to the political implications of what it means to be neither in nor of the world, positioned outside of social and civic life, and inhabiting an outsider status from where one could let go of the present and strive for a different future. Following Jasmine Syedullah, I recognise that pessimism, in particular, can serve as a “prophetic defense against the future white supremacy makes all but inescapable...despair works to expose the limits of political agency, incorporation, representation, and progress.”[6] Afropessimism, then, suggests that to reach for some common ground with a white supremacist system is and always has been futile, given the relentless and ongoing reality of Black death since slavery. This axiom allows Black people to step away and slip through an open door to something else.

Furthermore, I agree with Sexton when he writes “Slavery must be theorised maximally if its abolition is to reach the proper level.”[7] Sexton goes on, “The singularity of slavery is the prerequisite of its universality.”[8] I therefore agree that the emphasis on anti-Black slavery is a useful anchor, pulling the conversation to the crux of the matter. Only in a system defined by anti-Black slavery can the logics of racism, the carceral state, colorism, capitalism, persistent inequalities in wealth and status, and diasporic divisions of Black people across space and time make sense.

There is power in naming the reality of the present in the realm of a post-slavery continuum that demonstrates how what is remains linked to what was. If Black people remain in an undignified state of being, that helps explain ongoing dissatisfaction, anger, and uprisings. Black activists’ extension of the “abolitionist” fight from slavery to mass incarceration, for example, demonstrates the discursive power and mobilising potential of placing modern struggles within the long trajectory of anti-Blackness.

II. The Limits of Afropessimism

Despite the discursive power of slavery and anti-Blackness as the defining backdrop of the modern world, this framing has important limits. Dawson asserts that Afropessimism, in its singular focus on new world slavery, obscures the genocide of Indigenous people and flattens the experience of Black people. I argue that we must be able to reasonably acknowledge and centre the experiences of Black people vis-à-vis slavery, while also linking this struggle with other experiences of colonisation and marginality. Two things can happen at once. Attention to the struggles of others does not weaken or shrink the gravity of Black struggle.

Without acknowledging the struggle of other marginalised groups, Afropessimism, as Dawson writes, is theoretically limited by not acknowledging the context in which slavery occurs. Afropessimism loses the fuller story of white supremacy and ignores that the anti-Black capitalist world was made possible through centuries of genocide and displacement of Indigenous people. Without this story, we cannot comprehend Black peoples’ stakes in fights against capitalism, colonisation, and the fight for environmental justice. The lack of acknowledgement of the colonisation of Indigenous people at the outset of modernity withdraws Black struggle into itself and refuses to see the areas upon which collaboration, mutual interests, and common enemies can build a pathway forward.

In addition, Afropessimism needlessly limits the scope of its argument focusing solely on the trials of anti-Blackness. However, anti-Blackness, and sexism, and classism, and homophobia, and (etc)... are all defining and intersecting struggles in Black life. I do not think that the answer is mere recognition of these struggles, wherein simple acknowledgement or “representation” is the reliable answer. Rather, we should name these systems of domination as part and parcel of anti-Black practices because Black people bear the brunt of all of these “-isms” in distinct ways. The Black experience is expansive and we cannot ignore the variations in conditions that make for better or worse life chances.[9]

III. Solidarity

I am concerned that Afropessimism forecloses questions of solidarity, refusing the possibility that Black people can ever benefit from true cross-racial solidarity, as well as refusing the power of Black led social movements.

Wilderson writes that “left-wing counter-hegemonic alliances” are “an essential terror” and that “coalitions and social movements—even radical social movements like the Prison Abolition Movement—bound up in the solicitation of hegemony, so as to fortify and extend the interlocutory life of civil society...ultimately accommodate only the satiable demands and legible conflicts of civil society’s junior partners (such as immigrants, White women, the working class), but foreclose upon the insatiable demands and illegible antagonisms of Blacks” (emphasis Wilderson’s).[10]

There is something to be learned and understood from the assertion that everyone is anti-Black, and that there (perhaps) can be no pure solidarity. I accept that. When Wilderson recounts his Palestinian friend’s anti-Blackness, or when his father was called a n*gger by a Native American man, I do not excuse these as one-off experiences but as examples of the embeddedness of anti-Blackness.[11] There is no good reason to ignore this fact and I am not here to suggest that we pursue cross-racial solidarity at the expense of Black safety and well-being, or that we should prioritise coalitional politics only, or before first building up Black political bonds.

But avoiding opportunities for solidarity leaves a lot on the table. Acting in solidarity connects multiple struggles against white supremacy and builds power, rendering solidarity a useful tool that can be used to accomplish political goals and better the terrain, even in an anti-Black world. And better is not perfect, but it is better.

It is better for Black people to be out of prison than inside of it, it is better for Black people to be able to vote than to not be able to vote, even as anti-Blackness says those voting rights are and will always be under attack. It is better for Black people to enter class struggle in solidarity with other workers. The fight for a free Palestine has always been and always will be intertwined with the Black freedom struggle. We cannot slide into a realm of futility that diminishes the value of waging political fights for subjugated people the world over.

This is not to say that progress is a given, or that there are no fights that Black people should refuse. It is not evident to me that the oft quoted Martin Luther King Jr. aphorism “the arc of the moral universe is long, but it bends towards justice” is accurate. I do not think that Black people should be in coalitions with people who deny their humanity. Black people will have to fight for every modicum of progress and will have to use discernment about who fights alongside. Guidance for these fights, though, can be found in a rich Black radical tradition. Furthermore, Black culture and Black community can serve as grounding and mobilising forces beyond the realities of anti-Blackness.

IV. Black Life Matters

“The archival of black life is more than counting the dead, the maimed, and the dispossessed. Rather, it holds a possibility of deep remembrance of the freedom dreams of our ancestors, those who walked before us, and walk beside us, and those yet to come. Freedom dreams don’t live in real time. They live in epiphenomenal time—that black (w)hole of our existence in which the past, present and future are coiled around each other like that tiny black curl at the nape of your neck your grandmama used to call a “kitchen.”
-- Zenzele Isoke, “Black Ethnography, Black (Female)Aesthetics: Thinking/ Writing/ Saying/ Sounding Black Political Life”[12]

While Afropessimism offers an intellectual path away from this world, it does not fully revel in the pleasurable cultural experiences of being Black. This includes the continuum of common experiences, language, and culture through which Black people are able to recognise, know and acknowledge each other. Thus, the pathway forward after Afropessimism must be sought elsewhere.

Sexton argues that “Nothing in afro-pessimism suggests that there is no black (social) life, only that black life is not social life in the universe formed by the codes of state and civil society, of citizen and subject, of nation and culture, of people and place, of history and heritage, of all the things that colonial society has in common with the colonised, of all that capital has in common with labour—the modern world system. Black life is not lived in the world that the world lives in, but it is lived underground, in outer space.”[13]

It may be the case that Black social life is lived outside of civil society. But even so, Black social life and culture deserves a central place in the condition of Blackness as it has always been there, moving Black people through and forward. New and old Black feminisms and Black queer politics provide rich, grounding traditions of expansive togetherness, inclusion and safety for all Black people, even as these were and are located outside of mainstream feminist and queer movements. Though the world is predicated on Black death, Black people can be revived through Black collectivity. As Kevin Quashie writes, “Antiblackness is part of blackness but not all of how or what blackness is. Antiblackness is total in the world but not total in the black world.”[14]

Black art and literature, Black music, call and response traditions, the Black church: there is so much we give for and to us that gives cause and reason to carry on, to not despair, and to fight at least for the space where we can be us, even if that space is outside of the social world. Traditions seen as errant and often unrecognised for their artistic contributions mean something to Black people and demonstrate that Black existence is more than just a condition of slavery. We should revel in who Black people are in spite of anti-Blackness, not to ignore its persistence but to honour those who came before.

While we must take care not to, as Hartman warns, “fill in the void” with political projects that are ultimately integrationist, nor reclaim struggles against anti-Black violence as some demonstration of otherworldly strength or endurance.[15] I think, however, there are ways to revel in Blackness that exists outside of what are typically seen as justice-bent goals or characteristics, like integration or endurance. Black people can, in fact, revel in their outsider status, as Hartman demonstrates in her book Wayward Lives, and build a “transformational politics from below,” as Cohen discusses in her essay, “Deviance as Resistance.”[16]

V. Conclusion

In this essay, I find important political potential in grounding anti-Blackness as the defining condition of the world, as it validates and speaks to the Black experience. However, I also agree with Dawson’s critique that Afropessimism does not adequately recognise the struggles of other marginalised groups and homogenises the Black experience.

I find important limitations in the theory of Afropessimism as it forecloses possibilities for linked solidarity struggles by minimising the struggles of other marginalised groups outside of Blackness. Even as the outsider status of Blackness provides a generative space to pursue a different world and even revel in Black life, Afropessimism alone does not fully appreciate Black cultural traditions.

We may hold Afropessimism as a truism describing the state of the world; but I see Black radicalism and Black feminism as the imaginative, world-building politics that provide a path forward. Author and womanist Alice Walker, speaking at an Anti-Nuke Rally at Grace Cathedral in San Francisco in 1982, offers food for thought in this regard:

“Life is better than death, I believe, if only because it is less boring, and because it has fresh peaches in it. In any case, Earth is my home—though for centuries white people have tried to convince me I have no right to exist, except in the dirtiest, darkest corners of the globe.

So let me tell you: I intend to protect my home. Praying—not a curse—only the hope that my courage will not fail my love. But if by some miracle, and all our struggle, the earth is spared, only justice to every living thing (and everything is alive) will save humankind.

And we are not saved yet.

Only justice can stop a curse.”[17]

[1] Ellison, R. 1995. Invisible man. New York: Vintage International.

[2] Hartman, Saidiya. 2007. Lose Your Mother: A Journey Along the Atlantic Slave Route. New York: Farrar, Strauss, and Giroux: 6.

[3] Wilderson, Frank. 2020. Afropessimism. New York: Liveright Publishing Corporation: 24-27.

[4] Du Bois, W.E.B. (1903, 1994). The Souls of Black Folk. Mineola, NY: Dover Publications, Inc. 1.

[5] Park, Linette. 2020. “Afropessimism and Futures of …: A Conversation with Frank Wilderson.” The Black Scholar 50(3): 40.

[6] Gordon, Lewis R., Annie Menzel, George Shulman, and Jasmine Syedullah. 2018. “Afro Pessimism.” Contemporary Political Theory 17(1): 128.

[7] Sexton, Jared. 2011. “The Social Life of Social Death: On Afropessimism and Black Optimism.” InTensions Journal. Issue 5: Fall/Winter. Toronto: York University: 33.

[8] Ibid, 33.

[9] Or, perhaps Afropessimists would say, slower or faster deaths.

[10] Wilderson, Frank. 2020. 222-223.

[11] Ibid,12-13 & 44.

[12] Isoke, Zenzele. 2018. “Black Ethnography, Black (Female) Aesthetics: Thinking/ Writing/ Saying/ Sounding Black Political Life. Theory and Event, Vol 21(1): 149.

[13] Sexton, Jared, 2011. 28.

[14] Quashie, Kevin. 2021. Black Aliveness, Or a Poetics of Being. Durham; London: Duke University Press: 5.

[15] Hartman, Saidiya V. and Frank B. Wilderson. 2003. “The Position of the Unthought.” Qui Parle 13(2): 186.

[16] Cohen, Cathy J. 2004. “Deviance As Resistance: A New Research Agenda for the Study of Black Politics.” Du Bois Review: Social Science Research on Race 1(1): 42.

[17] Walker, Alice. 1983. “Only Justice Can Stop a Curse,” in Home Girls: A Black Feminist Anthology. Barbara Smith, ed. New York: Kitchen Table—Women of Color Press.

24/5/2021

On Afropessimism and narrative theorising

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by Marcus Lee

Marcus Lee is a doctoral student in Political Science at the Center for the Study of Race, Politics, and Culture, University of Chicago. His research interests lie at the intersection of race studies and queer theory, focusing on the emergence of black gay/lesbian collectivities in the late 20th century, including HIV/AIDS, gendered violence, and obscenity in art. This post is part of Ideology Theory Practice's series on Afropessimism as a social and political ideology, and is a direct response to Michael C. Dawson's engagement with the Afropessimist thought of Frank Wilderson and Jared Sexton.

Michael Dawson’s critique of Afropessimism centers primarily on the striking inattention to historical detail in the writings of Frank Wilderson and Jared Sexton. Both writers pose slavery and the present as so deeply interwoven that claims of historical continuity require neither explanation nor qualification. Wilderson writes, “The changes that begin to occur after the Civil War and up through the Civil Rights Movement, Black Power, and the American election of a Black president are merely changes in the weather. Despite the fact that the sadism [i.e. spectacular, gratuitous violence] is no longer played out in the open as it was in 1840, nothing essential has changed.”[1] Sexton likewise suggests that the structural relations constitutive of slavery remain pervasive and are unyielding, “regardless of variance or permutation in [their] operation across the better part of a millennium.”[2] According to Dawson, these sweeping claims, as well as many of the other theoretical maneuvers in Wilderson and Sexton’s writings, work to obscure rather than clarify the terms of antiblackness and result in a general loss of analytic purchase on the current moment.

I appreciate Dawson’s historically informed critique. Wilderson and Sexton often substitute rhetorical flourish for the opportunity to parse historical detail or substantiate claims. In reading Wilderson’s memoir, Afropessimism, however, I am struck by his unique mode of narrative theorising. Whereas Dawson bases his critique in empirical precision and historical specificity, Wilderson revels in the personal and the polemical. Wilderson’s sweeping claims, on my reading of them, do not just constitute historical slippages or inaccuracies, but also imply that history itself is somehow beside the point or irrelevant to his theoretical propositions. In other words, there seems to be a certain methodological incongruence between Dawson’s critique and Wilderson’s writing: while the former is concerned with material histories, the latter is theorising on different grounds entirely. This is not to diminish the significance of Dawson’s response; critical readings need not occupy the same analytic register as the objects to which they are responding in order to be generative. And—regardless of the utility of historical observations in Wilderson and Sexton’s writings—Dawson is correct to warn against the real-world implications of glossing over records of struggle and political economic change in order to craft theory. As he notes: “What is at stake is far more critical than an academic debate between abstract theorists.”

Still, the methodological incongruence between Dawson’s critique and Wilderson’s Afropessimism begs a set of questions: To what extent can historical data serve as counterevidence to a text whose animating assumption appears to be that history matters little? How might a more immanent critique of Afropessimism be constructed? What grounds Wilderson’s theoretical propositions, if not history? In other words, how does Wilderson arrive at Afropessimism and what might be said about the case material that gets him there?

The starting-point for this brief essay is Wilderson’s implicit invitation to read Afropessimism differently: not just as a field of critical theory or school of thought, but as a historical mood, a sensibility, or—what Jafari Allen would call—a “habit of mind.”[3] What interests me are not Wilderson’s empirical or historical observations, of which he offers few in Afropessimism, but his narrative strategy. Following the literary styles of writers like Frantz Fanon, James Baldwin, and Saidiya Hartman, Wilderson fills his text with accounts of ordinary, yet personally formative encounters: a conversation with his grandmother, a fight at a boys’ club, an embarrassing moment with a romantic partner, drama with the landlord, a cab ride, office hours with a student, etc. The details of his narration—including its organisation, whom he does and does not give voice, and which encounters warrant reflection—provide the basis of his case for Afropessimism. I submit that readers might gain additional traction on the theoretical innerworkings of the text by examining the implications of Wilderson’s genre choice and writerly tendencies.

One of the noticeable features of Afropessimism, on my reading, is how little narrative significance Wilderson assigns to dialogue among Black people. Although he describes Afropessimism as “Black people at their best,” Wilderson narrates very few scenes of Black people at all.[4] Instead, he provides many accounts of one Black person—himself—being alienated by his non-Black counterparts—e.g. a conversation between he and a Palestinian friend; a game of “secret agent” between he and three White childhood neighbors; a reception with non-Black attendees of a workshop in Berlin. It is through these encounters and others like them that Wilderson comes to recognise his standing in the world as a Black person. However, he gives short shrift to moments of intra-racial witnessing. To the extent that Wilderson does narrate encounters between and among Black people, he nearly always presents them as scenes of resentment, anxiety, or failed intimacy. In this way, Black people appear to have no moments of recognition between them—certainly no intra-racial sociality—but only what he calls “intra-Black imbroglio”: enduring confusion, painful embarrassment, or bitter misunderstanding.[5]

Perhaps, then, it is not just a stubborn inattention to history that leads Wilderson to elide the development of intra-racial communication networks, art and literary circles, political institutions, churches, and mutual aid societies across the late-19th and 20th centuries (or what Dawson calls “the formation of modern black civil society”), but rather a more fundamental failure to imagine generative relationships between and among black people. Or, perhaps his tendency to discount patriarchy is not just the result of empirical imprecision, but is linked to how he narrates relationships and encounters with Black women—for instance, how might we understand Wilderson’s infatuation with Bernadette, onto whom he projects fantasies of an unnamed, slain Black woman?[6] Or his general tendency not to reflect on relationships with Black women at all, except when their lives indicate forms of violence that prove rhetorically useful in his narrative? Maybe Wilderson’s insistence that “Blackness is coterminous with Slaveness” is not only a misreading of the historical record, but also the product of a habit of mind attuned to seeing “intra-Black imbroglio” first. What I am suggesting here is that Wilderson’s sweeping claims are not just inaccurate observations, but are indicative of a practice of reading, a sensibility—one more invested in the rhetorical uses of anti-black violence and death than the historical fact or political implications of intra-racial sociality.

The current uptake of Afropessimism within and outside of the academy indicates that many find its habits of mind appealing. This is likely attributable, at least in part, to the countless episodes of violence and democratic failure that shape our present: the mediatised killings of Black people, the election of Donald Trump (despite the popular vote), the election of Joe Biden and Kamala Harris (despite—or maybe because of—their major political contributions to the expansion of prisons and police), inequitable access to COVID-19 related health care, etc. Black people have good reason to feel pessimistic. However, it seems that Afropessimism does not only model pessimistic feeling, but also a set of practices or a sensibility that discounts intra-racial sociality. We lose more than we gain, politically speaking, when our rage toward the world is undercut by a failure to witness each other. Countering the perils of Afropessimism requires historical correction as well as the development of an alternate habit of mind.

[1] Frank B. Wilderson, Afropessimism (New York, NY: W. W. Norton & Co., 2020), 96.

[2] Jared Sexton, “People-of-Color-Blindness: Notes on the Afterlife of Slavery,” Social Text 28 (2(103)) (2010), 37.

[3] Jafari Allen, “One View from a Deterritorialized Realm: How Black/Queer Renarrativizes Anthropological Analysis,” Cultural Anthropology 32(4) (2016), 620.

[4] Wilderson, Afropessimism, 40.

[5] Ibid., 100.

[6] Ibid., 152–5.

17/5/2021

Against Afropessimism

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by Michael C. Dawson

Prof. Michael C. Dawson is the John D. MacArthur Professor of Political Science at the University of Chicago, and founding director of its Center for the Study of Race, Politics, and Culture. His research interests include African-American political behaviour, identity, and public opinion, the political effects of urban poverty, and African-American political thought and ideology, as distinct from that of white Americans. This post is adapted from Chapter 2 of his edited volume Race and Capitalism: Black Politics in an Era of Financial Capitalism (in preparation). It is the inaugural piece in Ideology Theory Practice's series evaluating Afropessimism as a social and political ideology.

Afropessimism

Afropessimists argue that we can only understand the global system of racial domination if we acknowledge that it is, first and foremost, a system defined in toto by anti-blackness. Moreover, Afropessimism rejects a central role for political economy and politics for understanding the essence of black oppression. For the past few years, this branch of critical race theory has gained a number of supporters in and out of the academy. For example, Frank Wilderson’s highly influential 2020 book Afropessimism was long-listed for the National Book Award and was praised by several outstanding black intellectuals.

This essay centres the work of Frank Wilderson and Jared Sexton as they are widely recognised leaders of the Afropessimism school of thought.[1] Wilderson and Sexton claim that the enslavement of Africans constituted a rupture; a rupture that was essential for the development of capitalism but also a rupture that put black bodies and black people outside of the logics of capitalism and colonialism. For Sexton and Wilderson, anti-blackness is both a unique system of structural dominance as well as an ideology. Anti-blackness, they claim, is defined by racial slavery and impervious to change. Sexton argues for example, “the application of the law of racial slavery is pervasive, regardless of variance or permutation in its operation across the better part of a millennium”.[2]

In this essay, I offer a critique of Afropessimism, both as a theory of black oppression and as a political project. I make the following claims. First, Afropessimism incorrectly centres the experiences of people of African descent that were enslaved within the U.S. This results in the homogenisation of the experiences of peoples of African descent, and, equally importantly, mischaracterises and belittles the oppression of non-African colonised subjects. While I agree that anti-blackness is a central structural feature of global white supremacy that emerged with the mid-15th-century Iberian slave trade, I argue that it is not the only critical structural feature that historically defined white supremacy. Further, the ontological centring of the experiences of people of African descent in the U.S. radically and incorrectly homogenises the history and conditions of the peoples of Africa and those in the African Diaspora.

Secondly, I argue that Afropessimists overemphasise the continuities in the black experience in the U.S. While Afropessimists are correct that there are structural continuities across time that continue to contribute to black oppression—not the least of which is a continuing vitriolic and violent global anti-blackness—they underemphasise the achievements of black freedom struggles. Even Wilderson’s own biography is a testimony to critical changes in the black experience in the U.S. The positive changes that are elided in the work of many Afropessimists—such as the formation of modern black civil society and a great expansion of a robust and often revolutionary black politics— serves to erase the often heroic struggles of black activists; struggles that often tragically failed to bring substantial progress, but that also sometimes achieved victories in the struggle for black liberation.

Finally, and critically, Wilderson and Sexton present a fatally flawed account of the relationship between black oppression, white supremacy and the capitalist social order. I will demonstrate that this is a flaw that not only makes impossible any accurate account of black oppression, but also prevents us from understanding the contradictions and cleavages that exist within black communities and black politics.

Afropessimism Incorrectly Centres the Experiences of People of African Descent Enslaved within the U.S.

Afro-Pessimists homogenise the black experience. I agree with Wilderson when he argues that the enslavement of blacks, and specifically the slave trade, was a condition for the development of global capitalism, particularly as the Atlantic became more economically important than the Mediterranean.[3] The large-scale sale of Africans in 1444 by the Portuguese marked Africans as the Other, justifying in the minds of royal, religious, and secular Portuguese elites the brutal and exceptional enslavement of Africans. Previously, only prisoners of war were subject to enslavement. This marked the moment when Africans were marked as the exception to natural law in service of accumulation; in service of profits.[4] I also agree with Wilderson that this marks the inception of a set of anti-black logics that have taken a life of their own and have rendered black lives less valuable, subject to excessive and often arbitrary violence, and ultimately disposable during the entire history of capitalist development.

I disagree, however, when Sexton and Wilderson privilege the role of enslaved Africans and their descendants in the “New World” and homogenise the black experience. They fail to understand that black people have played a number of roles viz colonialism and have been valued differently by capitalist states and managers depending on those roles.[5] Sexton’s claim “[t]he United States provides the point of focus here, but the dynamics under examination are not restricted to its bounds” glosses over the differences in black experience at the time of slavery and the present day, and between “New World slavery” and old-world colonialism.[6] It assumes that the figure of the enslaved African in the “New World” can represent the entirety of black experience. This is untenable: After all, one might well argue that the experience of colonised Africans was more akin to that of the other colonised populations of Asia and the “New World” than that of their enslaved cousins. The work of scholars such as Michael Ralph and Andrew Zimmerman, among many others, demonstrate that those enslaved in the so- called “New World” was not the same, for example, as the experience of Africans in Senegambia who worked as agents on behalf of European colonial powers.[7]

Further, these Afropessimists incorrectly belittle the oppression of non-white peoples who are not of African descent. If the threat and shadow of slavery followed those of African descent across generations, the very real threat of dispossession, massacre and even genocide at the hands of Euro-American imperialists and their clients similarly hung over entire indigenous populations across multiple continents and islands.

But Afropessimists deny this. Sexton, for example, argues that with respect to black folks, indigenous populations had the same relationship to people of African descent as the Europeans that colonised the western hemisphere, Asia, and Africa. Sexton argues, “freedom from the rule of slave law requires only that one be considered nonblack, whether that nonblack racial designation be “white” or “Indian” or, in the rare case, “Oriental”—this despite the fact that each of these groups has at one point or another laboured in conditions similar to or contiguous with enslaved African-derived groups.”[8] In other words, Sexton here argues that modern racial slavery was so momentous than even the indigenous victims of genocide, or the conquered colonised peoples throughout the world, had more in common with whites than they had in common with enslaved African populations and their descendants—even though arguably colonised Africans had more in common with other colonised peoples than with their enslaved cousins in the Western Hemisphere.

Sexton declares, “we note the fact that ‘the absolute submission mandated by law was not simply that of slave to his or her owner- but the submission of all the enslaved before all whites. The latter group is better termed all non blacks (or, less economically, the unequally arrayed category of non-blackness), because it is racial blackness as a necessary condition for enslavement that matters most, rather than whiteness as a condition for freedom.”[9] Even bracketing the historical inaccuracies, the logical and temporal slippage in the above passages that lead to the transformation from “enslaved before all whites” to “better termed non blacks” is stunning. The genocide of indigenous peoples in the New World preceded black slavery and was in many ways as or more brutal even if the dehumanisation processes markedly differed. Nine out of ten indigenous people died due to European diseases in the New World—yet that category was a condition for freedom? The American empire as well as that of its European counterparts required periodic massacres of racialised “natives” at places such as Sand Creek and Wounded Knee, or in the early 20th century, the Philippines where an extraordinary percentage of the population was killed during the American military intervention before World War I. In his work on racialised U.S. imperialism in the Philippines, Kramer calls estimates of 250,00 Filipinos dying as a result of U.S. military intervention during the late 19th early 20th century “conservative”.[10] Massacres such as these were conducted by from Southern to Northern African by brutal imperialists such as the Germans and British.

To sum up: White supremacy was and is a global imperial project that divided the world into civilised, human, citizen-subjects, and non-civilised, sub-human colonised subjects. The enslavement of Africans and the centrality of the slave trade for the early development of capitalism and empire for Atlantic sector European states ensured that anti-blackness would be an enduring structural feature of white supremacy. But the processes of racialisation, domination, dispossession and exploitation associated with white supremacy differed within and across regions. Only by not homogenising the experiences of the various racially subordinated populations—including the experiences of people of African descent—will we be able to analytically forge theories and practices needed for black liberation.

Afropessimism is Anti-Political and Erases the History and Achievements of Black Liberation Movements.

Wilderson argues that blacks are not of the world, they are also not part of the “narrative,” not part of history. Wilderson states: “As provocative as it may sound history and redemption (and therefore narrative itself) are inherently anti-Black.”[11] For Wilderson, blacks are outside of history; “space and time” are absent: “just as there is no time for the Slave, there is also no place for the Slave.”[12] In asserting that black people are outside of history, Wilderson is making the claim that Blackness is irrevocably marked as slaveness—there is no historical change in the meaning of blackness and position of black people. In Afropessimism, for example, Wilderson claims that “Afropessimism is premised on an iconoclastic claim: that Blackness is coterminous with Slaveness.”[13] “Blackness,” Wilderson emphasises, “cannot exist other than Slaveness”.[14]

This is not so much an iconoclastic claim as a false one. It is true, of course, that Black lives after slavery continued to be marked by domination and violence. The spectre of extreme violence aimed at individuals and black communities, the expropriation that marked share cropping in the rural south, the super-exploitation of black industrial workers, the precarious position of black women performing paid and unpaid domestic labour, and the continued vulnerability of black women to all of the above as well as gender-based domination, all serve to emphasise the continuities of domination.

But while there were important continuities between in the condition of black people during and after slavery, the rupture caused by the end of slavery nonetheless represented a massive change in how black life was organised—a reorganisation that transformed the articulation between white supremacy and the capitalist social order. The end of slavery presented new and important opportunities for black agency even if full “freedom” was not achieved. It was marked by the formation of black civil society, the emergence of new possibilities as well as new challenges for black politics. It was during this period that the institutional backbone of black civil society was developed—including the black church (which was as much a political institution as a sacred one); black institutions of higher learning; cooperative and mutual aid societies; and. a myriad of other organisational initiatives. All were launched and/or consolidated during this period. The ability to form families, expand black politics, and build black civil society represented a type of real if limited progress.

Further, Wilderson’s claim that the black condition is defined by “slaveness,” that blacks are not of the world, they are also not part of the “narrative,” not part of history is also profoundly anti-political. For Wilderson, blacks exist outside of the domain of politics: “The violence of the slave estate cannot be thought of the way one thinks of the violence of capitalist oppression. It takes an ocean of violence to produce a slave, singular or plural, but that violence never goes into remission. Again, the prehistory of violence that establishes slavery is also the concurrent history of slavery. This is a difficult cognitive map for most activists to adjust to because it actually takes the problem outside of politics.”[15]

Wrong. What progress has been made has been the result of fighting through social movements that, as Malcolm X urged, used any means necessary. Fighting oppression is inherently political. The anti-political nature of Wilderson’s central claim casts aside the momentous struggles of black people for liberation in the U.S., massive struggles for freedom throughout the African Diaspora, the 20th-century African national liberation struggles, as well as contemporary African struggles against neocolonialism, neoliberal regimes, and against the new imperial project of redividing Africa.

Perhaps the most immoral implication of Wilderson’s claim that slaveness defines blackness is that the human is defined against blackness. If blacks are not human then it is easier to claim that black people are outside of history, and blacks are outside the realm of politics. For Wilderson, all human life is defined in opposition blackness, in opposition to the condition of being a slave. Wilderson explains, “Human Life is dependent on Black death for its existence and for its conceptual coherence. There is no world without Blacks, yet there are no Blacks who are in the World.”[16] This claim places Wilderson outside of both the black radical and black nationalist traditions. Black movements whether black liberal, black Marxist, or black nationalist fought and died insisting on Africans’ humanity—although some, particularly but not exclusively many black nationalists, questioned the humanity of those that enslaved others. Black movements have historically, and correctly, demanded a place in a world the recognition of one’s own humanity regardless of one’s status as enslaved, expropriated, and oppressed.

Afropessimism Distorts the Relationship Between Anti-Blackness, White Supremacy, Patriarchy, and Capitalism

Finally and critically, this version of Afropessimism severely mischaracterises the relationship between anti-blackness, white supremacy, and capitalism.[17] Wilderson asserts that political economy is of little use for analysing the black condition as the condition of the slave, the condition of blacks, is subject to violence that cannot be explained by political economy. Further, the status of the slave is invariant to “historical shifts.” I assert that only by understanding the interaction between the multiple systems of domination blacks are subject to—white supremacy (of which anti-blackness is a central structural feature), patriarchy and capitalism—will we be able to understand for any given era the status of blacks; the massive and multiple forms of violence that blacks experience, and the way forward toward full black liberation.

In Afropessimism, Wilderson only briefly considers the role of political economy in black subjugation. He argues that the use/study of political economy cannot explain the violence committed against blacks. This violence, Wilderson argues, is invariant across time. Specifically:

“Black people exist in the throes of what historian David Eltis calls ‘violence beyond the limit,’ by which he means: (a) in the libidinal economy there are no forms of violence so excessive that they would be considered too cruel to inflict upon Blacks; and (b) in political economy there are no rational explanations for this limitless theatre of cruelty, no explanations that would make political or economic sense of the violence that positions and punishes Blackness….the Slave’s relationship to violence is open-ended…unaccountable to historical shifts.”[18]

What Wilderson misses is that blacks are subject to multiple sources of violence—the cumulative nature of which is monstrous. Simultaneously analysing the articulation of white supremacy, patriarchy, and capitalism leads one to the realisation that blacks depending on context in various combinations experience violence as workers, women, and/or as black people. Each system of domination routinely inflicts violence for those at the bottom of each hierarchy. I would add that an aspect of white supremacy and anti-blackness is that for blacks even the forms of violence that derive from patriarchy and capitalism are intensified due to white supremacy. This violence is also rational to the degree that each form of violence is ultimately aimed at reinforcing the rule of those at the top of each system of domination.

In a much earlier essay, Wilderson more directly addresses the relationship between capitalism and black subjugation. Wilderson asserts that “…the United States is constructed at the intersection of both a capitalist and white supremacist matrix.”[19] This statement is promising in that it hints at the simultaneous analysis of the interaction between capitalism and white supremacy. Yet, he does not sufficiently explore the consequences of this statement and does not analyse the actual dynamics created by the articulation of capitalism and white supremacy.

For example, in Afropessimism Wilderson correctly asserts that “….the emergence of the slave, the subject-effect of an ensemble of direct relations of force marks the emergence of the capitalism itself.”[20] The “primitive” accumulation necessary for the establishment of the capitalist social order does have at its centre the brutal and hideous social relations of slavery and the slave trade, but not only slavery.[21] But unlike what Wilderson argues, the historical record shows that under white supremacy and colonialism blacks are not the only racially subordinate group to be subject to “direct relations of force.” As Ince argues, “direct relations of force” do not only mark the subject of the slave, but of the colonised more generally such as the genocide of the indigenous peoples of particularly the “New” World (itself a precondition of capitalism).[22] Establishing and maintaining capitalism has required the expropriation of resources and labour—simultaneously wedded to the violation of black, brown, and yellow bodies throughout the world. In the end, non-white bodies are disposable in the global North and South; in the ghettoes, barrios, reservations, prisons, refugee camps and immigration detention centres that can be grimly found throughout the world. The particularities are important—and anti-blackness is a key particularity that shapes capitalism and white supremacy, but as argued earlier, it still a part a global system of white supremacy marked by direct relations of force, and which non-whites are racialised differently by that force.

Within the context of the U.S., only a type of stubborn blindness, a refusal to acknowledge the historical record, and refusal to see the interrelationship between capitalism and racial domination can lead those such as Wilderson to argue that “we were never meant to be workers…..From the very beginning, we were meant to be accumulated and die.”[23] This assertion flies against the historical evidence. No, blacks were meant to work, die, and be accumulated as need be. White supremacy often demands that blacks die. Capitalism demands that blacks must also, when necessary work and/or be accumulated. Each, and patriarchy as well, continually make their bloody demands. Through politics and other means of struggle blacks continually resist. This resistance can only be successful by understanding the mutual articulation between each system of domination.

Conclusion: What is at Stake?

What is at stake is far more critical than an abstract academic debate between theorists. These debates speak directly to how we understand Trump’s victory in the 2016 presidential elections and the racist, authoritarian and potentially fascist phenomenon of “Trumpism” and the rise of neo-fascist movements in the global north and south. It speaks to how we best understand the accelerating rates of inequality in both the global north and south popularly described by Thomas Piketty.[24] It speaks to how we understand the rising wave of violence that black folks face here, throughout the Diaspora, and within Africa itself.

Afropessimists have an ahistorical narrative that distorts the relationship of white supremacy to capitalism—insisting despite all historical and contemporary empirical evidence to the contrary that the core logics of slave-based anti-blackness exists outside of, and ultimately invariant to, the dynamics of the capitalist political economy. This strand of theorising has taken root in real-world activism—in this case among young black activists struggling once again for black liberation. Afropessimism, however, presents real political dangers for those organising for black liberation. I will mention three such dangers here. By arguing that black subjugation lies outside the realm of the political, Afropessimism serves as a basis for political demobilisation rather than mobilisation. Indeed, Wilderson is correct when he states, “This is a difficult cognitive map for most activists to adjust to because it actually takes the problem outside of politics.”[25] Second, Afropessimism severely undermines those attempting to build solidarity with other racially subordinate groups. Do we still need to be building independent radical black movements and organisations? Yes. Is building solidarity hard. Yes. Is one likely to experience anti-black racism from some other peoples of colour? Yes. Is it still a necessary task if meaningful political victories are to be achieved? Yes.

Third, by ignoring the class and gender dynamics within black communities, Afropessimism makes it far more difficult to understand the dynamics of intra-black politics. Understanding these dynamics is crucial for fighting all forms of oppression and domination that are experienced within black communities. Afropessimists are correct to insist that the logics of racial domination are autonomous and not fully determined by a capitalist social order. Afropessimists fail to understand, however, the effects of the interaction of multiple systems of domination have on black life and politics. It is our task to forge better theoretical weapons to not only illuminate the nature of oppressive systems of domination, but also to provide effective tools to combat oppression.

[1] There are a wide range of activists who either have been identified with Afropessimism and/or have been in conversation with prominent Afropessimists such as Frank Wilderson. Brilliant scholars such as Hortense Spillers, Saidya Hartman, and Fred Moten have been claimed by those supporting and critiquing Afropessimism. The latter two in particular have been in sympathetic conversation with Afropessimists, such as Frank Wilderson. However, they—as well as scholars such as Christina Sharpe whose argument is congruent with Afropessimism—rarely use “Afropessimism” in their own published research. Fred Moten has publicly stated that he is not an Afropessimist.

[2] Jared Sexton, ‘People-of-Color-Blindness: Notes on the Afterlife of Slavery’, Social Text 28(2 (103)) (2010), 37. Emphasis added.

[3] I am making an historical claim about global capitalist social order that emerged during the 16th century. I am agnostic about the theoretical claim that processes of racial subordination are necessary for original and ongoing capital accumulation, and thus necessary for capitalist social orders.

[4] Anna More, 'Necroeconomics, Originary Accumulation, and Racial Capitalism in the Early Iberian Slave Trade', Journal for Early Modern Cultural Studies 19 (2019), 75-100.

[5] Michael Ralph, Forensics of Capital (Chicago, IL: University of Chicago Press, 2015); Andrew Zimmerman, Alabama in Africa: Booker T. Washington, the German Empire, and the Globalization of the New South (Princeton, NJ: Princeton University Press, 2010).

[6] Sexton, ‘People-of-Color-Blindness’, 36.

[7] Ralph, Forensics of Capital; Zimmerman, Alabama in Africa.

[8] Sexton, ‘People-of-Color-Blindness’, 16.

[9] Ibid., 36.

[10] Paul A. Kramer, The Blood of Government: Race, Empire, The United States, and the Phillipines (Chapel Hill, NC: University of North Carolina Press, 2006), 157.

[11] Frank B. Wilderson, Afropessimism (New York, NY: W. W. Norton & Co., 2020), 226.

[12] Ibid., 227. Original emphasis.

[13] Ibid., 225–6.

[14] Ibid., 229.

[15] Ibid., 224. Original emphasis.

[16] Ibid., 228–9.

[17] . Patriarchy is not addressed as a system of domination or oppression in Wilderson’s analysis.

[18] Ibid., 216. Original emphasis.

[19] Frank B. Wilderson, ‘Gramsci’s Black Marx: Whither the Slave in Civil Society?’, Social Identities 9(2) (2003), 225.

[20] Wilderson, Afropessimism, 229.

[21] As I and many others argued, going back to Rosa Luxemburg, it is more correct to understand accumulation as an essential ongoing aspect of the capitalist social order and reject Marx’s terminology of “primitive” or “original” (depending on the translation of Volume I of Capital).

[22] Onur Ulas Ince, ‘Primitive Accumulation, New Enclosures, and Global Land Grabs: A Theoretical Intervention’, Rural Sociology 79(1) (2014), 104–31.

[23] Wilderson, ‘Gramsci’s Black Marx’, 238. Emphasis added.

[24] Thomas Piketty, Capital in the Twenty-First Century (Cambridge, MA: Harvard University Press, 2014).

[25] Wilderson, Afropessimism, 224.

19/4/2021

Populism and pluralism after four years of Donald Trump

Read Now

by Simon Julian Staufer

Simon Julian Staufer has researched contemporary populism in the United States. The following builds on his article ‘Donald Trump, Bernie Sanders and the question of populism’ which compares the 2016 primary campaigns of the former Republican president and the former contender for the Democratic nomination, forthcoming in the Journal of Political Ideologies in 2021.

On 22 January 2021, Donald Trump’s term as President of the United States officially came to an end. Trump had been impeached and acquitted; had contracted and survived Covid-19; fought for re-election and lost, refused to accept the election outcome, and tried to overturn it. He had told supporters on January 6, the day the election results were certified, that “if you don't fight like hell, you're not going to have a country anymore,”[1] then watched as a mob of rioters broke into the Capitol in a last attempt to remake American history and secure him a second term; resulting in Trump being charged with incitement of insurrection, impeached for a second time, and finally acquitted once again, when his term had already expired.

All of this is very recent and very well-known history. The attack on the Capitol was the dramatic conclusion to four years that it can be described without hyperbole as the most turbulent and controversial single presidential term in American postwar history. It demonstrated in the starkest possible manner that Donald Trump was not only the most consistently unpopular US president since World War II[2], but that at the same time, he had built a devoted political base radical enough to physically try to stop a presidential transition by attacking a core institution of American democracy—even after Trump’s opponent had won as many electoral votes as Trump himself in 2016, clearly carried the popular vote and had his victory confirmed not just by the Electoral College but by judges and election officials across the nation, many of whom represented Trump’s own political party. Never in the country’s history had so many people turned out to vote for either giving a president a second term or ending his tenure.[3]

‘The people’

Donald Trump has very often been described as a populist, to the extent that the label can be considered widely accepted in describing his politics, his behaviour, and his approach. While driving out large numbers of voters either for or against oneself is not the definition of populism, it has been a result of Donald Trump’s style of both magnetising a large segment the voting population and repulsing another one. And if there is one element of a definition of populism that is universally acknowledged, it is its reference to ‘the people’—who, in the particularly turbulent final weeks of the Trump presidency were explicitly told that they had been robbed, and that election officials and judges were conspiring to misrepresent their will.

But appealing to ‘the people’ is not sufficient to establish ‘populism’ in a meaningful sense. ‘The people’ can be a neutral term for any democratic politician’s constituency, and it seems safe to presume that every modern American president or presidential candidate has used it in some form. To understand how Donald Trump’s brand of politics is linked to the idea of populism as an approach to politics—and to study its relationship with recent events—it is worth looking at how we should define populism and what we should consider its key characteristics.

Donald Trump and Bernie Sanders

In 2018, in the earlier stages of Donald Trump’s term in office, I started researching Donald Trump’s success as a politician since the announcement of his presidential bid in June 2015, and the relative success of a politician at the other end of the left-right spectrum in American politics, Bernard (‘Bernie’) Sanders. While Sanders’s success never extended beyond good results in certain primaries and caucuses, it was still considered remarkable by many that a 74-year-old, self-proclaimed democratic socialist (who only joined the Democratic party temporarily to run for president) managed to win almost 2,000 primary delegates and move into the position of being a serious competitor to Hillary Clinton for the Democratic nomination for several months. Sanders accomplished a similar, if more short-lived, feat in 2020, leading the race for the Democratic nomination in its earliest stages.

In 2016, Trump and Sanders campaigned on platforms that had little in common. Their ideas as to how to improve the economy—then, as in most election years, considered the most important issue by the American electorate—were radically different, as were their views on immigration, climate change, and a range of other topics. Yet the ‘populism’ label was applied liberally to both. Moreover, with the rise of many (purportedly) populist parties and movements in Europe in the 2010s, the story of Trump and Sanders, two ‘populists’ competing with ‘establishment’ figures like Jeb Bush and Hillary Clinton, tied in with a broader debate about the state of democracy on either side of the Atlantic.

Understanding populism

Agreeing on the nature of populism, however, is tricky. While there is broad and systematic academic research into this topic, universal consensus on any aspect of it appears confined to the observation that political actors who can legitimately be deemed ‘populists’ in some way pit ‘the people’ against some other entity that they are opposed to. In addition, the notion is common—albeit not uncontested—that populism, whatever its exact nature, is systemically opposed to the tenets of a liberal democracy such as the United States, and much of the more recent research in populism studies has focused on actors on the far political right. On the other hand, there is no consensus on the nature of the entity the ‘people’ are juxtaposed with, on whether populism is a political ideology in its own right, and if not, on just what exactly it is.

In a specifically American context, however, the term ‘populism’ predates contemporary usage and scholarship, and it is historically associated with the left-wing People’s Party of the 1890s, which championed smallholder farmers and labour unions. Only in the 1950s, in the era of what has come to be known as the Second Red Scare, aggressive campaigning against the alleged communist subversion of the United States put right-wing politics in the spotlight of the discussion about populism, and—as the historian Michael Kazin writes—‘the vocabulary of grassroots rebellion’ began serving ‘to thwart and revert social and cultural change rather than to promote it.’[4] On the other hand, politicians considered left-wing populists kept playing a major role in the late 20th and early 21st centuries, particularly in Latin America, with figures like Hugo Chávez and Evo Morales rising to prominence years after the end of the Cold War.

This broad application across the political spectrum makes ‘populism’ even more elusive than it would be if applied chiefly to political movements on the contemporary right. It demonstrates that not only Donald Trump but also Bernie Sanders stands in a long tradition of politics associated with the concept. Their campaigning at the same time for the presidency during a timeframe of a little over a year—from 15 June 2015, when Trump announced his campaign, until 12 July 2016 when Sanders retired from the race—makes for an intriguing object of study in attempting to observe empirically whether, and to what extent, two politically fundamentally opposed actors can both be populists. If indeed two so wildly different actors should be populists, the question also arises whether the concept of populism may mean different things for different individual approaches to the political discourse.

However, such research needs to first get back to the question of what populism in general is. Attempts to do so in academic studies have differed significantly. Ernesto Laclau[5] has constructed what is perhaps both the most wide-reaching and the most abstract theoretical framework for the topic, widely recognised for focusing on the essential characteristics of populism as such (rather than on elements only found in some forms of it) but also criticised for making it difficult to differentiate populism from other approaches to politics. An oft-cited alternative to dealing with this challenge is Cas Mudde’s definition of populism as a ‘thin-centred ideology’ based largely on a juxtaposition of ‘the people’ with an ‘elite’ against which populism rallies—which is thus malleable enough to fit a wide range of policy orientations and political platforms, while allowing for different types of mobilisation and political organisation.[6] However, applying the ‘ideology’ label to populism has been viewed rather critically by authors such as Michael Freeden, Donatella della Porta and Manuela Caiani, and Benjamin Moffitt and Simon Tormey[7].

Aiming to address the discussion on both populism’s ideational core and its amorphous nature, and to provide a foundation on which to build empirical research, I define populism as a political discursive logic whose normative ideational core is the juxtaposition of ‘the people’ as the group it claims to represent with one or several particular antagonists. This definition builds on a Laclauian approach but maintains that populism can be distinguished from other political discursive logics through this particular presentation of an antagonistic relationship, and of the people being the entity purportedly represented, rather than any other or more specific group (such as e.g. Christians, liberals, etc.).

There are several elements of political discourse that can serve to express this relationship, which different populists may use differently. Based on the prior research in the field, I identified11 possible ways in which populism as a discursive logic articulates itself at the level of text (as opposed to non-textual or meta-textual levels such as the tone of speeches or visual elements of populists’ presentation), serving an instrumental function in expressing the people-antagonist dichotomy that lies at its core. The list of elements is not designed to exhaust all possibilities—and it bears stating that non-textual or even non-verbal elements would merit being studied through alternative or more extensive designs—but it is considered to feature most of what are considered populism’s most common traits on this level of analysis in the literature:

The presentation of the people’s antagonist or antagonists as morally illegitimate
The presentation of the people and their antagonist or antagonists as homogeneous entities
The presupposition of a general will of the people the populists purport to enact
The presentation of dissenting opinions as invalid or illegitimate
A claim to being the sole legitimate representative of the people
Disregard for deliberative processes (such as parliamentary debates) and a favourable view of swift executive action
Promises of fast and wide-reaching change
Disregard for journalism that presents differing views
An underdog or outsider narrative
A sense of urgency and crisis
Openly displayed bad manners

Two different kinds of populist

Donald Trump’s and Bernie Sanders’s 2015 campaign announcement speeches were key elements of their political platform, as were two books written by them, or in their name, Great Again. How to Fix Our Crippled America (Trump) and Our Revolution (Sanders), both of which describe the platforms of their respective (attributed) author and their ideological positions and policy ideas.[8] The definition of and empirical framework for populism established was thus applied with a focus on this key discursive output in their campaigns. Speeches made by both candidates during the primary elections in 2016 were analysed to complement their books’ ideological content.

The results offered new insight into the ideological malleability of populism, and into the challenge of pinning it down. The analysis found that both Donald Trump and Bernie Sanders engage in a form of political discourse that features populist elements, but that they represent distinctly different approaches to articulating populism.

Neither Donald Trump nor Bernie Sanders can be considered an ideal-type populist. For the discursive actions of both candidates during their respective 2015–2016 campaigns, some of the 11 elements identified were clearly present in the material analysed, some to a limited degree, and some, not at all. Both former presidential candidates’ discourse presented a normative juxtaposition of the people as a group with one or several antagonists, as has been considered constitutive for the definition of populism—in the case of Donald Trump, the antagonists are painted as external forces from countries like China, Mexico and Iran as well as politicians and bureaucrats whose most essential characteristic is incompetence in representing American interests against these outside forces; in the case of Bernie Sanders, the main antagonist is the ‘billionaire class’, whose schemes are aided and abetted by ‘establishment’ politicians from both major American parties.

While Sanders makes a more explicit appeal to ‘the people’ and provides a more specific moral framework than Trump, a clash between populism and pluralism can textually be identified only in Trump’s discourse. Elements #6 and #7 of the framework—disregard for deliberative processes and a favourable view of swift executive action as well as promises of fast and wide-reaching change—are where Trump and Sanders differ most sharply. There is no evidence of these elements in Sanders’s speeches and book, and there is a substantial amount of evidence in Trump’s.

Crucially, where in both the academic and the popular debate, especially in Europe, there is a tendency to equate ‘populism’ with the political far right, in a sense Bernie Sanders is more of a populist than Donald Trump—because his appeal to ‘the people’ is more explicit, reference to them as a group is more central to his discourse than to Trump’s, and the people-antagonist dichotomy is more clearly framed in normative terms.

Populism and pluralism

This finding has implications for the study of the relationship between populism and the political pluralism that is a fundamental tenet of liberal democracy. Considering that the people-antagonist conflict that forms the normative ideational core of populism is more clearly present in Bernie Sanders’s discourse than in Donald Trump’s, the idea seems questionable that populism, in and of itself, is at odds with liberal democracy, as proposed by a number of authors in populism research.[9] While this notion remains prevalent in the literature of authors seeking to establish definitions of populism that take account of its unique features vis-à-vis other political phenomena but are universally valid, other research has indeed claimed that, at the very least, a diverse electorate can be openly acknowledged by populists[10], and it may be that, even with a normative people-outgroup antagonism firmly in place, a denial of pluralism does not necessarily follow.

Based on the example of Bernie Sanders, the argument could in fact be posited that populism can aim—or certainly profess to aim—at restoring the very mechanisms of liberal democracy that would make a campaign like that of Sanders unnecessary. The extent to which this correlates with Sanders’s position on the political left-right spectrum would be an interesting subject for further research on actors who position themselves similarly and use a similar, arguably populist discursive approach.

What recent events have, in any case, emphatically demonstrated is how on the other hand a brand of populism that openly disdains institutionalism, multilateral decision-making and any opposition through the democratic process can unleash great destructive potential and have significant consequences for the stability of democratic institutions. The January 2021 storming of the United States Capitol is a stark reminder of that.

[1] https://www.rev.com/blog/transcripts/donald-trump-speech-save-america-rally-transcript-january-6

[2] See also https://projects.fivethirtyeight.com/trump-approval-ratings/

[3] This is true not only of the absolute number of voters but also of the percentage of the voting eligible population since the earliest data point available (the 1980 election), and of the percentage of the total voting age population since the 1960 election (when no incumbent ran). See https://www.presidency.ucsb.edu/statistics/data/voter-turnout-in-presidential-elections for detailed statistics.

[4] M. Kazin, The Populist Persuasion. An American History (Ithaca, NY: Cornell University Press, 1995), 4.

[5] See for example E. Laclau, On Populist Reason (London: Verso, 2005).

[6] See for example C. Rovira-Kaltwasser and C. Mudde, Populism. A Very Short Introduction (Oxford: Oxford University Press, 2017).

[7] See for example: M. Freeden, ‘After the Brexit referendum: revisiting populism as an ideology’, Journal of Political Ideologies 22(1) (2017), 1–11; M. Caiani and D. della Porta, ‘The elitist populism of the extreme right: A frame analysis of extreme right-wing discourses in Italy and Germany’, Acta Politica 46(2) (2011), 180–202; and B. Moffitt and S. Tormey, ‘Rethinking Populism: Politics, Mediatisation and Political Style’, Political Studies 62(2) (2014), 381–97.

[8] It may be noted that Donald Trump is reported to have employed a ghostwriter for his book, while Bernie Sanders is reported to have written his book himself. However, both books constitute textual output with which either respective politician is officially credited, to which he contributed, and which formalises his official positions and views.

[9] See for example J.-W. Müller, ‘Populismus: Theorie . . . ’, in ibid. (ed.), Was ist Populismus? (Berlin:
Suhrkamp, 2017), pp. 25–67; and P. Rosanvallon, ‘The populist temptation’, in A. Goldhammer and P. Rosanvallon (eds.), Counter-Democracy: Politics in an Age of Distrust (Cambridge: Cambridge University Press, 2008), 265–73.

[10] For a specific example and case study of ‘inclusive’ populism, see Y. Stavrakakis and G. Katsambekis, ‘Left-wing populism in the European periphery: the case of SYRIZA’, Journal of Political Ideologies 19(2) (2014), 119–42.

Infrastructure as Monument: The Dos Bocas Refinery in AMLO’s Mexico

by Tania Islas Weinstein and Agnes Mondragón

Contested memory, contesting monuments: Introduction to the series

by Emily Katzenstein

Is the past past? Confederate monuments, narrative tropes, and understandings of history

by Moira K. O'Shea

Beyond populism: The ideological dimension of anti-politics

by Blendi Kajsiu

After Afropessimism

by Elizabeth Jordie Davies

On Afropessimism and narrative theorising

by Marcus Lee

Against Afropessimism

by Michael C. Dawson

Populism and pluralism after four years of Donald Trump

by Simon Julian Staufer

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