The question of what we should do about “tainted” public commemorations—commemorations of people who were responsible for injustice, or commemorations of events of injustice themselves—has become increasingly pressing. Two views dominate public discussions. According to the preservationist view, tainted commemorations should not be removed; instead, they should be preserved. According to another, activist view, these commemorations should be removed. There are, of course, a range of other views—such as adding contextualising information, relocating the commemorations, housing them in museums, or installing counter-commemorations. But these views do not get very much traction, nor do they appear to satisfy what activists and preservationists want.
 
I argue that the vandalism of tainted commemorations can be regarded as a way of negotiating the demands of the activist and preservationist views. This argument proceeds in several stages. First, I clarify the activist and preservationist views, and argue that they are less naïve than has been assumed. Second, I evaluate two other responses to tainted commemorations—adding contextualising information, and establishing counter-commemorations—and argue that they fail to negotiate the demands of both the activist and the preservationist views. Finally, I argue that vandalism succeeds in this way.
 
It is worth considering a little more background before we go on. Activists all over the world regularly engage in vandalism of tainted commemorations. Such vandalism is often frowned upon, even by those people who are sympathetic to the activists’ causes. Many of them think that activists should not vandalise statues at all. Many others regard vandalism as an important though unfortunate stepping-stone to the eventual goal of removing tainted commemorations. Set against this backdrop, my defence of vandalism does two things. First, it rehabilitates and vindicates some acts of vandalism that activists are committing—by way of showing that they secure for us some important goals. Second, it goes some way in showing how vandalism can be regarded as a permanent, rather than a merely transitionary, response to tainted commemorations.
 
Activists and Preservationists
 
To begin with, we must rehabilitate activist and preservationist views. First, many activists call for the removal of tainted commemorations. These calls are often dismissed, especially by the general public. For instance, activists arguing for the removal of the statue of Rhodes in Oxford are described as taking the easy option by focusing on statues rather than the “real” or more important issue of inclusion and representation. They are also described as seeking safe spaces where they can be shielded from offence and discomfort. Indeed, they have been told to “think about being educated somewhere else” if they cannot embrace the discomfort that comes with debating difficult issues.[1]
 
These dismissals are uncharitable and, moreover, mistaken. Tainted commemorations are not innocuous. Instead, they are important parts of what may be described as the fabric of a community—these commemorations (and the views that underlie them) are supported by a complex network of institutional arrangements and social practices that, when taken together, present certain views as natural or as the norm. Moreover, tainted commemorations reinforce support for those arrangements and practices, further entrenching the associated views. And these views are deeply problematic, to say the very least. In the case of the statue of Cecil Rhodes, these are views about the glory of colonial and imperial conquest, development and administration, and the acceptability of racial (white) supremacy—even if it comes at the expense of exploitation and oppression, among others. Or, at their worst, these are views that “colonised” people simply do not matter at all—their lives are not important, and their deaths not lamentable in the same ways as white British people. These are views that are corrosive of the self-respect of members of certain minority groups. Activists are therefore not simply seeking to create safe spaces where they can be free from offense or discomfort. Instead, their calls to remove tainted commemorations are more charitably seen as demands to secure self-respect.
 
On the other hand, preservationists are also often dismissed, especially by progressive activists. Part of this may be related to the heightened language that preservationists use to describe the removal of tainted commemorations. For instance, many prominent historians and academics have described the Rhodes Must Fall campaign as seeking to ‘eradicate Rhodes from our consciousness’,[2] to ‘obliterate painful and offensive figures from the historical record’,[3] as ‘expunging Rhodes from history’,[4] or as ‘erasing history’,[5] and so on.
 
I suggest that these statements make sense in the context of deeper requirements concerning our dealings with the past—that our dealings with the past must be public, and incorporated into our everyday consciousness and understanding of our history and identity. A reconstruction of what could be the preservationists’ ideal scenario illustrates the point. In this ideal scenario, the actions of Cecil Rhodes, and the values that undergirded them, should be part of the everyday consciousness and understanding of members of the community, of their own history and identities. This does not mean that they endorse those values, only that recognition of these values is incorporated into their self-understanding. Members of the community should be able to recount—even if only in general terms—how Rhodes’ actions have influenced their society, and how the actions of “ordinary” British citizens during his time contributed to his projects. That is, there should be a general understanding of the fact that these “ordinary” British citizens during Rhodes’ time shared the values that undergirded his actions; that many of them did not regard his actions (or their own contributions to them) as abhorrent but saw them as worthy of celebration.[6]
 
Members of the community, then, should not turn away from the fact that they have inherited a world that is shaped by the injustices caused by their ancestors. Moreover, they recognise that one does not need to be a moral monster to be responsible for, or complicit in, injustice. Indeed, people can be deeply involved in injustice by engaging in purportedly ordinary, or even socially valorised, activities.
 
Seeing the preservationist view in this way also helps us to explain the discomfort that many of them have about removing and relocating tainted commemorations to museums. Here, the worry is presumably that doing so will reduce the likelihood that these commemorations can be publicly incorporated into our everyday consciousness and understanding of our history and identity.
 
There is of course much more to say about the plausibility of these views. But for our purposes, I take it that the two opposing views are undergirded by plausible (but potentially competing) aims—concerning self-respect and remembrance. I take them as setting constraints on what we ought to do about tainted commemorations. That is, what we want is to find a response to these monuments that can, in principle, satisfy proponents of both views. A successful response must remove the threat to the self-respect of some members of the community, while not reducing everyday occasions for public remembrance.
 
What about other “middle ground” responses to tainted commemorations—adding contextualising information to tainted commemorations, or installing counter memorials near them? I argue that neither succeeds in satisfying proponents of both the activist and preservationist views.
 
Installing counter-memorials can help to address worries about who or whose contributions count as important enough to be commemorated by the community. For example, consider the establishment of a counter-memorial—the Unsung Founders Memorial—beside the Silent Sam Confederate Statue at UNC Chapel Hill. Insofar as the establishment of the counter-memorials leaves the original statue untouched, it is a response that satisfies preservationists. It also appears to satisfy activists—it seems to address the neglect of the contribution of some members of society, by indicating that they too are worthy of commemoration. It also appears to mitigate the threat to self-respect of some members of the community, who are now regarded as having the standing—as equals within the community—to commemorate their own people and their contributions.
 
However, this is merely apparent. The establishment of the counter-memorial did little to stop the protests against the tainted commemoration in Chapel Hill. Indeed, the protests continued and culminated in the purportedly illegal toppling and removal of the Silent Sam Confederate Statue in 2018. For the activists who toppled the statue, establishing the counter memorial did not appear to address their complaints about the tainted commemoration. This observation is not unique to Chapel Hill. The historian Dell Upton observes that the establishment of counter memorials does not typically cancel out or repudiate the messages of tainted commemorations. Instead, their existence facilitates the development of a convoluted ideology of “dual heritage”, according to which different groups of people—in this case, black and white Americans—simply took different but equally honourable paths to their current status as equals members of the community. More generally, counter memorials also leave open the possibility of viewing the original tainted commemoration in isolation from the counter memorials. They also leave the tainted commemorations in place, untouched in their original glory.
 
Adding contextualising information to tainted commemorations appears to be more promising, in virtue of its potential to directly address and repudiate the views expressed by a tainted commemoration. It also appears less easy—though nonetheless possible—to view a tainted commemoration in isolation from the contextualising information. However, contextualising information is often presented in the form of small displays or plaques, which can be easily missed by people who interact with or merely pass by the tainted commemorations. In this way, the good work that they can do is limited by their nature. Of course, there is nothing stopping us from establishing massive contextualising plaques—perhaps as grand as the tainted commemoration itself—with an extensive essay detailing the injustice and repudiating it. But if we do this, we run into worries about aesthetics and accessibility—we typically recoil at building ugly structures in public spaces.
 
Vandalism
 
Having set aside these two options, I move to the defence of vandalism. Vandalising tainted commemorations immediately communicates repudiation of the target of commemoration. This can be done in very simple ways—by splashing red paint on tainted commemorations to convey that the person being commemorated was responsible for grave injustices, for example. It is much easier to understand the repudiation that accompanies vandalism, compared to adding contextualising information. Additionally, and unlike establishing counter-memorials or adding contextualising information, vandalism leaves no room for audiences to view the commemoration in isolation from the repudiation. Importantly, vandalism can transform a tainted commemoration from a public honouring of an inappropriate target into a public repudiation of the historical figure. Through such a transformation, the threat to the self-respect of some members within the community is removed or, at the very least, mitigated. It is further mitigated if the state or public officials permit the commemorations to stay vandalised, rather than attempt to clean them up. Notice that insofar as vandalism can do all these things, it becomes far more viable as a permanent—rather than merely transitionary—response to tainted commemorations.
 
There are, of course, several worries about vandalism as a response. First, it is often thought that vandals are ignorant about the value of that which they vandalise, or ignorant about the meaning of their vandalism. Second, insofar as vandals typically carry out their vandalism when nobody is around, and moreover often do not reveal their identities, they are regarded as cowardly. Third, vandals are often dismissed as not representative of the community for whom they speak. Finally, vandalism is illegal.
 
Vandalism can overcome these worries. The first two worries may be mitigated if vandalism is carried out in line with a principle of communicativeness. In our context, such a principle imposes two requirements. It requires, first, that the act of vandalism conveys a message that is directed at the tainted commemoration. When vandalism is communicative in this sense, it avoids the criticism that the vandals are ignorant. The second requirement is that the act of vandalism needs to be non-evasive. The vandal should be willing to articulate their commitments and reasons for their actions to others within their community. In practical terms, it means that activists must take public responsibility for their acts of vandalism, in the sense of admitting to their vandalism. When acts of vandalism are communicative in this sense, they also mitigate the intuitive negative judgement about vandals.
 
The third worry may be mitigated if the vandal receives support from other activists and organisations that are representative of at least those members of oppressed groups whose self-respect are at stake. This may be in the form of public statements, released after the fact of vandalism, in support of the message that the act conveys. When these statements are made public, we leave little doubt about the representativeness of the vandals’ views. Uncertainties about the representativeness of the vandals’ views may be further mitigated, if local authorities permit the tainted commemoration to stay vandalised, rather than attempt to restore it to its original state.
 
The final worry concerns the illegality of vandalism. Here, it is important to note that the vandalism of tainted commemorations need not be illegal. The possibility is open that the authorities could invite representative members of formerly oppressed groups to vandalise such commemorations as part of some event (either of commemoration or reparation). The vandalism of tainted commemorations during such events would then not be illegal. While this raises worries about the co-option of a form of resistance, the vandalised commemoration and the participation of the authorities would still be effective as a response which secures self-respect. Or, even more radically, the authorities could abolish or revise existing legislation (concerning the preservation of such commemorations, or the defacement of public property) that renders the vandalism of (some) tainted commemorations illegal. More broadly, the worry that the vandalism of tainted commemorations is illegal, and thus to be avoided, implicitly assumes that the broader contexts in which our political resistance occurs are fixed. We do not need to go along with this assumption.
 
Of course, the likelihood that the authorities will take these options is low, and we need to take seriously the worry about the illegality of vandalism. Here, we may note that the duty to obey the law is not always overriding. There are many situations in which individuals can permissibly break the law or even have a duty to do so. In our context, it appears that the duty to obey the law (by not vandalising a tainted commemoration) may be overridden when there are no other effective responses to tainted commemorations that would satisfy the demands of both activists and preservationists. The conditionality of this argument for vandalism reflects our considered judgement that law-breaking actions should not be taken unless activists have run out of fruitful legal options.
 
To sum up, vandalism secures some important goals—it mitigates (or eliminates) the threat to the self-respect of members of minority groups, and promotes deeper historical understanding. Because of this, vandalism can, in principle, satisfy proponents of the activist and preservationist views. Additionally, insofar as vandalism succeeds in securing these goals, we have reason to regard it as a permanent, rather than a merely transitionary, response to tainted commemorations. It is also possible for us, with some further work, to extend this defence of the vandalism of tainted commemorations, to our relationships with all public artefacts or public spaces more generally. I undertake such an extension, and defend its plausibility, elsewhere.
 


[1] Damien Gayle and Nadia Khomami, ‘Cecil Rhodes Statue Row: Chris Patten Tells Students to Embrace Freedom of Thought’, Guardian, January 13, 2016.

[2] Mary Beard, ‘Cecil Rhodes and Oriel College, Oxford’, Times Literary Supplement, 2015, https://www.the-tls.co.uk/cecil-rhodes-and-oriel-college-oxford/.

[3] David Cannadine, ‘Introduction’, in Dethroning Historical Reputations: Universities, Museums and the Commemoration of Benefactors, eds. Jill Pellew and Lawrence Goldman (London: Institute of Historical Research, 2018), pp. 1–14.

[4] Will Hutton, ‘Cecil Rhodes Was a Racist, but You Cannot Readily Expunge Him from History’, Guardian, December 20, 2015.

[5] Javier Espinoza, ‘“Rhodesgate”: Campaign to Remove Rhodes Statue “Is like Isil’s Destruction of Antiques”, Says Oxford Don,’ Daily Telegraph, December 22, 2015.

[6] There are two questions about such a reconstruction. First, is remembering the actions or beliefs of such “ordinary” British citizens simply the other side of the same coin of remembering the actions or beliefs of those people of Rhodes’ times who were critical of, or resisted, his endeavours? Second—and assuming that the answer to the previous question is in the affirmative—does that support the preservation of tainted commemorations (rather than the establishment of new ones)? Our potential resistance to answering these questions in the affirmative may indicate a need for an alternative reconstruction of the preservationist view. Whether such a view accurately captures the preservationists’ central concerns is beyond the scope of this essay to consider.

Emily Katzenstein: You describe your own work in terms of ‘decolonising urban spaces’ through artistic interventions. Can you tell us what that decolonisation means in this context? What projects are you currently working on?

Yolanda Gutiérrez: At the moment, I have two different kinds of projects. One is the Urban Bodies Projects. That’s a project that deals with the colonial past of European cities. I am working with local dancers in each city. The next one will be in Mexico City, and then one, next year, in Kigali. My second project is the Decolonycities Project. That’s a project about dealing with the German colonial past in the city of Hamburg, through the eyes of those who were colonised. I am planning to do five projects in five countries—Togo, Cameroon, Tanzania, Namibia, and Rwanda [countries Germany colonised in the late 19th and early 20th century—eds.]

And then I have the Bismarck-Dekolonial Project, which I started when this Bismarck controversy arose. In Hamburg, they are renovating the Bismarck monument for €9 million. It became a big controversy and overlapped with the Black Lives Matter protests in the U.S., and here in Germany. Here in Hamburg, activists started to paint or graffiti all kinds of colonial monuments and symbols of white supremacy. Suddenly, overnight, these monuments had been altered. But you can’t really do that with the Bismarck statue because they’re currently renovating it and it’s surrounded by protective walls. So, we’ve been having a two year long discussion about what should happen with the Bismarck monument.

The discussion in Hamburg was driven by a lot of activists, especially people of colour. For me, however, it was important to see what would happen if we brought in the perspectives of artists from former German colonies (Namibia, Cameroon, Togo, Burundi, Rwanda and Tanzania—eds.) who are living with the consequences of Bismarck’s role in Germany’s colonial past. So I acted as a producer and curator, and I invited artists from the countries that Germany colonised in Africa to stage their own performances in Hamburg, at historical sites that are linked to Germany’s colonial past. The artists who participated were Isack Peter Abeneko[1], Dolph Banza, Vitjitua Ndjiharine, Stone, Moussa Issiaka, Fabian Villasana aka Calavera, Sarah Lasaki, Faizel Browny, Samwel Japhet, and Shabani Mugado.

That’s a political statement. When the invited artists put themselves in the spaces that have some significance in Germany’s colonial history, they appropriate those spaces. The artists put on performances that reinterpreted the meaning of the places in which they performed. During the International Summer Festival, when the invited artists from Bismarck-Dekolonial put on their performances, for example, the audience could participate in what I call a decolonising audio-walk: you could see the artists’ performance while simultaneously listening to an audio track that plays the sounds of German troops leaving the Hamburg port, for example—a huge event at the time. So, the audio of German troops leaving from the Hamburg port is juxtaposed with the performance of the artists from Namibia, Rwanda, Tanzania, and Cameroon. You are listening to an audio track about the event of German colonial troops leaving from the Hamburg port, and, simultaneously, you see the performances of artists who are descendants of those who were most directly affected by Germany’s colonial policy.

We often tend to think of history as something stale, dead—something that belongs in the past, that we don’t care about. In discussions of Germany’s colonial past, that is a reaction that you encounter quite often. People say: That’s in the past and there is nothing that we can do about it. The past cannot be undone. And my reaction is: Yes, the past cannot be undone but we can change the perspective of how we look at history.

EK That is something that brings the different contributions of this series together—the sense that the past is, in a sense, contemporaneous, and that the stories that we tell about the past are crucial to our sense of who we are today. Can I come back to the question I asked earlier? What does decolonisation mean when it comes to artistic interventions? How do you conceive of decolonisation in your own work?

YG: Yes, my work reflects on the fact that history has been written by the colonisers. For hundreds of years, the colonial gaze has shaped our understanding of the societies that Europeans colonised. For example, during the Spanish conquest of Latin America, Spanish priests often took on the role of historians. Their impressions of the societies they encountered was heavily influenced by the own cultural presuppositions. For example, they had certain notions about the role of women in society, notions about gender roles, etc. That coloured and distorted their view of the societies they tried to describe. In the case of women in Aztec society, for example, they confused expectation and reality, and described what they expected to find—they portrayed Aztec women as unemancipated and occupying a predominantly domestic role, because that’s the way they saw the role of women in Catholic Spain. But now there are new histories of indigenous societies. There was an amazing exhibition in the Linden Museum Stuttgart on Aztecs culture, for example, that reflected very critically on the ways of seeing that have shaped European impressions of Aztec society over generations. That is what I am trying to do in terms of my artistic interventions—to publicise and communicate ‘unwritten’ histories, untold stories, and marginalised historical perspectives.

To do that, I work closely with historians. For example, my most recent project is situated in Namibia, which was colonised by Germany in the late 19th and early 20th century. From the beginning, I’ve collaborated with Jan Kawlath, a doctoral student in history at the University of Hamburg. His PhD investigates how the departure of German colonial troops was publicly celebrated to performatively construct images of Germany as a colonial power. And when we visit the historical sites at which we will stage performances, we listen to his writings about events that took place there, and his writing about these places and sites informs our choreography.

In that sense, my work is influenced by Gloria Wekker’s work on the cultural archive.[2] Wekker writes so powerfully about the importance of the cultural archive. There’s also a James Baldwin quote that captures it well: “History is not the past, it is the present. We carry our history with us. We are our history. If we pretend otherwise, we literally are criminals.”[3]

EK: In your work, you’ve experimented with different modes of presentation and media to stage decolonising artistic interventions. You already mentioned the ‘decolonising audio-walk’. Can you explain the concept of a decolonising audio walk?

YG: Yes, I use the concept of decolonising audio walks in all my projects. The audience has head-phones, and walks to historical sites that have some significance in the colonial past of the city. When you arrive at a site, you see the performance while listening to the audio soundtrack. It is a combination of different types of information, historical facts, interviews with experts, statements by artists, music, etc. etc. Afterwards, you walk to the next site, and so on. It is a way to incorporate a lot of different elements: Dance, audio—it’s an embodied experience for the audience because they walk through the city. Walking through the city allows you to see familiar places with new eyes. I mean, normally, once you’ve lived in a city for a while, you assume you know the place and you’re not going to go on a tour of the city. But then, during the decolonising audio walk, you experience yourself not knowing the city that you assumed you knew, and that allows you to uncover the histories that are normally not talked about.

EK On the website of the Bismarck-Dekolonial Project, you raise a question that I found fascinating, and that I wanted to put to you: namely, what kinds of artistic interventions are effective in contributing to decolonising urban spaces? How do you think about the different artistic strategies and interventions one can stage, and about the differences in the impact they have? With regards to the ‘decolonising audio-walk’, is there a tension between this momentary performative intervention and the monuments that embody permanence? Can performances effectively contest the built environment?

YG: Performances in urban spaces are a way to reach people easily. By contrast, universities have, for a couple of years, been doing a lot of “Ringvorlesungen” (series of lectures by different speakers), where you have artists and academics talk to each other about decolonisation. I have been following all these discussions, and I think that’s also an interesting approach, but they don’t reach a broad audience. Similarly, in the arts, there are many exhibitions that deal with decolonisation, but they are framed in a very particular way, and it’s for a particular audience; they don’t reach as many people. And what I really love about dance is that it allows me to juxtapose different temporalities and sensory impressions—historical accounts or sounds from the past are juxtaposed with a performance that’s very much in the moment. You can connect the history to which you are listening to what you see. In that sense, it’s a way to demonstrate the contemporaneity of the past. It’s like puzzle pieces coming together.

But audio walks, and performances more generally, are ephemeral, and that is my big challenge. You can put on as many performances as you like—for example, during the International Summer Festival 2021 in Hamburg, we put on five performances every day, which was already a lot. But even if you do a hundred performances per day, it doesn’t change the fact that it is ephemeral. So right now, my big question is how we can turn this into something more permanent. Because it’s all about memory, right? It’s about memorials and historical sites that need to be decolonised. And the challenge for me is: How can I, as an artist in the performing arts, leave a print that’s permanent? I am trying to get ‘into memory’ and I am still trying to figure out how far we can go with these performances and audio-walks in historical sites, what their impact is.

So that’s my big next challenge. I always say that the fact that the artists who participated in the Bismarck-Dekolonial Project—Isack Peter Abeneko, Dolph Banza, Vitjitua Ndjiharine, Stone, Moussa Issiaka, Fabian Villasana aka Calave, Sarah Lasaki, Faizel Browny, Samwel Japhet, and Shabani Mugado—put on these performances around the Bismarck monument means that the space has been altered. It is no longer the same space, no longer holds the same meaning. The traces they left are ephemeral but they are there, nonetheless. There is a trace. That’s why I want to work on putting up a QR code or something similar. At the moment, my idea is to combine it with a visually appealing sculpture or something else that attracts passers-by, so that they say: “What’s that? I want to know more.” And then they can use the QR code to watch the performance that happened in the space.

EK: One of the questions that always structures debates about contested monuments, it seems to me, is how we should think about the relationship between meaning and monuments. As an artist, how do you think about this relationship between monuments and meaning? Can we speak of a ‘hegemonic’ meaning of particular monuments or should we think about a multiplicity of meanings? Should we oppose hegemonic meanings with counter-hegemonic meanings, or prioritise showcasing the diversity and multiplicity of possible interpretations and meanings? What’s your approach to this?

YG: In Germany, we haven’t spent enough time reflecting Germany’s colonial past. The Second World War is obviously a horrific part of Germany’s history, and it tends to overshadow everything else, including Germany’s colonial past. But that means that you miss crucial connections, and that people don’t know Germany’s colonial past. For example, that the idea of the concentration camps was first developed during the genocide of the Herero and Nama in Namibia, camps that were built in the beginning of the 20th century. For me, the representation of Bismarck is a symbol of the power that Germany had in the world at that time. In the case of Bismarck, this is dangerous, because it works as a magnet for the right-wing, and we experienced that in a very, very bad way. During the performance of Vitjitua Ndjiharine, a visual artist from Namibia, one person in the audience suddenly went up to her and gave the Hitlergruß. He was facing the Bismarck monument, and stood in front of her, and gave the Hitlergruß.

So, trying to deal with this statue and with what it represents is exactly where the power is, for me. I mean, just look at it. The sheer measure of the monument is so imposing. And I think that’s the way that Germans were feeling when they colonised Namibia. If you read the writings of German colonial officials at the time, there is this feeling of supremacy. And that’s difficult to deal with, especially now, when they are polishing the Bismarck monument and literally making it whiter.

EK: There have been many proposals as to what should happen with the Bismarck monument. Some have argued that the monument should be removed altogether, others have argued that it should be turned on its head, and yet others propose letting it crumble. I assume letting it crumble is not really an option for safety reasons, but I’ve always liked the symbolism of it. What do you think should happen with the monument?

YG: I think if you vanish the Bismarck monument that doesn’t mean that you’ve vanished the meaning of Bismarck in the minds of people; what his figure means for people. And you can’t simply let the monument crumble—the size of the monument means that that is unfeasible. There were issues with the static of the monument, that’s why they’re renovating it. I mean with some monuments, you can let them crumble, no problem, but given the size of the Bismarck monument that’s not feasible.

But you know what? I could see it happening in a video, a video that’s then projected unto the Bismarck monument. That’s something that we have experimented with, too. We didn’t pull the statue down but we did what we call ‘video mapping.’ We did it at night, and that’s when I really felt like an activist. I had a generator, and it was midnight, and we had to set everything up. That’s the first time where I had to inform the municipality and said: Hey, I'm going to do this at the Bismarck monument. And they said, OK, that’s fine. You're going to destroy it. Nothing is going to happen. But I mean, you could see the change—suddenly the Bismarck monument became the canvas instead of the symbol it usually represents.

Of course, that’s a temporary intervention. But I am also convinced that we need a permanent artistic intervention. I think we need an open space for discussions. For example, I could imagine a garden around the monument, a place where we can keep this dialogue and this discussion going once the renovation is done.

I am not a visual artist, obviously, but I was on a podium discussion[4] about decolonising and recontextualising the Bismarck statue with several other artists. There were two very interesting women, Dior Thiam, a visual artist from Berlin, and Joiri Minaya, a Dominican- American artist based in New York. Joiri Minaya has already covered two colonial statues at the port of Hamburg, a statue of Vasco da Gama and a statue of Christopher Columbus, with printed fabrics of her own design[5]—it’s very interesting work. As I said, I am not a visual artist, but I think that a permanent art intervention is necessary. Because what I do is so ephemeral, and I have the sense that we need to reach as broad an audience as possible.

EK: The discussions about what to do with the Bismarck monument have been ongoing for the last two years. What impact has the debate had? Do you get the sense that the debate has contributed to a broader political awareness of Bismarck’s role in Germany’s colonial past in Hamburg? Or is this largely a debate amongst a relatively narrow set of actors?

YG: Yes, the question about impact. What I got tired of were all these discussions on advisory boards, and advisory committees: People discuss a lot. I am a maker, and I sat at a lot of these discussions and said, yes, we can keep discussing but we also need to do something now. And people had a lot of reasons for why we couldn’t do anything until later. But to me it seemed wrong to wait until the renovations are finished. It seemed like a strange idea to stage an intervention once Bismarck’s shining in all his glory, you know. The discussions are good and all, but they are not enough. They don’t reach enough people; they don’t reach communities. I think it would be fantastic to have something like the project Monument Lab in the United States here in Germany. Monument Lab is combination of different layers of communities—they bring together artists, activists, municipal agencies, cultural institutions, and young people. That’s precisely what we need to do around the Bismarck statue. We need a multilayered participatory process that includes different groups in society.



[1] Due to pandemic-related travel restrictions, Isack Peter Abeneko could only participate remotely from Dar es Salaam.

[2] Gloria Wekker, White Innocence: Paradoxes of Colonialism and Race. Durham, 2016.

[3] As cited in I Am Not Your Negro, directed by Raoul Peck (2016; New York: Magnolia Pictures, 2017), Netflix. (1:26:32).

[4] Behörde für Kultur und Medien Hamburg, “(Post) colonial Deconstruction: Artistic interventions towards a multilayered monument”, 16.09.2021, https://www.youtube.com/watch?time_continue=6215&v=hRFzASv_ea4&feature=emb_logo

[5] For images of the covered statues and an explanation about the symbolism of the printed fabrics, see the link above at 1:25-1:30.

Recent years have seen successive waves of “statue wars”[1]—intense controversies over the visible traces of European colonialism in built commemorative landscapes. The most recent wave of controversies about so-called “tainted” monuments[2]—monuments that honour historical figures who have played an ignominious role in histories of slavery, colonialism, and racism—occurred during the global wave of Black Lives Matter protests that started in reaction to the murder of George Floyd in the summer of 2020. During a summer of global discontent, demonstrators famously toppled statues of Jefferson Davis (Richmond, Virginia), and Edward Colston (Bristol), beheaded a Columbus statue (Boston), and vandalised statues of King Leopold II (Antwerp, Brussels, Ghent), Otto von Bismarck (Hamburg), Winston Churchill (London), and James Cook (Melbourne), to name just a few examples.

These spectacular events sparked heated public debates about the appropriateness and permissibility of defacing, altering, or permanently removing “contested heritage”.[3] These public debates have also led to a renewed interest in questions of contested monuments and commemoration in political theory and political philosophy.[4] So far, however, this emergent debate has focused primarily on normative questions about the wrong of tainted commemorations and the permissibility of defacing, altering, or removing monuments.[5] Engagement with the political-sociological and aesthetic dimensions of monuments, monumentality, and commemoration, including their relationship to political ideologies and subjectivities, by contrast, has remained relatively thin in recent debates about commemoration and contested monuments in political theory. This means that crucial questions about the role of commemorative landscapes in political life and in the constitution of political subjectivities have remained underexplored. For example, there has been only a relatively superficial reconstruction of the ideological stakes of the debate over the fate of contested colonial monuments. Similarly, while there have been several powerful defences of vandalising and defacing “tainted commemorations,”[6] the literature in political theory and political philosophy has not yet engaged fully with innovative aesthetic strategies for contesting colonial monuments through decolonising artistic practices.

This series, Contested Memory, Contesting Monuments, seeks to curate a space in which emergent debates about monuments and commemoration in political theory can be in conversation with debates about the politics of the built commemorative landscape in political science, anthropology, sociology, and area studies that explore political-sociological and aesthetic dimensions of monuments and commemoration. Importantly, it also seeks to facilitate a direct exchange of perspectives between scholars of monuments and commemoration in the academy, on the one hand, and memory activists and artists who are actively involved in today’s politics of memory and monuments, on the other.

This is intended to be an open-ended series but we start with a wide-ranging series of inaugural contributions. In the first contribution to the series, Moira O’Shea traces the history of contesting Confederate monuments in the US and reflects on our relationship to the past. Upcoming contributions include an interview with Yolanda Gutierrez, a Mexican-German performance artist, and the founder of Bismarck Dekolonial, in which we discuss the realities of attempting to decolonise the built environment through artistic interventions; Chong-Ming Lim’s exploration of vandalising tainted commemorations; Sasha Lleshaj’s Sound Monuments, which reflects on very idea of monumentality, and connects struggles over ‘contested heritage’ to political contestations of ‘soundscapes’; and Tania Islas Weinstein and Agnes Mondragón analyses of the political uses and abuses of public art in contemporary Mexican politics.



[1] Mary Beard, "Statue Wars," Times Literary Supplement, 13.06.2020 2015.

[2] Chong‐Ming Lim, "Vandalizing Tainted Commemorations," Philosophy & Public Affairs 48, no. 2 (2020).

[3] Joanna Burch-Brown, "Should Slavery's Statues Be Preserved? On Transitional Justice and Contested Heritage," Journal of Applied Philosophy 39 no. 5 (2022).

[4] Helen Frowe, "The Duty to Remove Statues of Wrongdoers," Journal of Practical Ethics 7, no. 3 (2019); Johannes Schulz, "Must Rhodes Fall? The Significance of Commemoration in the Struggle for Relations of Respect," Journal of Political Philosophy 27, no. 2 (2019); Burch-Brown, "Should Slavery's Statues Be Preserved? On Transitional Justice and Contested Heritage."; Lim, "Vandalizing Tainted Commemorations."; Macalester Bell, "Against Simple Removal: A Defence of Defacement as a Response to Racist Monuments," Journal of Applied Philosophy 39 no. 5 (2021).

[5] Daniel Abrahams, "Statues, History, and Identity: How Bad Public History Statues Wrong," Journal of the American Philosophical Association, First View , pp. 1 - 15 (2022).

[6] Bell, "Against Simple Removal: A Defence of Defacement as a Response to Racist Monuments."; Ten-Herng Lai, "Political Vandalism as Counter-Speech: A Defense of Defacing and Destroying Tainted Monuments," European Journal of Philosophy 28, no. 3 (2020); Lim, "Vandalizing Tainted Commemorations."

Questions of how we relate to our history have been at the forefront of U.S. national discourse as debates about school curricula, the renaming of military bases and public institutions, and other topics seem to be represented in online fora and the pages of newspapers every week. In these debates, we argue not only about how to represent the past, but whether the past is really past at all. Not least among the arguments that touch on these issues is the debate around Confederate monuments and other public commemorations of historical figures who have participated in oppression in various forms. Cities such as Richmond, Chicago, and New York have commissioned studies of their monuments, inviting comment and, in the case of Chicago and New York, issuing reports on the state of their urban representation of historical figures and events. While the last ten years have seen two waves of monument removals—the first in 2015-2017, and the second in 2020—controversies around the appropriateness of public monuments are no new phenomenon. In this essay, I outline a history of the debates around the removal of monuments to illustrate how our current debates about monuments have a past of their own that we have forgotten. Inherent in these debates and the suggestions for what to do with problematic monuments are diverse and sometimes contradictory understandings of our relationship to history. Take, for example, the removal of four Confederate monuments in New Orleans almost six years ago.

The removal began around 2 a.m. on April 24, 2017. While the police and onlookers watched, and snipers stood guard, workers with covered faces began to dismantle the monument to the Battle of Liberty Place. Despite worries to the contrary, there was little disruption, and around 5 a.m. the monument was loaded onto a flatbed and driven away. For the third and perhaps last time in 126 years, the monument was removed from public sight. Amid protests that sometimes turned violent, the city of New Orleans removed three more monuments over the next 25 days. By May 5th, a bright Friday afternoon, the last of the monuments, that of Robert E. Lee, was hauled away, leaving Lee Circle without a statue of its namesake for the first time in 133 years.

At first glance, it might seem as if the events leading to the removal of these monuments began in June 2015, when then-mayor of New Orleans, Mitch Landrieu, called for the removal of four monuments: the statues of Robert E. Lee, P.G.T. Beauregard, Jefferson Davis, and the monument to the Battle at Liberty Place. Or one might assume that these events were sparked by contemporary events, such as the shooting of nine Black worshipers at Emanuel African Methodist Episcopal Church in South Carolina by a White man and the subsequent removal of the Confederate flag from that state’s capitol building. Indeed, as New Orleans newspapers such as the Times-Picayune and the Advocate, and national newspapers such as the New York Times, the Chicago Tribune, and the Washington Post covered the story, coverage of the monuments frequently referenced these events. As in subsequent waves of monument removals, public commentary linked controversies surrounding the monuments to broader contemporary issues of racial justice and racial violence, making questions about the future of Confederate monuments all the more salient.

However, as I will show, the contestation—and eventual removal—of confederate monuments in New Orleans cannot be understood simply in terms of contemporary events, or as the actions of a single politician. Instead, the removal of these monuments must be understood as part of a much longer history of contesting confederate monuments in New Orleans. In the words of a local councilman, “I am the descendant of slaves. Before I knew there was a person called Mitch Landrieu, the people I cared about were talking about the need to take those statues down.”[1] Indeed, in the case of these four monuments in New Orleans, very public contestations had occurred since at least the 1960s. For example, groups such as the NAACP, Concerned Clergy, and Black Lives Matter held protests in 1974, 2000, and 2014 respectively, seeking the removal of the monument to the Battle of Liberty Place, and later, to Robert E. Lee.

Throughout these controversies, monuments were sometimes temporarily removed or were amended with the addition of explanatory or exculpatory plaques; however, they were always returned, until 2017. As support for monument removal in public discourse grew over the decades—from being expressed primarily in the pages of newspapers such at the Louisiana Weekly, which began by serving predominantly the African American community, to being outspoken in the pages of the Times Picayune, a newspaper that has struggled with issues of race—the arguments both for and against the monuments themselves have remained remarkably stable, with both sides articulating their desires in terms that reflect distinct and divergent understandings of the relationship between the past and the present. It seems our disagreements about the past have their own past.
 
***
 
The monuments that were eventually removed in 2017 honoured three important figures of the Civil War and one event during the post-war Reconstruction period: Robert E. Lee, the commander of the confederate army; P.G.T. Beauregard, a confederate general and native son of New Orleans; Jefferson Davis, the president of the Confederacy; and the Battle of Liberty Place. This battle, or really skirmish, took place on September 14th, 1874, when the integrated Metropolitan Police attempted to block the White League, a paramilitary organisation associated with anti-Black and anti-Republican violence, from receiving a shipment of arms. The Metropolitan Police were quickly overwhelmed, and the White League overthrew the government of Republican Governor William Kellogg. Although the city came back under Republican and Union control, the “battle” has been characterised by some as a fight for liberty from the rule of Republican “carpetbaggers.”

The monuments were all erected in the post-Reconstruction years between 1884, with the unveiling of the R.E. Lee monument, and 1915, with the unveiling of the P.G.T. Beauregard monument. They were part of an attempt to romanticise and valorise the Civil War, known as the Lost Cause, and were erected in a political climate that saw the rolling back of civil liberties and voting rights for African Americans.[2] The Lee monument was unveiled on January 22, 1884—George Washington’s birthday. In the dedication speech given at the unveiling[3] and articles written at the time, attempts were made to link the two historical figures as men equally dedicated to honour and country, thereby attempting to lift Lee to the status of Washington in the pantheon of national heroes. In one opinion piece written at the time, the author remarks that they “were both charged with rebellion”[4] (emphasis in the original). After these monuments were unveiled, commemorative activities, often organised by the United Daughters of the Confederacy or the Sons of Confederate Veterans, were held annually into the 1970s, with speeches, organised laying of wreaths, and musical performances.

However, beginning in the 1960s and 70s, public protest surrounding the monuments began to arise in New Orleans. Perhaps first among the four monuments to be the subject of this attention was the monument to the Battle of Liberty Place. This monument had become a rallying place for white supremacist groups including the Ku Klux Klan,[5] and a site at which speakers at commemorative events in the 1960s decried federal interventions impinging on ‘school choice’ (read desegregation) and other areas as akin to those of the Reconstruction era.[6] In 1964, the monument was put into storage for approximately five years to make way for the construction of the International Trade Mart. Groups that supported the monument extracted a promise from the mayor at the time that it would be returned to its original site and that the removal would be handled “just as was the repair and restoration of the Robert E. Lee statue on St. Charles.”[7] While the monument was in storage, commemorative activities continued to take place without the monument itself, and after the monument was returned in 1970, the speeches at subsequent commemorations included reference to the idea that it was not only White Leaguers who were against the “carpetbaggers,” but that Black New Orleanians also rallied against Reconstruction “interlopers.” These narratives, which explained the monument not in terms of race, but in terms of liberty, ran directly counter to a plaque that had been added to the monument by the Crescent White League in 1932 that “recognised white supremacy in the South.”

In 1974, the NAACP New Orleans College Chapter and the New Orleans NAACP Youth Council organised protests against the monument. In a page of letters to a local newspaper, the Times Picayune, about the Battle of Liberty Place monument, readers began to voice tropes that continue to resonate in contemporary debates about the fate of contested monuments. These letters are predominantly supportive of the monument. They range from arguments about the destruction of history and assertions that “slavery was never truly the issue behind the Civil War,”[8] to fears of a ripple effect:

The National Association for the Advancement of Colored People must be embarked upon a movement to destroy everything related to history. Should they continue, and be successful with their asinine efforts to remove the Liberty Monument… probably their next move would be to destroy the Coliseum in Rome.[9]
 
The single opposition to the monument came in a letter written by a self-identified young Black man who, nevertheless, did not want the monument to come down. He explained:

[as someone] opposed to white supremacy… [I] cannot accept the views that the plaque proclaims. But the monument should be allowed to stand, for it is a constant reminder of what can happen if blacks should become zeal-less in their efforts to gain and keep the rights that so many have paid the price for.[10]
 
This movement was seemingly put to rest by the installation of an additional plaque that read: “Although the Battle of Liberty Place and this monument are important parts of New Orleans’s history, the sentiments in favour of White supremacy expressed thereon are contrary to the philosophy and beliefs of present-day New Orleans.”        

By 1981 the controversy began anew. Then-Mayor Dutch Morial was accused of having tried quietly to remove the monument without public notice. However, by this time, opposition to the monument had a clear voice in the pages of the Times-Picayune. Comparing a page of letters called “Your Opinions” in 1981 to a similar page mentioned above in 1974, an almost complete reversal can be seen. Instead of almost all letters being in support of the monument, almost all were in favour of taking it down. Letters in opposition to the monument draw attention to the continued injustices taking place in New Orleans at the time: “The doctrine of white supremacy is alive and well, waiting for the right political climate to re-release itself. This is evident in the popular upsurge of the Klan.”[11] Others applauded the mayor for initiating a symbolic “decision to further King’s vision of peace, love, and brotherhood.”[12]

As in recent controversies, contemporary events sharpened the debate. Police shootings of four Black New Orleanians in the Algiers neighbourhood as well as KKK activities were cited, not as precipitating forces, but as events that made the issue of the monument all the more pressing. Former KKK grand wizard David Duke tried unsuccessfully to obtain a restraining order preventing the removal of the monument and claimed equivalency between the monument to Martin Luther King, Jr. and the monument to the Battle of Liberty Place. However, these claims are vehemently contradicted in opinion pieces appearing around the same time. In the end, the matter was left unresolved. The City Council of New Orleans voted to retain for itself the final say in the removal of any monument, statue, or plaque in the city of New Orleans and planned to remove the inscription referencing white supremacy.[13] Instead of removing the inscription, it was, in the end, simply covered over.

In 1989 it was reported that the monument was to be moved due to “traffic engineering” and to improve access to the Canal Street ferry and the Aquarium and that city officials did not know if the monument would be returned when the work was finished.[14]  This set off the largest and most protracted controversy until the monument’s removal. Lasting four years, it involved state and federal preservationists, a suit by a local pharmacist against the city for emotional damages caused by the absence of the monument, and federal Housing and Urban Development officials demanding repayment of funds used for the traffic improvement if the monument was not returned.

Despite the fact that the monument was not on the National Register of Historic Places, the idea that it might be eligible, its being considered historically significant by the Louisiana Landmarks Society and other groups, and the fact that the roadway, sidewalk, and traffic-signal improvements were in part federally funded, led to the necessity of an agreement being negotiated with the Advisory Council on Historic Preservation. This agreement stipulated that the monument be re-erected by May 1, 1991. Whether or not there were underlying reasons for the monument’s initial removal, it became clear that the city administration was loath to return it to its initial location. In April of 1991, a four-month extension was granted to the city, and while the city attempted to give the monument to the Louisiana State Museum, their offer was refused. Having missed a September deadline as well, federal historic preservation officials began action to coerce repayment of funds, and a private citizen brought a suit against the city and the mayor’s office. After missing three deadlines, the city was, in the end, forced to re-erect the monument, although in a slightly less prominent position, but protests broke out at the re-dedication ceremony, which was marked by speeches by David Duke, among others, as well as by the very public, forceful arrest of a respected civil rights leader, Avery Alexander.

Public discourse regarding the monument was more negative at this time than during any of the previous incidents. Opposition to the monument and to arguments that it was not connected to racism used David Duke’s involvement to illustrate their points. One staff writer argued:

First supporters of the Liberty Monument tried to tell us that the controversial piece of stone that sits at the foot of Iberville Street has absolutely nothing to do with race. Then, they brought in former Ku Klux Klan Grand Wizard David Duke for the monument’s rededication ceremony last Sunday and obliterated that argument.[15]
 
Others leveraged analogies between Hitler and the Holocaust to express disagreement with a previously published article calling for a nuanced understanding of the Battle of Liberty Place:

If a citizens’ group in Munich, Germany, attempted to dedicate a memorial to commemorate Adolph Hitler's futile effort in 1923 to take over the German government—what we now call the Munich Beer Hall Putsch—surely Mr. Gill would understand if the Jewish citizens of that city were a bit nervous about any such attempt. Certainly, Mr. Gill’s support of these Jews would not waver, even if the citizens’ group argued that the memorial did not celebrate Hitler’s later persecution of the Jews and other minorities (after all, no Jews were killed in Hitler’s putsch) and was only meant to commemorate the Fuehrer’s wonderful record of German economic recovery and his all too successful establishment of the Third Reich.[16]
 
The tide of sentiment had clearly turned. Despite this, supporters of the monument continued to advance arguments in favour of preserving the monument that would sound familiar to observers of today’s monument controversies, citing a need to honour history and fear of a ripple effect (that is, the argument that if one is removed, many or all will be removed). During public hearings on the monument held in 1993, Rev. Henry McEnery asked: “Should we demand the Egyptian pyramids be destroyed because they were built by slaves?”[17]

Like the 1981 conflict, this controversy was also left somewhat unresolved. It left the monument under a federal protection order but with a new law that enabled the New Orleans City Council to remove monuments that are considered nuisances[18] and a new amendment to the monument with the addition of a plaque honouring “Americans on both sides.” The plaque listed the names of the members of the Black and White members of the metropolitan police who died in the skirmish and concluded with a missive that it was “[a] conflict of the past that should teach us lessons for the future.”

In the most recent controversy, the office of the New Orleans Mayor, Mitch Landrieu, spoke of discussions surrounding the 2018 tricentennial of New Orleans, saying:

Part of this process should include a close examination of the historical symbols throughout our city and what changes could be made as we approach 2018, including the Robert E. Lee statue in Lee Circle. These symbols say who we were in a particular time, but times change. Yet these symbols—statues, monuments, street names, and more—still influence who we are and how we are perceived by the world.[19]
 
The statements of the mayor and the mayor’s office set off another round of controversy, and in this controversy, ultimately opposition to the monuments succeeded. In the months after June of 2015, there were at least three opportunities for public commentary at City Council meetings, heated public discourse in newspapers and online, and the creation of several committees and organisations with the purpose of either taking down or retaining this and other confederate monuments. While the shooting of nine people in a Charleston, SC, church and the subsequent removal of the confederate flag from that state’s capitol in Columbia may have preceded and even given greater urgency to the issue of the monuments in New Orleans, both the Mayor and citizens who fought to take them down insisted that the movement is not a response to these other actions, but something with deeper roots.

Despite a 6-1 resolution of the New Orleans City Council in December 2015 to remove the monument to the Battle of Liberty Place as well as those to Lee, Davis, and Beauregard, the process faced numerous obstacles. A lawsuit to keep the monuments, which stayed the city’s hand for a number of months, was resolved in favour of the City Council’s resolution; however, the city was not able to immediately remove the monuments. At first there was difficulty finding a contractor to do the actual work, the first contractor having rescinded his bid due to death threats and his Lamborghini having been set on fire; later, continuing lawsuits stymied the removal. It was only two years later that the monuments were finally removed.

In this most recent example, a culmination of both narrative style and legal precedent can be seen. Opponents of the monuments declare that these monuments were erected to propagate the ideology of the Lost Cause and that they reflect and perpetuate a history of pervasive inequality in the United States. If David Duke and Hitler are considered anathema to the supporters of the monuments, then they must also consider the monuments and their symbolism to be highly inappropriate in the public sphere. In leveraging these narrative tropes, a memorial and moral dissonance is asserted which attempts to put supporters of Confederate monuments in a difficult position. By drawing these connections, monuments are burdened with additional memorial frameworks—most strikingly, that of the holocaust—and ostensibly supporters of the monuments would then have difficulty maintaining that they support the monuments simply as representations of military figures or objects of the past that have no bearing on the present.

Supporters of Confederate monuments use their own well-established narrative tropes: one might be characterised by the separation of history and current social problems; another might be characterised as predicting a ripple effect that would generate an overwhelming number of similar claims. These tropes are remarkably similar to those expressed almost twenty-five years earlier. After Mayor Landrieu called out a local businessman for his support of the monuments (for which he later apologised), the man in question responded with a two-page ad in The Advocate in which he addressed Mayor Landrieu directly:

I ask you, Mitch, should the Pyramids in Egypt be destroyed since they were built entirely from slave labour? We all have learned about the power and abuses of the Pharaohs and the plight of the slaves since the Pyramids are still with us today. What about the Roman Coliseum? It was built by slaves, who lived horrible lives under Roman oppression, but it still stands today and we learn so much from seeing it. Egypt and Italy should be grateful they had no Mitch Landrieu in power or these magnificent structures would not exist for the world to see today.[20]
 
When supporters of the monuments use the tactic of ripple effect or bring out the example of the Colosseum or the pyramids of Egypt, they argue for a moral and historical equivalence between these objects and those like Confederate monuments: they are part of a difficult past, but it is a past from which we can learn.
 
***
 
As these comments by supporters and opponents of confederate monuments demonstrate, there exist radically different views on what monuments have to do with history, and the role that history plays and ought to play in present-day life. Opponents of the monuments see an incongruence between the values represented by the monuments and the values of equality and justice that should characterise present-day society. They assert that it is because injustice continues in the present that the past is not really past, and that the monuments themselves should be understood as destructive, reflecting and participating in a continuing legacy of racism in the United States. Supporters of Confederate monuments take different views. While most agree that the past associated with these monuments diverges from our understandings of what society ought to be today, they argue that the monuments themselves are not problematic precisely because they should be understood as historical rather than contemporary objects and protected for their historical value. Another group of participants in the debate call for a process of “fixing” or contextualising the monuments by adding plaques or explanatory material in order to present them “in the context of their time.” Thus, the three distinct temporal relationships to the monuments emerge in the narrative tropes that are used to support varying positions as well as in the suggestions for how to respond to the monuments themselves. 

Over the last five decades during which it was in public view, the Battle of Liberty Place monument was removed, returned, amended, and re-amended. Yet, it continued to be site through which struggles over the role of history in the present took place. If monuments such as the Battle of Liberty Place can be materially amended or even removed while the narratives surrounding them remain relatively stable, how are we to think about the past and the possibility of reshaping our public spaces? The choice between keeping or toppling monuments seems inadequate to the task of bridging divergent understandings of the role of history in the present, and yet the presence of heavy material symbols such as Confederate monuments cannot be ignored. It is time, then, to radically rethink the role, form, and lifespan of monuments in our public spaces.



[1] Quoted in Robert McClendon in the Times Picayune, December 18, 2015, “Charges May Not End with Four Statues - Liberty Place Under Protective Order”

[2] For more information on the construction of Confederate monuments, see Winberry, John. “‘Lest We
Forget’: The Confederate Monument and the Southern Townscape.” Southeastern Geographer 23, no. 2 (November 1983): 107–21, and Fahs, Alice., and Joan. Waugh, eds. The Memory of the Civil War in American Culture. Chapel Hill: University of North Carolina Press, 2004.

[3] R.E. Lee Monumental Association (New Orleans), and Charles E. Fenner. Ceremonies
Connected with the Unveiling of the Statue of General Robert E. Lee, at Lee Circle, New Orleans,
La., Feb. 22, 1884: Oration. 46 p. New Orleans: W.B. Stansbury & Co., Print., 1884.

[4] 1884. “Washington and Lee” Times Picayune, January 22.

[5] C.f. Fealing, Ken. 1981. “Mayor Takes Steps to Remove Liberty Monument from Canal Street” Louisiana Weekly, January 24.

[6] C.f. 1963. “Tribute Paid to Liberty Battle Heroes by Herbert” Times Picayune, September 14 and 1967. “Herbert Says U.S. Courts Hurt Freedom of Choice” Times Picayune, September 15.

[7] 1964. “Mayor Pledges Obelisk to Stay: Move from Canal Street Site Opposed” Times-Picayune, December 19.  The removal of Robert E. Lee referred to in this piece occurred in 1954 when the wood of the pedestal had dry-rotted and had to be replaced. As far as I can tell, the only outcry was from the United Daughters of the Confederacy, which did not want the statue to be removed from the pedestal at all. 

[8] Theodore, William. 1974. “Against Despotism” Times-Picayune, February 19.

[9] Sloan, L. 1974. “Coliseum Next?” Times-Picayune, February 19.

[10] Hunter, Joe. 1974. “Meaning for Blacks” Times-Picayune, February 19.

[11] Marcelia, Vanward. 1981. Times-Picayune, January 26

[12] Smith, M.D. 1981. “Pulverize Monument” Times-Picayune, January 26

[13] DuBos, Clancy., & Massa, Joe. 1981. “Monument inscription will be removed by city” Times-Picayune, February 27

[14] C.f. Eggler, Bruce. 1989. “Monument to whites is canned on Canal”. Times-Picayune, October 11.

[15] Frazier, Lisa. 1993. “Celebrating Old Divides” Times-Picayune, March 12.

[16] Epstein, James. 1993. “Liberty Monument - How to satisfy everybody” Times Picayune, April 6.

[17] Finch, Susan. 1993. “Monument Hearing Is Divided - History Invoked for And Against” Times-Picayune, June 30. Incidentally, there is now broad consensus among Egyptologists that the pyramids were built with paid labour.

[18] Section 146-611 of the Code of the City of New Orleans.

[19] Barry, Jarvis. 2015. “Statue of Lee and issue for N.O. - Mayor concerned how symbol fits in city’s future” Times-Picayune, June 24.

[20] Stewart, Frank. 20176. “An Open Letter from Frank Stewart to Mayor Mitch Landrieu.” The Advocate, May 3.

Discussion and debate about the far right, its rise, origins and impact have become ubiquitous in academic research, political strategy, and media coverage in recent years. One of the issues increasingly underpinning such discussion is the relationship between the far right and the mainstream, and more specifically, the mainstreaming of the far right. This is particularly clear around elections when attention turns to the electoral performance of these parties. When they fare as well as predicted, catastrophic headlines simplify and hype what is usually a complex situation, ignoring key factors which shape electoral outcomes and inflate far-right results, such as trends in abstention and distrust towards mainstream politics. When these parties do not perform as well as predicted, the circus moves on to the next election and the hype starts afresh, often playing a role in the framing of, and potentially influencing, the process and policies, but also ignoring problems in mainstream, establishment parties and the system itself—including racism.

This overwhelming focus on electoral competition tends to create a normative standard for measurement and brings misperceptions about the extent and form of mainstreaming. Tackling the issue of mainstreaming beyond elections and electoral parties and more holistically does not only allow for more comprehensive analysis that addresses diverse factors, manifestations, and implications of far-right ideas and politics, but is much-needed in order to challenge some of the harmful discourses around the topic peddled by politicians, journalists, and academics.

To do so, we must first understand and engage with the idea of the ‘mainstream’, a concept that has attracted very little attention to date; its widespread use has not been matched by definitional clarity or subjected to critical unpacking. It often appears simultaneously essentialised and elusive. Crucially then, we must stress two key points establishing its contingency and challenging its essentialised qualities. The first of these points is therefore that the mainstream is constructed, contingent, and fluid. We often hear how the ‘extreme’ is a threat to the ‘mainstream’, but this is not some objective reality with two fixed actors or positions. They are both contingent in themselves and in relation to one another. In any system, the construction and positioning of the mainstream necessitate the construction of an extreme, which is just as contingent and fluid. These are neither ontological nor historically-fixed phenomena and seeing them as such, which is common, is both uncritical and ahistorical. What is mainstream or extreme at one point in time does not have to be, nor remain, so. The second point is that the mainstream is not essentially good, rational, or moderate. While public discourse in liberal democracies tends to imbue the mainstream or ‘centre’ with values of reason and moderation, the reality can be quite different as is clearly demonstrated by the simple fact that what is mainstream one day can be reviled, as well as exceptionalised and externalised, as extreme the next, and vice versa.  Racism would be one such example. As such, the mainstream is itself a normative, hegemonic concept that imbues a particular ideological configuration or system with authority to operate as a given or naturalise itself as the best or even only option, essential to govern or regulate society, politics and the economy.

One of the main problems with the lack of clarity over the definition of the mainstream is that its contingency is masked through the assumption that it is common sense to know what it signifies, thus contributing to its reification as something with a fixed identity. Most people (including academics) feel they have a clear idea of what is mainstream; they position themselves according to what they feel/think it is and see themselves in relation to it. We argue that a critical approach to the mainstream, which challenges its status as a fixed entity with ontological status and essentialised ‘good’ and ‘normal’ qualities, is crucial for understanding the processes at play in the mainstreaming of the far right.

To address various shortcomings, we define the process of mainstreaming as the process by which parties/actors, discourses and/or attitudes move from marginal positions on the political spectrum or public sphere to more central ones, shifting what is deemed to be acceptable or legitimate in political, media and public circles and contexts.

The first aspect we draw attention to is the agency of parties and actors in the matter. Far-right actors are often positioned as agents, either unlocking their own success through internal strategies or pushing the mainstream to adopt positions that would otherwise be considered ‘unnatural’ to it. While we do not wish to dismiss the potential power of far-right actors to exert influence, it is essential to reflect on the capacity of the mainstream to shift the goalposts, especially given the heightened status and power that comes from the assumptions described above. What we highlight as particularly important is that shifts can take place independently and that the far right is not the sole actor which matters in understanding the process of mainstreaming. A far-right party can feel pressured or see an opportunity to become more extreme by mainstream parties moving rightward and thus encroaching on its territory. However, a far-right party can also be made more extreme without changing itself, but because the mainstream moves away from its ideas and politics. The issues associated with the assumed immovability and moderation of the mainstream have led towards a lack of engagement with the role of this group. It is therefore imperative to challenge these assumptions and capture the influence of mainstream elite actors, particularly with regard to discourse, in holistic accounts of mainstreaming.

This leads on to one of the core tenets of our framework, which places discourse as a central feature with significant influence across other elements. Too often, discourse has been swallowed up within elections, seen solely as the means through which party success might be achieved, but we argue that it can stand alone and that the mainstreaming of far-right ideas is not something only of interest and concern when it is matched by electoral success. Our framework highlights the capacity of parties and actors from the far right or mainstream (though the latter has greatest influence) to enact discursive shifts that bring far-right and mainstream discourse closer or further from one another.

Problematically, we argue, discourse is often seen solely in terms of its strategic effects for electoral outcomes. While we do not deny its importance in this regard, we suggest that discursive shifts may not always be connected in the ways we might expect with elections, and that the interpretation of electoral results can itself feed into the process of normalisation. First, changes at the discursive level do not always lead to a similar electoral trajectory, nor do the effects stop at elections: the mainstreaming of far-right ideas and narratives (including in and as policies) has the potential to both weaken the far right’s electoral performance if mainstream politicians compete over their traditional ground or bolster such parties by centring their ideas as the norm. Whatever the case, we must not lose sight of the effects on those groups targeted in such exclusionary discourse. The impact of mainstreaming does not stop at the ballot box. This feeds into the second key point about elections, in that the way they are interpreted can further contribute to normalisation, either through celebrating the perceived defeat of the far right or through hyping the position of far-right parties as democratic contenders. Certainly, this does not mean that we should not interrogate the reasons behind examples of increased electoral success among far-right parties, but that we must do so in a nuanced and critical manner. We must therefore guard against simplistic conclusions drawn from electoral, but also survey, data which we discuss at length in the article. Accounts of the electorate, often referred to through notions of ‘the people’ or ‘public opinion’, have tended to skew understandings of mainstreaming towards bottom-up explanations in which this group is portrayed as a collection of votes made outside the influence of elite actors. Through our framework, we seek to challenge these assumptions and instead underscore the critical role of discourse through mediation in constructing voter knowledge of the political context.

Far from being a prescriptive framework or approach, our aim is to ensure that future engagement with the concept, process and implications of mainstreaming is based on a more critical, rounded approach. This does not mean that each aspect of our framework needs to be engaged with in great depth, but they should be considered to ensure criticality and rigour, as well as avoid both the uncritical reification of an essentially good mainstream against the far right, and the normalisation and mainstreaming of the far right and its ideas. We believe it is our responsibility as researchers to avoid the harmful effects of narrower interpretations of political phenomena which present an incomplete yet buzzword-friendly picture (i.e. ‘populist’ or ‘left behind’), often taken up in political and media discourse, and feed into further discursive normalisation. 

This brings us to the more epistemological, methodological, and political reason for the intervention and framework proposal: the need for a more reflective and critical approach from researchers, particularly where power and political influence are an issue. It is imperative that researchers reflect on their own role in contributing to the discourse around mainstreaming through their interpretations of related phenomena. This is important in the context of political and social sciences where, despite unavoidable assumptions, interests and influence, objectivity, and neutrality are often proclaimed. Necessarily, this demands from researchers an acknowledgement of their own positionality as not only researchers, but also as subjects within well-established and yet often invisibilised racialised, gendered, and classed power structures, notably those within and reproduced by our institutions, disciplines, and fields of study.

‘There must be some kind of way out of here, said the joker to the thief’.[1] Except there isn’t. We all know it; some have known for longer. We stand bewildered before the cusp of a new world once promised to us fading away at the horizon. A world that may be within reach elsewhere, who knows; a unified world some minds and hearts glimpsed, and that perchance still hides in an Einsteinian fifth dimension amidst a warren of other hatching modern truths that we are still striving to decipher and from whose weight we can get no relief. And the thieves, and the jokers, and all the other outcasts seem to have the upper hand in this state of ideological affairs because they have known since jadis that there is no rest for the wicked: the game is rigged, and it has always been. It might be time we listen to them.

Truth and certainty
 
Science is certainly not answering the paramount questions on this quantic leap we have failed to take. It has become too deeply entrenched in the current ‘nice v. nasty Twitter game’[2] and its ‘hermetically self-contained, self-referential certainty’.[3] Meanwhile, the portal to that dimension of global solidarity—where supranational and international institutions united would enhance development throughout the globe, development that we are all geared up for—is closing. The inheritance of this quest remains with us, nonetheless: the neuroplasticity and semantics created by the language of snaps and ‘snirks’[4] of the noosphere, carved by the ‘anxieties of the global’,[5] led us to fear, numbness, and exhaustion, a direction diametrically opposed to the ‘spirit of solidarity (Solidaritätsgeist) promised by globalism; their ways certainly have not spared Science either.
 
Au contraire, it has plastered it together with all our gnoseological senses, which would have caused Popper’s dismay,[6] and curbed it in a much harder shell than the one envisaged by Max Weber[7]—a shell of virtue-signalling and fear. And that fear disconnected us from each other, and that shell became the equivalent of a platonic cave of over-assumptions. Hiding in our certainties only made us feel even more acutely the ‘solostalgic’[8] effects of both. If self-absorption and overreaching are what is holding us back from taking that leap, the supplicant question, borrowing the term from coding, is: how did it start, so how can we end it?
 
Reading the works of fellow social scientists about European ideology being tantamount to the book of revelation of exclusion, an analogy emerges with some neo-Durkheimian tools that are lent powerful new sophistication by Elizabeth Hinton’s ‘social grievances theory’.[9] The effervescent ideas on how, from Europe to the globe, the Judeo-Christian morality—not tradition, for terminology’s sake[10]—is the proto-code deeply rooted into the code of law and ethos by which we live, which thus must answer for the ‘unweaving’ of people from the fabric of contemporary society, could be neatly tied together with some of the causes in Hinton’s depiction of what lit ‘America on Fire’.[11]  It gives us the sense, though—and history has seemed to agree—that religious affiliations were rather a pitiful root cause.
 
While the effects of the ‘discovery doctrine’ are well-documented and deeply-felt by many hearts across the globe,[12] so too is the scapegoatism of blaming religion for historical upheavals. Gender bias, labour un-dignification, racial hierarchisation knotted by a rating of intellectual capital to ethnicities, among the vast spectrum of pain as we now know inflicted on humans by debasing individuals and populations for what they hold dearest in their existential core, seem to be a modus operandi esquisé by Europe. A carrefour of civilisations, as many other geopolitical spaces were from age to age, Europe misappropriated ideas plentifully, and it certainly cannot be denied the position of the epicentre of postmodern ideological mayhem;[13] rather it seemed to have ‘nailed it’—since it was ‘Europeans’ who crucified the Jewish Messiah, and who disenfranchised him and his disciples from their beliefs of communion and universality, putting in motion the whole shebang of religious morale to be spread around the globe, in the same way as one has to admit that Islam started as a countermovement to save Europeans from doing precisely this, just to become their next disenfranchising target.
 
Approaching Eurocentrism to this end in Social Sciences’ turf, was, therefore, nerve-wrenching. In contemporaneity, all scientific fields seem to share the sense of being cloistered by Science’s own gregarious endogenies, taunted by the reality of postmodern global pain. This is because scientific results stem from the same source of common cravings for logic,[14] cleaved only by the appeal such results may have to peer-reviewing and method; as society now stands, their gratification has been dangling on a fickle flow of likes and shares as much as any other gnoseological reasoning. Thus, unsurprisingly, the closing of the portal to the realm of necessary ideological epiphanies laced by humanism has received a more lucid treatment from fantasy and fiction, in other words, from Art.
 
‘Art and epistemology’ makes for an enticing debate, but remaining with the aspect of art being the disavowed voice in logic’s family midst, cast out by epistemological puritanism—like the daughter in Redgrave’s painting, ‘The Outcast’—is just enough to bring ourselves to see its legitimacy in leading the way towards unspeakable truths. In the adaption of Isaac Asimov’s masterpiece, Foundation, Brother Day says ‘art is politics’ sweeter tongue’[15]—but it can also be, and it often is, ‘tangy’. In the comfort of our successful publications and titles, we gave in to the idea of abdicating the freedom to speak about the truth as an essential step into Socratic academic maturity. How truth has become an intangible notion in the mainstream of the social sciences and a perilous move in the material world of politics—as Duncan Trussel so trippily, yet pristinely, described in Midnight Gospel[16]—is another story.
           
To the outcasts making sense of contemporary times through art, nevertheless, this comfort was not agreed-upon; even less so, and principally, among the economic and societal outcasts stripped from their dignity. Living at the sharp end of this knife, they had to muster wisdom with every small disaster,[17] and, with hearts of glass and minds of stone torn to pieces, face what lay ahead skin to bone;[18] and then to fall, and to crawl, and to break, and to take what they got, and to turn it into honesty.[19]
 
Science as it stands, relying on applauses, can hardly tap into this ‘real-world’; whereas Popperian truth and critical reasoning are in short supply. Mustering the voices from the field and presenting them to our fragile certainties and numbed senses has been the work of Art.
 
Eurotribalism, Americanism, and Globalism
 
In ‘How we kill each other’, a team of data scientists looking into the US Federal Bureau of Investigation succeed in clustering profiles of murder victims across all the states with the aim of discerning more information about the relevant perpetrators. They explored a data set from the FBI Murder Accountability Project, identifying trends in a thirty-five-year period (1980–2014) of murders, looking to build a predictive model of the murderer’s identity based on its correlations to victims’ traits—age, gender, race, and ethnicity—and murder scenes. Grouping victims’ profiles could prove to be useful in identifying, in turn, a murderer’s type for victims[20]. While facing difficulties in achieving this goal, the research results were insightful in confirming some typical depictions of crimes in the US—the mean murder in the prepared data set is a thirty-year-old black male killing a thirty-year-old black male in Los Angeles in 1993, using a handgun—but also revealing different clusters of perpetrators tied to uncalled-for-methods of murder, for instance, women’s prevalent use of personal methods, involving drug overdoses, drowning, suffocation, and fire, going against the expectation of females ‘killing at distance’. The spawn of novelty introduced by this research seemed to have less to do with ‘how’ Americans kill, but ‘how consistently’ Americans kill within certain groups, i.e., in proximity. In all clustered groups, crime seemed to be the result of an outburst against extenuating circumstances specific to that type of crime. And, though a disreputable fact, it is also one of rather universal than domestic interest.
 
The social grievances in American society studied by Hinton can be pointed to as causes of this consistency in ‘proximity violence’. They have been, moreover, better approached by Art than Science during our unbreathable times. Art has certainly done a better job of giving us hints about the roots of the evil of contemporary violence. Looking at the belt of marginalised people around society, Art has been trying to tell us to grieve together, appealing to our senses and the universality of pain. It has moreover educated us on the remittance of public outcry for the protection of fundamental rights in the history of the US. How guns have been used unswervingly and in deadly ways in this peripheric belt that surrounds the nucleus of entitlement, and in ways that those communities victimise themselves rather than any other group, speaks volumes about ideological global dominance, where the echoes of past Eurocentric ideology can still be heard.
 
Sapped of all energy and aghast of being praised for their ‘resilience’, the African descendants’ forbearance from acting against unswerving European subjugation was counterbalanced by cultural resistance. It made the continent richer beyond the economical sense, i.e., in flavours and sounds and art that benefited greatly and continuously not only the Americans lato sensu—remembering how the roots of slavery are intertwined with the southern countries of the continent—but Europe as well. Currently, it is not surprising that the advocacy for gun control rises from the population that had suffered by and large from being armed in the peripheries of the US, whereas those entitled to protection inside the belt cannot relate to the danger guns represent. Guns are made to protect their entitlement after all, and the system works, directly or indirectly, as guns are mainly used by outcasts to kill outcasts. The question lying beneath these grounds is how strong the mechanics of exclusion and violence crafted by Europeans centuries ago is still operating and entrapping us in cyclic violence, despite our best efforts as scientists, social engineers, and legal designers suffering together its outcomes.
           
A scene from ‘Blackish’ where a number of African Americans refrain from helping a white baby girl lost in the elevator[21] may explain something about the torque of these mechanics. For generations, black men in the Americas were taught not to dare to look, much less to touch, white girls, and changing their disposition on it is not an easy task, and for most, an objectionable one—anyone who sees the scene played so brilliantly with the blushes of comedy will not suspect the punch in the stomach that accompanies it, as the spectator cannot escape its actuality. ‘The Green Mile’ goes deeper into the weeds to explain this. When we confront, on the one hand, the reality of Andre Johnson (Anthony Anderson) in ‘Blackish’, as taught by his ‘pops’ (Lawrence Fishburne), with, on another hand, Ted Lasso’s loveable character Sam Obisanya (Toheeb Jimoh), who is also very close to his father (uncredited in the show), but comes from Nigeria to England, concerning white women, another important point comes out to elucidate the differences on both sides of the Atlantic in how Africans and African descendants interact with gender and race combined. Andre is taught about the ‘swag’ of black males and how to refrain from wasting it on white women; whereas Sam is highly supported by all around him as the love interest of the most empowered female character in the show, Rebecca Walton (Hannah Waddingham), and winds a loving delicate sway over his peers and all over the narrative due to his affable nature. Africans and unrooted African descendants experience differently this combination of gender and race, accrued by geography, since it matters which sides of the Atlantic they may be on. These few examples add shades and textures to the epitomic dialogue between T’Challa (Chadwick Boseman) and Erik Killmonger (Michael B. Jordan) in the final scenes of ‘Black Panther’, on what could be seen as the consequences of what Europe did to the globe by forcefully uprooting Africans from their natal homes.
 
Misogyny, Eugenics, and Radical Ecologism
 
Like in Redgrave’s painting-within-the-painting—where the dubiousness of the biblical story depicted in the picture in the wall, either of Abraham and Hagar and Ishmael or of Christ and the Adulterer, is purposedly ‘left hanging’ in juxtaposition to the paterfamilias power justification to the father to curse his progeny out of his respectable foyer—religion in Europe remains fickle towards the real problem, which has always been the persistent European ways of weaponising ideologies. The farcical blame on Christianity to justify Eurotribalism has in this light been a growing distraction among social scholars.
 
That Judeo-Christian morality—not tradition, since this idea of an ensemble tradition was antisemitic in its base—has revamped or revived in itself in many echelons, including neo-Nazi ecologism—which certainly is astonishing—should not be concerning in itself: it is the 101 of Kant on moral and ethos. This new ‘bashing’ of religion is another form of European denial, a refusal to take responsibility for its utilisation just like any other ideology Europe has used to justify violence. European tribalism and the game-of-I-shall-pile-up-more-than-my-cousin that Europeans have been playing for centuries answers better for the global roots of evil sprawl through self-righteousness dominance. It crossed the Atlantic and remained in play.
 
The Atlantic may be a shorter distance to cross, though, in comparison with the extent of the abyssal indifference displayed by other groups within American and European domestic terrains. Women’s rights, for instance, are not on the agenda of international migratory law. Violence against the black community is disbelieved by many, even among equally victimised groups by violence in the United States, such as migrants—Asians or Latinos alike[22]—and survivors of gender-based violence. ‘I can’t believe I am still protesting about this’[23] has been a common claim in feminist movements that decry Euro-based systems of law that debase women’s rights in both continents, and used in a variety of other manifestations, but the universality of the demands seems to stop with protest posters. The clustering and revindication of exclusion and violence by groups in their separate ways remain great adversaries of universal humanity, which should ultimately bring us all together to solve the indignities at hand. As the SNL sketch on the ‘five-hour empathy drink’[24] shows us, the fact we all hurt seems an unswallowable truth.
 
An ocean of commonalities in the mistreatment of women in both continents, travestied of freedoms and empowerment, could be added into evidence to speak of the misappraisal of Western women’s ‘privileged’ position in the globe. Looking into some examples brought by streaming shows—our new serialised books—we see how the voices of ‘emancipated’ women in contemporary Europe are still muffled by the tesserae of Eurotribalist morality. In 30 Monedas, Elena suffers all the stereotypical pains of a Balsaquian in rural Spain, fetishised as a divorcee, ostracised, in agonising disbelief and gaslit by her village, only to be saved by the male protagonist;[25] in Britannia, which was supposed to educate us about the druidic force of women and ecologism, the characters fall into the same traps of love affairs and silliness as any teenager in Jane Austen’s novels;[26] and in Romulus, Ilia, who plays exhaustively with manipulation and fire—in the literal sense—surrenders to hysteria in ways that could not be any closer to a Fellini-an character and the Italian drama cliches imparted upon Italian females by genre cinema.[27] Everything old is new again, including misogyny.
 
In this realm of using fictional history to describe women as these untamed forces of nature, Shadow and Bones, based on the books of Leigh Bardugo, makes an exception in speaking accurately of women’s leeway in past Judaism, which was inherited by ‘true’ Christianity, as the veneration of Mary—another casualty in the European alienation of religions—attests. Alina is the promised link to all cultures, and her willpower among the Grisha, a metaphoric group of Jewish people at the service of the Russian empire, promises to free them from slavery and falsity and bring light to the world, since she is the ‘Sun-summoner’—a reference, perhaps, to the woman clothed with the sun in Christianity. Confronting their distinct traits could help us understand better how the European specialism and skill in hating and oppressing has sprawled around the globe. What Social Sciences can make out of Art in the era of binge-watching remains to be seen.
 
Let’s not speak falsely
 
Enlightened by lessons like those, we are left by Art without a shred of doubt that (i) Science has been all but evasive and has tiptoed around the sheer simplicity of hate; (ii) the European haughtiness vis-à-vis the Americas, founded by their progeny, and the globe in a large spectrum of subjects such as gender bias, migration, racism, and climate is peevish, to say the least. Their internal struggle with all those pressing issues is tangible, and religion is not to blame; using a modicum of the counterfactual thinking allowed by Art, we can imagine a world where Europeans had decided to use Confucianism or Asatro as a means to spread their wings, only to realise the results would have hardly been any different.
 
The very idea of a ‘global hierarchy of races’, albeit barbaric—another curious term born out of European Hellenic condescension—and one that should have fallen sharply down with the downfall of imperialism, remains entrenched in all those discussions, and Christianity has nothing of the sort to display. The same, unsurprisingly, is true of ‘development’, as a goal which is still measured in much the same ways as it was when European tribes fought among themselves, which then leads us to nothing but tautological havoc. It is as if “we don’t get it”.
 
In the meantime, those who do get it can only look at one another, and can say nothing but “There are many here among us, who feel that life is but a joke, but you and I, we’ve been through that, and this is not our fate. So let us not talk falsely now, the hour is getting late”.



[1] Dylan’s lyrics, one has to note, do not fully convey the reeling effect of ineluctability, surrendering to the no-other-option but to fight within the bulk of indescribable feelings transliterated by Hendrix’s composition.

[2] See Rosie Holt https://twitter.com/RosieisaHolt/status/1425361886330200066 cf. Marius Ostrowski, “More drama and reality than ever before” in Ideology-Theory-Practice, 23/8/2021.

[3] Ostrowski, Marius. Ibid.

[4] ‘Snirk’, a slang term defined by the Urban Dictionary as: “a facial expression combining a sneer and a smirk, appears sarcastic, condescending, and annoyed”. At https://www.urbandictionary.com/define.php?term=Snirk

[5] Appadurai, Arjun. “Grassroots Globalization and the Research Imagination” in Public Culture 12(1): 1–19. Duke University Press, 2000.

[6] After all Popper was in the quest of a better world represented by an open society. Cf. Popper, Karl. In search of a better world: Lectures and essays from thirty years. Routledge, 2012. Cf. also Popper, Karl R. The open society and its enemies. Routledge, 1945.

[7] See comments by Daniel Davison-Vecchione, at “Dystopia and social theory” in Ideology-Theory-Practice, 18/10/2021, on Max Weber’s The Protestant Ethic and the Spirit of Capitalism, as quoted translated by Peter Baehr and Gordon C. Wells, London: Penguin Books, 2002.

[8] We use here Gleen Albrecht’s terminology, ‘solostalgia’, to describe the disconnection with the world in what can be our synesthetic experience in it, as well as with the feelings of fruition of this experience, from our reasoning of those experience, in a narrower version of what the author described as the “mismatch between our lived experience of the world, and our ability to conceptualise and comprehend it”. Cf. Albrecth, Glenn. “The age of solastalgia” in The Conversation. August 7, 2012.

[9] Elizabeth Hinton describes ‘social grievances’ both as the cause for lynching Afro-Americans who were accused of transgressing determined rules, such as “speaking disrespectfully, refusing to step off the sidewalk, using profane language, using an improper title for a white person, arguing with a white man, bumping into a white woman, insulting a white woman, or other social grievances,” anything that ‘offended’ white people and challenged racial hierarchy (pp. 31–32 of Lynching Report PDF)”, as well as the social grievances hold by the black community as reason for the riots and manifestations from the 1960’s to present BLM. Cf. Hinton, Elizabeth. America on Fire: The Untold History of Police Violence and Black Rebellion Since the 1960s. Liveright, 2021.

[10] https://www.abc.net.au/religion/is-there-really-a-judeo-christian-tradition/10810554

[11] Hinton. Idem, particularly Chapter 8 ‘The System’.

[12] https://upstanderproject.org/firstlight/doctrine

[13] Deleuze, Gilles. La logique du sense. Paris: Les Éditions de Minuit, 1969.

[14] Here we refer to Popperian concepts and notions again, principally to how he explains the nature of scientific discovery at The Logic of Scientific Discovery. Routledge, 1959.

[15] Brother Day (Lee Pace) commend his younger clone, Brother Dawn, for looking into an artifact brought by diplomats to the Imperials as a gift and the lack of a certain metal in it as a metaphor to that people need for that specific metal, therefore, an elegant request to the Galactical Empire for trade agreements, thus leading to the phrase: ‘Art is politics’ sweeter tongue’. It is not a directions quotation from the original work of Asimov in the Foundation trilogy; whether is an implication stemming from any other of his writings is unknown.

[16] ‘Virtue signaling’ and ‘virtue vesting’ have been described in a variety of ways, but ‘Mr. President’ in Midnight Gospel’s pilot shed some light on the notions assuring they are rather democratic: centrists, leftists, rightists, all can use them indistinctly, since the fear of being disliked seems to be the only real motivation behind pro and cons positions, accordingly with Daren Duncan. The dialogue between Mr. President (who has no party) with the Interviewer: “Interviewer: - I know you've gotta be ncredibly busy right now with the zombie apocalypse happening around you./ Mr. President: - Yeah, zombies... I really don't wanna talk about zombies./ Interviewer: - Okay. What about the marijuana protesters?/Mr. President” -Those assholes? -Yeah. - First of all, people don't understand my point of view. - They think somehow I'm anti-pot or anti-legalisation./ Interviewer: - Right./ Mr. President: -I'm not actually "pro" either. - I'm pro human liberty, I'm pro the American system, pro letting people determine their laws./ Interviewer: -Right./ Mr. President:  -I don't think this is... -If I had to... -[sniffs] ...have a... You know, if somebody pressed my face to the mirror and said,"Is it gonna be good or bad?" I think it might end up being kinda not so good for people…” https://www.youtube.com/watch?v=0kQWAqjFJS0&t=45s

[17] https://www.youtube.com/watch?v=8mVbdjec0pA

[18] https://www.youtube.com/watch?v=V1Pl8CzNzCw

[19] https://www.youtube.com/watch?v=5NPBIwQyPWE

[20] Anderson, Jem; Kelly, Justin; Mckeon, Brian. “How we kill each other? FBI Murder Reports, 1980-2014” In Applied Statistics and Visualization for Analytics. George Mason University, Spring 2017.

[21] https://www.youtube.com/watch?v=daJZU5plRhs

[22] Yellow Horse AJ, Kuo K, Seaton EK, Vargas ED. Asian Americans’ Indifference to Black Lives Matter: The Role of Nativity, Belonging and Acknowledgment of Anti-Black Racism. Social Sciences. 2021; 10(5):168. https://doi.org/10.3390/socsci10050168

[23] https://www.tandfonline.com/doi/abs/10.1080/13603124.2019.1623917?journalCode=tedl20

[24] https://www.youtube.com/watch?v=OP0H0j4pCOg

[25] https://www.youtube.com/watch?v=TdmMoAuD-GY

[26] https://www.youtube.com/watch?v=9JbFo7r_41E

[27] https://www.youtube.com/watch?v=y8wQNZ1N3T

In September 2018, a perceptive article in the left-leaning British magazine New Statesman offered a rare glimpse of the obscure milieu of explicitly racist environmentalism: an anonymous “online community” of “nature-obsessed, antisemitic white supremacists who argue that racial purity is the only way to save the planet.” Made up largely of younger enthusiasts of the far right, this new generation of self-described “eco-fascists” identifies strongly with deep ecology, animal rights, and veganism, opposes industrialisation and urbanisation, and denounces immigration, “overpopulation” and “multiculturalism” as dire threats to the natural world. They celebrate “blood and soil” and look back on Nazi Germany as a paragon of environmental responsibility, casting the Third Reich’s obsession with “Lebensraum” in ecological terms.[1]

Within months, this incongruous ideology burst the boundaries of internet anonymity and made headlines around the world. Two horrific anti-immigrant attacks in 2019, in Christchurch and El Paso, showed that such ideas could have lethal consequences. Both atrocities, which claimed a total of 74 victims, were motivated by environmental concerns. The Christchurch perpetrator declared himself an “eco-fascist.”[2] In the wake of these massacres it became harder to dismiss right-wing ecology as a marginal set of far-fetched beliefs confined to online forums; the combination of environmentalism, nationalism, and anti-immigrant violence proved too virulent to ignore.[3] It nonetheless remains difficult to understand. More thorough consideration of the historical background to right-wing ecology and its contemporary resonance can help make better sense of an enigmatic phenomenon, one that disrupts standard expectations about both environmentalism and right-wing politics.

Though environmental issues have been conventionally associated with the left since the 1960s, the longer history of ecological politics is far more ambivalent. From the emergence of modern environmentalism in the nineteenth century, ecological questions have taken either emancipatory or reactionary form depending on their political context.[4] Early conservationists in the United States often held authoritarian, nationalist, and xenophobic views linked with the predominant racial theories of the era. As a standard study observes, “The conservation movement arose against a backdrop of racism, sexism, class conflicts, and nativism that shaped the nation in profound ways.”[5] Already in the 1870s, American environmental writers blamed “the influx of immigrants” for the decline of natural rural life.[6] For eminent figures like George Perkins Marsh and John Muir, racial biases and hostility toward immigration went hand in hand with protecting the natural world.[7]

Such stances hardened by the early twentieth century. In his 1913 classic Our Vanishing Wild Life, William Temple Hornaday portrayed immigrants as “a dangerous menace to our wild life.”[8] Hornaday, who has been called the “father of the American conservation movement,” was a friend and colleague of Madison Grant, an equally influential conservationist, race theorist, and zealous proponent of eugenics. Racial anxieties were a constituent element in the development of environmentalism in the US. “Perceiving a direct link between the decline of America’s wildlife and the degeneration of the white American race, prominent nature advocates often pushed as hard for the passage of immigration restriction and eugenics legislation as they did for wildlife preservation. For these reformers the three movements became inextricably linked.”[9] This legacy continued throughout the twentieth century and into the twenty-first, impacting everything from wilderness campaigns to pollution regulation to global population programs. Today, “racial narratives are deeply embedded in American environmentalist approaches to international population policy advocacy.”[10]

In Germany, where the term “ecology” was first introduced, early environmental movements shared a similar history. Sometimes considered the homeland of green politics, Germany experienced rapid industrialisation and urbanisation in the decades around 1900, with attendant forms of environmental dissent. Many of these proto-green tendencies incorporated authoritarian social views along with powerful national and racial myths. From vegetarianism to organic agriculture to nature protection organisations, race was an essential part of the search for more natural ways of life.[11] Proponents of the “life reform” movement mixed appeals for animal rights, natural health, and alternative nutrition with racist and antisemitic themes.[12] This is the tradition that latter-day “ecofascists” hope to reclaim.[13]

For some contemporary advocates of right-wing ecology, Nazi Germany represents the epitome of environmental ideals in fascist form. In light of the Nazi regime’s appalling record of human and ecological destruction, this adulation strikes many observers as grotesque. As paradoxical as it may seem, however, Nazism included several significant environmental strands. Historians of the Third Reich have increasingly come to recognise “the links between antisemitism, eugenics, and environmentalism that became integral to National Socialism.”[14] To admirers, Nazism’s “green” achievements were embodied above all in the figure of Richard Walther Darré, who served as Hitler’s minister of agriculture and “Reich Peasant Leader” from 1933 to 1942. Far right author Troy Southgate characterises Darré as Nazi Germany’s “finest ecological pioneer,” a committed environmentalist who was “truly the patriarch of the modern Greens.” Southgate writes:

"At Goslar, an ancient medieval town in the Harz mountains, Darré established a peasants’ capital and launched a series of measures designed to regenerate German agriculture by encouraging organic farming and replanting techniques. […] But Darré’s overall strategy was even more radical, and he intended to abolish industrial society altogether and replace it with a series of purely peasant-based communities."[15]
 
Though thoroughly distorted, this tale contains a kernel of truth. Darré did promote organic agriculture during the final years of his tenure; after initial opposition, he became one of the major Nazi patrons of the biodynamic movement, the most successful variant of organic farming in the Third Reich.[16] But he was hardly the only Nazi leader to do so. Rudolf Hess supported biodynamics more consistently, and even Heinrich Himmler and the SS sponsored biodynamic projects. By the time he adopted the biodynamic cause, moreover, Darré had effectively lost power to rival factions within the party.

Organic farming initiatives nevertheless found many backers in various parts of the Nazi apparatus, at local, regional, and national levels, from interior minister Wilhelm Frick to antisemitic propagandist Julius Streicher. Sustainable agriculture offered fertile ground for ideological crossover and practical cooperation. As a Nazi “life reform” official explained in 1936: “Artificial fertilisers interrupt the natural metabolism between man and his environment, between blood and soil.”[17]

Despite his stature among devotees of right-wing ecology today, Darré was not the most effective example of ecofascism in action in the Nazi era. That dubious honor belongs not to the Reich Peasant Leader but to his sometime ally Alwin Seifert, who bore the equally grandiose title of Reich Advocate for the Landscape. Seifert oversaw a corps of “landscape advocates” with responsibility for environmental planning on Nazi public works projects, most famously the construction of the Autobahn system. As with Darré, Seifert’s position has often been misunderstood. A recent account claims that “the barest minima of ecological politics” were “completely missing” from Nazism, offering this description of Seifert’s team:

"A group of designers with Heimat ideals, called ‘landscape advocates’, imagined that they were embedding the motorways in the landscape, drawing the curves gently, adorning the concrete and asphalt with local stone and freshly planted native flora: perhaps the original greenwashers. Their advice was neglected nearly all the time, and Hitler would not hear of valuable forest groves slowing down his roads. If any peacetime project rode roughshod over conservation, it was the autobahn."[18]
 
This one-sided image simplifies a complex history and misconstrues the political context. Unlike traditional conservationists, Seifert and his colleagues used their work to advance modern principles of ecological restoration, rehabilitating degraded environments and applying organic techniques across a wide range of landscapes.

Their remit extended far beyond the Autobahn, encompassing rivers and wetlands, reforestation projects, urban green space and rural reclamation, military installations, and “settlement” activities in the occupied East. From France to Ukraine, from Norway to Greece, the environmental efforts of the landscape advocates were woven into the fabric of Nazi occupation policy, which aimed to remake Eastern European lands racially as well as ecologically. Under the auspices of the Third Reich, Seifert and his cohort fused environmental ideals with Nazi tenets and put them into practice in hundreds of concrete instances.[19] They were not alone. Endorsing Seifert’s work, German naturalists proclaimed that ecology was “a true science of blood and soil.”[20] The experience of both the biodynamic movement and the landscape advocates between 1933 and 1945, in the shadow of Germany’s war of annihilation, shows that Nazi ecology was not an oxymoron but a historical reality.

In spite of a growing body of research examining the details of this history, many misconceptions persist about the environmental aspects of Nazism and about the political evolution of green endeavors worldwide. The problem is not new. A quarter of a century ago, ecological philosopher Michael Zimmerman pointed out that “most Americans do not realise that the Nazis combined eugenics with mystical ecology into the perverted ‘green’ ideology of Blut und Boden.” It was not merely a historical question, he explained, but crucial for our future: “in periods of ecological stress and social breakdown, preachers of a ‘green’ fascism might once again find a sympathetic audience.”[21] The attacks in Christchurch and El Paso have tragically confirmed his point, demonstrating that some of those inspired by such ideas are willing to turn words into deeds.

But the breadth of right-wing environmental politics is not reducible to the single category of fascism. Many elements on the established right, particularly in the English-speaking world, maintain a stance of climate change denial and denounce green concerns as frivolous, even as younger and more dynamic forces on the far right push for growing appropriation of environmental themes. In this context, ecofascism is best seen as an especially aggressive tendency within the broader continuum of right-wing ecology.[22] Since most of the right is not fascist, there are relatively few outright ecofascists in most times and places. This does not mean we can safely ignore them. When historical conditions change, currents that were previously marginal can quickly become powerful. For societies like the contemporary US, that is a sobering lesson to keep in mind.[23]

How can scholars respond to this challenge? Resisting the revival of blood and soil politics and countering the appeal of anti-immigrant arguments in green garb calls for informed and reflective participation in public debates. This will involve critically re-examining inherited assumptions about ecology and its social significance. The protean nature of environmental politics, viewed in historical perspective, presents a remarkable spectrum of possibilities, and those concerned about the climate crisis and our broader ecological plight will eventually need to decide where to stand. Alongside the legacy of right-wing environmentalism, there has always been a lively counter-current, an anti-authoritarian, inclusive, and radically democratic strand within ecological thought and practice.

That alternative tradition of environmental politics has many proponents within today’s climate movement, and it points toward a promising future in spite of the bleak present. An ecological approach that affirms social diversity across borders and actively welcomes all communities can withstand the resentments and anxieties of the current moment. Against the callous retreat into exclusion, scarcity, and fear, it advances a profoundly different vision of sustainability and renewal, one that offers hope for people and for the planet we share.



[1] Sarah Manavis, “Eco-fascism: The ideology marrying environmentalism and white supremacy thriving online” New Statesman 21 September 2018. The article signaled renewed media attention to a previously neglected subject. Another thorough analysis was published a month later: Matthew Phelan, “The Menace of Eco-Fascism” New York Review of Books Daily 22 October 2018.

[2] Natasha Lennard, “The El Paso Shooter Embraced Eco-Fascism: We Can’t Let the Far Right Co-Opt the Environmental Struggle” The Intercept 5 August 2019; Bernhard Forchtner, “Eco-fascism: Justifications of terrorist violence in the Christchurch mosque shooting and the El Paso shooting” Open Democracy 13 August 2019; Susie Cagle, “The environmentalist roots of anti-immigrant bigotry” The Guardian 16 August 2019; Joel Achenbach, “Two mass murders a world apart share a common theme: ‘Ecofascism’” Washington Post 18 August 2019; Sam Adler-Bell, “Eco-fascism is fashionable again on the far right” New Republic 24 September 2019.

[3] For recent international coverage see Neil Mackay, “Eco-fascism: how the environment could be a green light for the far right” The Herald 18 April 2020; Daniel Trilling, “How the far right is exploiting climate change for its own ends: Eco-fascists have donned green garb in pursuit of their sinister cause” Prospect Magazine 28 August 2020; Emma Horan, “Eco-Fascism: A Smouldering, Dark Presence in Environmentalism” University Times 23 October 2020; Louise Boyle, “The rising threat of eco-fascism: Far right co-opting environmentalism to justify anti-immigration and anti-Semitic views” The Independent 20 March 2021; Francisca Rockey, “The dangers of eco-fascism” Euronews 21 March 2021; Andy Fleming, “The meanings of eco-fascism” Overland 9 June 2021.

[4] Adrian Parr, Birth of a New Earth: The Radical Politics of Environmentalism (Columbia University Press 2018), 84; see the full chapter “Fascist Earth” (65-90) for her larger argument.

[5] Dorceta Taylor, The Rise of the American Conservation Movement: Power, Privilege, and Environmental Protection (Duke University Press 2016), 9.

[6] Ibid., 89; see also 213-19 on anti-immigrant resentment as a core feature of the US conservation movement in the early twentieth century. For an influential instance from the latter half of the century see John Tanton, “International Migration as an Obstacle to Achieving World Stability” Ecologist July 1976, 221-27.

[7] See the fine overview by Carolyn Merchant, “Shades of Darkness: Race and Environmental History” Environmental History 8 (2003), 380-94.

[8] William Temple Hornaday, Our Vanishing Wild Life (Scribner’s 1913), 100. Similar anti-immigrant passages can be found in Hornaday’s 1914 Wild Life Conservation in Theory and Practice. Scholars from a variety of fields have noted the role of racial beliefs within his environmental worldview: “Hornaday’s conservation was closely linked to his racism and sense of Anglo-Saxon superiority. He viewed Native Americans, Mexicans, blacks, and immigrants as major threats to wildlife, and he began showing disdain for nonwhites early in his career.” Robert Wilson, American Association of Geographers Review of Books 2 (2014), 48-50.

[9] Miles Powell, Vanishing America: Species Extinction, Racial Peril, and the Origins of Conservation (Harvard University Press 2016), 83. Powell shows that turn of the century conservation leaders “developed racially charged preservationist arguments that influenced the historical development of scientific racism, eugenics, immigration restriction, and population control, and helped lay the groundwork for the modern environmental movement.” (5) Compare Lisa Sun-Hee Park and David Naguib Pellow, The Slums of Aspen: Immigrants vs. the Environment in America’s Eden (New York University Press 2011); John Hultgren, Border Walls Gone Green: Nature and Anti-Immigrant Politics in America (University of Minnesota Press 2015); Carl Zimring, Clean and White: A History of Environmental Racism in the United States (New York University Press 2016)

[10] Jade Sasser, “From Darkness into Light: Race, Population, and Environmental Advocacy” Antipode 46 (2014), 1240-57, quote on 1242. Cf. Jael Silliman and Ynestra King, eds., Dangerous Intersections: Feminist Perspectives on Population, Environment, and Development (South End Press 1999); Rajani Bhatia, “Green or Brown? White Nativist Environmental Movements” in Abby Ferber, ed., Home-Grown Hate: Gender and Organized Racism (Routledge 2004), 194-213; Jade Sasser, On Infertile Ground: Population Control and Women’s Rights in the Era of Climate Change (New York University Press 2018); Jordan Dyett and Cassidy Thomas, “Overpopulation Discourse: Patriarchy, Racism, and the Specter of Ecofascism” Perspectives on Global Development & Technology 18 (2019), 205-24; Diana Ojeda, Jade Sasser, and Elizabeth Lunstrum, “Malthus’s Specter and the Anthropocene: Towards a Feminist Political Ecology of Climate Change” Gender, Place & Culture 27 (2020), 316-32.

[11] Examples include Gustav Simons, “Rasse und Ernährung” Kraft und Schönheit 4 (1904), 156-59; Hermann Löns, “Naturschutz und Rasseschutz” in Löns, Nachgelassene Schriften vol. 1 (Leipzig 1928), 486-91; Paul Krannhals, Das organische Weltbild (Munich 1928); Werner Altpeter, “Erneuerung oder Rassetod?” Neuform-Rundschau January 1934, 8-10.

[12] Compare Joseph Huber, “Fortschritt und Entfremdung: Ein Entwicklungsmodell des ökologischen Diskurses” in Dieter Hassenpflug, ed., Industrialismus und Ökoromantik: Geschichte und Perspektiven der Ökologisierung (Wiesbaden 1991), 19-42; Ulrich Linse, “Das ‘natürliche’ Leben: Die Lebensreform” in Richard van Dülmen, ed., Erfindung des Menschen (Vienna 1998), 435-56; Bernd Wedemeyer, “‘Zurück zur deutschen Natur’: Theorie und Praxis der völkischen Lebensreformbewegung” in Rolf Brednich, ed., Natur – Kultur: Volkskundliche Perspektiven auf Mensch und Umwelt (Münster 2001), 385-94; Jost Hermand, “Die Lebensreformbewegung um 1900 - Wegbereiter einer naturgemäßeren Daseinsform oder Vorboten Hitlers?” in Marc Cluet and Catherine Repussard, eds., “Lebensreform”: Die soziale Dynamik der politischen Ohnmacht (Tübingen 2013), 51-62.

[13] See the extended argument in Peter Staudenmaier, “Right-wing Ecology in Germany: Assessing the Historical Legacy” in Janet Biehl and Peter Staudenmaier, Ecofascism Revisited (New Compass 2011), 89-132.

[14] Robert Gellately, Hitler’s True Believers: How Ordinary People Became Nazis (Oxford University Press 2020), 22; cf. Simo Laakkonen, “Environmental Policies of the Third Reich” in Laakkonen, ed., The Long Shadows: A Global Environmental History of the Second World War (Oregon State University Press 2017), 55-74; Charles Closmann, “Environment” in Shelley Baranowski, ed., A Companion to Nazi Germany (Wiley 2018), 413-28.

[15] Troy Southgate, “Blood &​ Soil: Revolutionary Nationalism as the Vanguard of Ecological Sanity” in Southgate, Tradition &​ Revolution (Arktos 2010), 74-84, quotes on 78-79. Southgate’s account draws heavily on the work of Anna Bramwell, whose 1985 book Blood and Soil: Richard Walther Darré and Hitler’s ‘Green Party’ is the source of a number of legends about Darré. Among other fundamental problems, Bramwell’s book downplays Darré’s fervent antisemitism and denies his role in promoting expansionist aims in Eastern Europe.

[16] Peter Staudenmaier, “Organic Farming in Nazi Germany: The Politics of Biodynamic Agriculture, 1933-1945” Environmental History 18 (2013), 383-411.

[17] Franz Wirz quoted in Corinna Treitel, Eating Nature in Modern Germany: Food, Agriculture and Environment, c. 1870-2000 (Cambridge University Press 2017), 212. Nazi enthusiasm for organic practices was not as surprising as it may appear. “In early twentieth century Germany,” Treitel notes, “ecological agriculture and its biological approach to farming belonged decisively to the right.” (188) The same pattern can be traced in France, Britain, Australia, and elsewhere, with significant overlap between the early organic milieu and the far right.

[18] Andreas Malm and the Zetkin Collective, White Skin, Black Fuel: On the Danger of Fossil Fascism (Verso 2021), 462 and 466. They insist that “no ecological Nazism could possibly have existed” (470).

[19] For a detailed view of the current state of research see Peter Staudenmaier, “Advocates for the Landscape: Alwin Seifert and Nazi Environmentalism” German Studies Review 43 (2020), 271-90. Some of the existing scholarship on Seifert and his associates displays a curious tendency to portray these figures as either not really environmentalists or not really Nazis, reluctant to acknowledge that they were both at once.

[20] Karl Friederichs, Ökologie als Wissenschaft von der Natur (Leipzig 1937), 79.

[21] Michael Zimmerman, “The Threat of Ecofascism” Social Theory and Practice 21 (1995), 207-38, quotes on 222 and 231. “Blut und Boden” is the original German phrase meaning “blood and soil.”

[22] As Bernhard Forchtner and Balša Lubarda aptly observe, “eco-fascism should not dominate our understanding of the wider radical right’s relationship with nature.” (Forchtner and Lubarda, “Eco-fascism ‘proper’” Centre for Analysis of the Radical Right 25 June 2020) For a range of perspectives on these complex questions compare Efadul Huq and Henry Mochida, “The Rise of Environmental Fascism and the Securitization of Climate Change” Projections 30 March 2018; Betsy Hartmann, “The Ecofascists” Columbia Journalism Review Spring 2020, 18-19; Hilary Moore, Burning Earth, Changing Europe: How the Racist Right Exploits the Climate Crisis and What We Can Do about It (Rosa Luxemburg Stiftung 2020); Sam Knights, “The Climate Movement Must Be Ready To Challenge Rising Right-Wing Environmentalism” Jacobin 16 November 2020; Balša Lubarda, “Beyond Ecofascism? Far-Right Ecologism as a Framework for Future Inquiries” Environmental Values 29 (2020), 713-32.

[23] On the US see Blair Taylor, “Alt-right ecology: Ecofascism and far-right environmentalism in the United States” in Bernhard Forchtner, ed., The Far Right and the Environment: Politics, Discourse and Communication (Routledge 2019), 275-92; Kevan Feshami, “A Mighty Forest Is Our Race: Race, Nature, and Environmentalism in White Nationalist Thought” Drain Magazine February 2020; Beth Gardiner, “White Supremacy Goes Green” New York Times 1 March 2020; Daniel Rueda, “Neoecofascism: The Example of the United States” Journal for the Study of Radicalism 14 (2020), 95-125; Alex Amend, “Blood and Vanishing Topsoil: American Ecofascism Past, Present, and in the Coming Climate Crisis” Political Research Associates 9 July 2020; April Anson, “No One Is A Virus: On American Ecofascism” Environmental History Now 21 October 2020.

“I can’t say too emphatically that we stand at a terminal point in history, at a moment of supreme world crisis. Destruction lies ahead unless things are changed. And things must be changed. And changed by the people.”
-- Ralph Ellison, Invisible Man[1] 

I approach Afropessimism with a question: what here can move us forward? I understand Afropessimism as an intellectual project, a description of the state of the world as anti-Black. Afropessimism asserts that Black people exist outside of the category Human and are fundamentally excluded from social and civil life. I also understand Afropessimism as having potential as a political project, one that presents both opportunities and challenges. In this way, I depart from Michael Dawson, who, in his essay “Against Afropessimism,” warns against Afropessimism’s anti-political stance.
 
Afropessimism makes an important political intervention by accounting for the slings and arrows of anti-Blackness, the indignities suffered by Black people and the right-ness of Black anger and despair. As such, slavery and anti-Blackness provide foundational understandings of the past and present by validating the Black experience and by explicating the relationship of Black people to the rest of the world. Even though Afropessimism itself locates Black people outside of politics, it prompts those of us who are interested in a politics after Afropessimism to consider what we might or can do in the face of a world that again and again refuses Blackness.
 
While I stress the political potential of Afropessimism, I also agree with and extend a few of Dawson’s criticisms of Afropessimism. I am particularly interested in the political stakes of centering Black death as the lens through which to view the world. Afropessimism’s singular lens is useful when naming the enduring problems of white supremacy and anti-Blackness; however, I worry that it limits the scope of political possibilities that can be pursued by linking anti-Blackness with the struggles of other marginalised people and by embracing the fights of multiply-marginalised Black people.
 
Thus, I conclude that a Black politics and Black life must be pursued beyond Afropessimism. Black culture and Black recognition provide the foundation that links Black people together beyond conditions of oppression, forms the basis of solidarity politics, and prompts us to imagine otherwise.
 
I. A Black Experience
 
Afropessimism offers a paradigm through which Black anger and despair can be fully recognised given the terrain of anti-Blackness, which is a result of the position of Black as “slave.” Wilderson’s Afropessimism follows and extends Hartman who locates Black people in the “after-life of slavery—skewed life chances, limited access to health and education, premature death, incarceration, and impoverishment.[2] Yet for Wilderson, the Black condition is not solely an “after-life” but a static condition of slavery and Black exploitation in relation to the rest of the world. Blackness is the “other” upon which the world turns and operates.

In reading Wilderson’s descriptions of his life experiences of racism, both micro and macro aggressions, it seemed clear to me something was being articulated that was familiar to all Black people, something worth acknowledging for the truth it reveals and the foundational understanding it provides: the Black experience of being unacceptable to white people, being outside of social life, and unworthy of recognition.
 
Wilderson recounts conversations with his childhood friend’s white mother, wherein she asks the “unasked question,” first through his friend, then directly “How do you feel, being a Negro?”[3]  This exchange echoes Du Bois’ Souls of Black Folk, wherein he ponders, “How does it feel to be a problem?”[4] Wilderson’s personal experiences, though in some ways limiting the scope of his argument due to his positionality as a middle-class man, provide entry into the experience of Blackness as Black autobiographical writing has done throughout history. The barrage of attacks on Wilderson from white neighbors and colleagues echo a common theme throughout Black biography: an outsider looking in, an invisible man, or a woman hiding in the attic. 
 
Wilderson asserts that the senselessness and inhumanity of racism and anti-Blackness can only make sense if to be Black is to not be human but to be in the category of slave. He emphasises that the history and presence of anti-Black violence is insurmountable in the political arena. He expounds on this in conversation with Linette Park for The Black Scholar, wherein he declares that there is no need for some “telos” or “destination” for Black rage.[5] Instead, Wilderson suggests we should “pick the scab and let Black people do the work of combustion” without the “mandate of uplift” or the “mandate of civil rights.” In this way, Wilderson says, we have a “mandate of true acknowledgement of what snaps in the mind from the death of Black desire, and we’re saying that’s okay. Because, nothing can happen in this world without Black people being at the core!”
 
I am open to the political implications of what it means to be neither in nor of the world, positioned outside of social and civic life, and inhabiting an outsider status from where one could let go of the present and strive for a different future. Following Jasmine Syedullah, I recognise that pessimism, in particular, can serve as a “prophetic defense against the future white supremacy makes all but inescapable...despair works to expose the limits of political agency, incorporation, representation, and progress.”[6] Afropessimism, then, suggests that to reach for some common ground with a white supremacist system is and always has been futile, given the relentless and ongoing reality of Black death since slavery. This axiom allows Black people to step away and slip through an open door to something else.
 
Furthermore, I agree with Sexton when he writes “Slavery must be theorised maximally if its abolition is to reach the proper level.”[7] Sexton goes on, “The singularity of slavery is the prerequisite of its universality.”[8]  I therefore agree that the emphasis on anti-Black slavery is a useful anchor, pulling the conversation to the crux of the matter. Only in a system defined by anti-Black slavery can the logics of racism, the carceral state, colorism, capitalism, persistent inequalities in wealth and status, and diasporic divisions of Black people across space and time make sense.
 
There is power in naming the reality of the present in the realm of a post-slavery continuum that demonstrates how what is remains linked to what was. If Black people remain in an undignified state of being, that helps explain ongoing dissatisfaction, anger, and uprisings. Black activists’ extension of the “abolitionist” fight from slavery to mass incarceration, for example, demonstrates the discursive power and mobilising potential of placing modern struggles within the long trajectory of anti-Blackness.
 
II. The Limits of Afropessimism  

Despite the discursive power of slavery and anti-Blackness as the defining backdrop of the modern world, this framing has important limits. Dawson asserts that Afropessimism, in its singular focus on new world slavery, obscures the genocide of Indigenous people and flattens the experience of Black people. I argue that we must be able to reasonably acknowledge and centre the experiences of Black people vis-à-vis slavery, while also linking this struggle with other experiences of colonisation and marginality. Two things can happen at once. Attention to the struggles of others does not weaken or shrink the gravity of Black struggle.
 
Without acknowledging the struggle of other marginalised groups, Afropessimism, as Dawson writes, is theoretically limited by not acknowledging the context in which slavery occurs. Afropessimism loses the fuller story of white supremacy and ignores that the anti-Black capitalist world was made possible through centuries of genocide and displacement of Indigenous people. Without this story, we cannot comprehend Black peoples’ stakes in fights against capitalism, colonisation, and the fight for environmental justice. The lack of acknowledgement of the colonisation of Indigenous people at the outset of modernity withdraws Black struggle into itself and refuses to see the areas upon which collaboration, mutual interests, and common enemies can build a pathway forward.
 
In addition, Afropessimism needlessly limits the scope of its argument focusing solely on the trials of anti-Blackness. However, anti-Blackness, and sexism, and classism, and homophobia, and (etc)... are all defining and intersecting struggles in Black life. I do not think that the answer is mere recognition of these struggles, wherein simple acknowledgement or “representation” is the reliable answer. Rather, we should name these systems of domination as part and parcel of anti-Black practices because Black people bear the brunt of all of these “-isms” in distinct ways. The Black experience is expansive and we cannot ignore the variations in conditions that make for better or worse life chances.[9]
 
III. Solidarity
 
I am concerned that Afropessimism forecloses questions of solidarity, refusing the possibility that Black people can ever benefit from true cross-racial solidarity, as well as refusing the power of Black led social movements.
 
Wilderson writes that “left-wing counter-hegemonic alliances” are “an essential terror” and that “coalitions and social movements—even radical social movements like the Prison Abolition Movement—bound up in the solicitation of hegemony, so as to fortify and extend the interlocutory life of civil society...ultimately accommodate only the satiable demands and legible conflicts of civil society’s junior partners (such as immigrants, White women, the working class), but foreclose upon the insatiable demands and illegible antagonisms of Blacks” (emphasis Wilderson’s).[10]
 
There is something to be learned and understood from the assertion that everyone is anti-Black, and that there (perhaps) can be no pure solidarity. I accept that. When Wilderson recounts his Palestinian friend’s anti-Blackness, or when his father was called a n*gger by a Native American man, I do not excuse these as one-off experiences but as examples of the embeddedness of anti-Blackness.[11] There is no good reason to ignore this fact and I am not here to suggest that we pursue cross-racial solidarity at the expense of Black safety and well-being, or that we should prioritise coalitional politics only, or before first building up Black political bonds.
 
But avoiding opportunities for solidarity leaves a lot on the table. Acting in solidarity connects multiple struggles against white supremacy and builds power, rendering solidarity a useful tool that can be used to accomplish political goals and better the terrain, even in an anti-Black world. And better is not perfect, but it is better.
 
It is better for Black people to be out of prison than inside of it, it is better for Black people to be able to vote than to not be able to vote, even as anti-Blackness says those voting rights are and will always be under attack. It is better for Black people to enter class struggle in solidarity with other workers. The fight for a free Palestine has always been and always will be intertwined with the Black freedom struggle. We cannot slide into a realm of futility that diminishes the value of waging political fights for subjugated people the world over.  
 
This is not to say that progress is a given, or that there are no fights that Black people should refuse. It is not evident to me that the oft quoted Martin Luther King Jr. aphorism “the arc of the moral universe is long, but it bends towards justice” is accurate. I do not think that Black people should be in coalitions with people who deny their humanity. Black people will have to fight for every modicum of progress and will have to use discernment about who fights alongside. Guidance for these fights, though, can be found in a rich Black radical tradition. Furthermore, Black culture and Black community can serve as grounding and mobilising forces beyond the realities of anti-Blackness.
 
IV. Black Life Matters
 
“The archival of black life is more than counting the dead, the maimed, and the dispossessed. Rather, it holds a possibility of deep remembrance of the freedom dreams of our ancestors, those who walked before us, and walk beside us, and those yet to come. Freedom dreams don’t live in real time. They live in epiphenomenal time—that black (w)hole of our existence in which the past, present and future are coiled around each other like that tiny black curl at the nape of your neck your grandmama used to call a “kitchen.”
-- Zenzele Isoke, “Black Ethnography, Black (Female)Aesthetics: Thinking/ Writing/ Saying/ Sounding Black Political Life”[12]

While Afropessimism offers an intellectual path away from this world, it does not fully revel in the pleasurable cultural experiences of being Black. This includes the continuum of common experiences, language, and culture through which Black people are able to recognise, know and acknowledge each other. Thus, the pathway forward after Afropessimism must be sought elsewhere.
 
Sexton argues that “Nothing in afro-pessimism suggests that there is no black (social) life, only that black life is not social life in the universe formed by the codes of state and civil society, of citizen and subject, of nation and culture, of people and place, of history and heritage, of all the things that colonial society has in common with the colonised, of all that capital has in common with labour—the modern world system. Black life is not lived in the world that the world lives in, but it is lived underground, in outer space.”[13]
 
It may be the case that Black social life is lived outside of civil society. But even so, Black social life and culture deserves a central place in the condition of Blackness as it has always been there, moving Black people through and forward. New and old Black feminisms and Black queer politics provide rich, grounding traditions of expansive togetherness, inclusion and safety for all Black people, even as these were and are located outside of mainstream feminist and queer movements. Though the world is predicated on Black death, Black people can be revived through Black collectivity. As Kevin Quashie writes, “Antiblackness is part of blackness but not all of how or what blackness is. Antiblackness is total in the world but not total in the black world.”[14]
 
Black art and literature, Black music, call and response traditions, the Black church: there is so much we give for and to us that gives cause and reason to carry on, to not despair, and to fight at least for the space where we can be us, even if that space is outside of the social world. Traditions seen as errant and often unrecognised for their artistic contributions mean something to Black people and demonstrate that Black existence is more than just a condition of slavery. We should revel in who Black people are in spite of anti-Blackness, not to ignore its persistence but to honour those who came before.
 
While we must take care not to, as Hartman warns, “fill in the void” with political projects that are ultimately integrationist, nor reclaim struggles against anti-Black violence as some demonstration of otherworldly strength or endurance.[15] I think, however, there are ways to revel in Blackness that exists outside of what are typically seen as justice-bent goals or characteristics, like integration or endurance. Black people can, in fact, revel in their outsider status, as Hartman demonstrates in her book Wayward Lives, and build a “transformational politics from below,” as Cohen discusses in her essay, “Deviance as Resistance.”[16]
 
V. Conclusion
 
In this essay, I find important political potential in grounding anti-Blackness as the defining condition of the world, as it validates and speaks to the Black experience. However, I also agree with Dawson’s critique that Afropessimism does not adequately recognise the struggles of other marginalised groups and homogenises the Black experience.
 
I find important limitations in the theory of Afropessimism as it forecloses possibilities for linked solidarity struggles by minimising the struggles of other marginalised groups outside of Blackness. Even as the outsider status of Blackness provides a generative space to pursue a different world and even revel in Black life, Afropessimism alone does not fully appreciate Black cultural traditions.
 
We may hold Afropessimism as a truism describing the state of the world; but I see Black radicalism and Black feminism as the imaginative, world-building politics that provide a path forward. Author and womanist Alice Walker, speaking at an Anti-Nuke Rally at Grace Cathedral in San Francisco in 1982, offers food for thought in this regard:
 
“Life is better than death, I believe, if only because it is less boring, and because it has fresh peaches in it. In any case, Earth is my home—though for centuries white people have tried to convince me I have no right to exist, except in the dirtiest, darkest corners of the globe.
 
So let me tell you: I intend to protect my home. Praying—not a curse—only the hope that my courage will not fail my love. But if by some miracle, and all our struggle, the earth is spared, only justice to every living thing (and everything is alive) will save humankind.
 
And we are not saved yet.
 
Only justice can stop a curse.”[17]
 


[1] Ellison, R. 1995. Invisible man. New York: Vintage International.

[2] Hartman, Saidiya. 2007. Lose Your Mother: A Journey Along the Atlantic Slave Route. New York: Farrar, Strauss, and Giroux: 6.

[3] Wilderson, Frank. 2020. Afropessimism. New York: Liveright Publishing Corporation: 24-27.

[4] Du Bois, W.E.B. (1903, 1994). The Souls of Black Folk. Mineola, NY: Dover Publications, Inc. 1.

[5] Park, Linette. 2020. “Afropessimism and Futures of …: A Conversation with Frank Wilderson.” The Black Scholar 50(3): 40.

[6] Gordon, Lewis R., Annie Menzel, George Shulman, and Jasmine Syedullah. 2018. “Afro Pessimism.” Contemporary Political Theory 17(1): 128.

[7] Sexton, Jared. 2011. “The Social Life of Social Death: On Afropessimism and Black Optimism.” InTensions Journal. Issue 5: Fall/Winter. Toronto: York University: 33.

[8] Ibid, 33.

[9] Or, perhaps Afropessimists would say, slower or faster deaths.

[10] Wilderson, Frank. 2020. 222-223.

[11] Ibid,12-13 & 44.

[12] Isoke, Zenzele. 2018. “Black Ethnography, Black (Female) Aesthetics: Thinking/ Writing/ Saying/ Sounding Black Political Life. Theory and Event, Vol 21(1): 149. 

[13] Sexton, Jared, 2011. 28.

[14] Quashie, Kevin. 2021. Black Aliveness, Or a Poetics of Being. Durham; London: Duke University Press: 5. 

[15] Hartman, Saidiya V. and Frank B. Wilderson. 2003. “The Position of the Unthought.” Qui Parle 13(2): 186.

[16] Cohen, Cathy J. 2004. “Deviance As Resistance: A New Research Agenda for the Study of Black Politics.” Du Bois Review: Social Science Research on Race 1(1): 42.

[17] Walker, Alice. 1983. “Only Justice Can Stop a Curse,” in Home Girls: A Black Feminist Anthology. Barbara Smith, ed. New York: Kitchen Table—Women of Color Press. 

Michael Dawson’s critique of Afropessimism centers primarily on the striking inattention to historical detail in the writings of Frank Wilderson and Jared Sexton. Both writers pose slavery and the present as so deeply interwoven that claims of historical continuity require neither explanation nor qualification. Wilderson writes, “The changes that begin to occur after the Civil War and up through the Civil Rights Movement, Black Power, and the American election of a Black president are merely changes in the weather. Despite the fact that the sadism [i.e. spectacular, gratuitous violence] is no longer played out in the open as it was in 1840, nothing essential has changed.”[1] Sexton likewise suggests that the structural relations constitutive of slavery remain pervasive and are unyielding, “regardless of variance or permutation in [their] operation across the better part of a millennium.”[2] According to Dawson, these sweeping claims, as well as many of the other theoretical maneuvers in Wilderson and Sexton’s writings, work to obscure rather than clarify the terms of antiblackness and result in a general loss of analytic purchase on the current moment.

I appreciate Dawson’s historically informed critique. Wilderson and Sexton often substitute rhetorical flourish for the opportunity to parse historical detail or substantiate claims. In reading Wilderson’s memoir, Afropessimism, however, I am struck by his unique mode of narrative theorising. Whereas Dawson bases his critique in empirical precision and historical specificity, Wilderson revels in the personal and the polemical. Wilderson’s sweeping claims, on my reading of them, do not just constitute historical slippages or inaccuracies, but also imply that history itself is somehow beside the point or irrelevant to his theoretical propositions. In other words, there seems to be a certain methodological incongruence between Dawson’s critique and Wilderson’s writing: while the former is concerned with material histories, the latter is theorising on different grounds entirely. This is not to diminish the significance of Dawson’s response; critical readings need not occupy the same analytic register as the objects to which they are responding in order to be generative. And—regardless of the utility of historical observations in Wilderson and Sexton’s writings—Dawson is correct to warn against the real-world implications of glossing over records of struggle and political economic change in order to craft theory. As he notes: “What is at stake is far more critical than an academic debate between abstract theorists.”

Still, the methodological incongruence between Dawson’s critique and Wilderson’s Afropessimism begs a set of questions: To what extent can historical data serve as counterevidence to a text whose animating assumption appears to be that history matters little? How might a more immanent critique of Afropessimism be constructed? What grounds Wilderson’s theoretical propositions, if not history? In other words, how does Wilderson arrive at Afropessimism and what might be said about the case material that gets him there?

The starting-point for this brief essay is Wilderson’s implicit invitation to read Afropessimism differently: not just as a field of critical theory or school of thought, but as a historical mood, a sensibility, or—what Jafari Allen would call—a “habit of mind.”[3] What interests me are not Wilderson’s empirical or historical observations, of which he offers few in Afropessimism, but his narrative strategy. Following the literary styles of writers like Frantz Fanon, James Baldwin, and Saidiya Hartman, Wilderson fills his text with accounts of ordinary, yet personally formative encounters: a conversation with his grandmother, a fight at a boys’ club, an embarrassing moment with a romantic partner, drama with the landlord, a cab ride, office hours with a student, etc. The details of his narration—including its organisation, whom he does and does not give voice, and which encounters warrant reflection—provide the basis of his case for Afropessimism. I submit that readers might gain additional traction on the theoretical innerworkings of the text by examining the implications of Wilderson’s genre choice and writerly tendencies.

One of the noticeable features of Afropessimism, on my reading, is how little narrative significance Wilderson assigns to dialogue among Black people. Although he describes Afropessimism as “Black people at their best,” Wilderson narrates very few scenes of Black people at all.[4] Instead, he provides many accounts of one Black person—himself—being alienated by his non-Black counterparts—e.g. a conversation between he and a Palestinian friend; a game of “secret agent” between he and three White childhood neighbors; a reception with non-Black attendees of a workshop in Berlin. It is through these encounters and others like them that Wilderson comes to recognise his standing in the world as a Black person. However, he gives short shrift to moments of intra-racial witnessing. To the extent that Wilderson does narrate encounters between and among Black people, he nearly always presents them as scenes of resentment, anxiety, or failed intimacy. In this way, Black people appear to have no moments of recognition between them—certainly no intra-racial sociality—but only what he calls “intra-Black imbroglio”: enduring confusion, painful embarrassment, or bitter misunderstanding.[5]

Perhaps, then, it is not just a stubborn inattention to history that leads Wilderson to elide the development of intra-racial communication networks, art and literary circles, political institutions, churches, and mutual aid societies across the late-19th and 20th centuries (or what Dawson calls “the formation of modern black civil society”), but rather a more fundamental failure to imagine generative relationships between and among black people. Or, perhaps his tendency to discount patriarchy is not just the result of empirical imprecision, but is linked to how he narrates relationships and encounters with Black women—for instance, how might we understand Wilderson’s infatuation with Bernadette, onto whom he projects fantasies of an unnamed, slain Black woman?[6] Or his general tendency not to reflect on relationships with Black women at all, except when their lives indicate forms of violence that prove rhetorically useful in his narrative? Maybe Wilderson’s insistence that “Blackness is coterminous with Slaveness” is not only a misreading of the historical record, but also the product of a habit of mind attuned to seeing “intra-Black imbroglio” first. What I am suggesting here is that Wilderson’s sweeping claims are not just inaccurate observations, but are indicative of a practice of reading, a sensibility—one more invested in the rhetorical uses of anti-black violence and death than the historical fact or political implications of intra-racial sociality.

The current uptake of Afropessimism within and outside of the academy indicates that many find its habits of mind appealing. This is likely attributable, at least in part, to the countless episodes of violence and democratic failure that shape our present: the mediatised killings of Black people, the election of Donald Trump (despite the popular vote), the election of Joe Biden and Kamala Harris (despite—or maybe because of—their major political contributions to the expansion of prisons and police), inequitable access to COVID-19 related health care, etc. Black people have good reason to feel pessimistic. However, it seems that Afropessimism does not only model pessimistic feeling, but also a set of practices or a sensibility that discounts intra-racial sociality. We lose more than we gain, politically speaking, when our rage toward the world is undercut by a failure to witness each other. Countering the perils of Afropessimism requires historical correction as well as the development of an alternate habit of mind.



[1] Frank B. Wilderson, Afropessimism (New York, NY: W. W. Norton & Co., 2020), 96.

[2] Jared Sexton, “People-of-Color-Blindness: Notes on the Afterlife of Slavery,” Social Text 28 (2(103)) (2010), 37.

[3] Jafari Allen, “One View from a Deterritorialized Realm: How Black/Queer Renarrativizes Anthropological Analysis,” Cultural Anthropology 32(4) (2016), 620.

[4] Wilderson, Afropessimism, 40.

[5] Ibid., 100.

[6] Ibid., 152–5.

Afropessimism issues a radical challenge to contemporary theories of the role and nature of anti-Blackness and its relation to other forms of oppression and domination. As the very term makes clear, it is characterised by a deeply pessimistic attitude towards the possibility of Black liberation. For Afropessimists, modernity inaugurates a “new ontology” of anti-Blackness that defines Blackness, as a constructed category, as inextricably tied to the condition of enslavement and thus as a structural position of “social death.”[1] Afropessimists here draw on the work of Orlando Patterson, who understands enslavement as a form of “social death”[2] defined as “natal alienation, generalised dishonor and violent domination”.[3] As Frank Wilderson III, one of the leading theorists of Afropessimism, puts it: “Blackness and Slaveness are inextricably bound in such a way that whereas Slaveness can be separated from Blackness, Blackness cannot exist as other than Slaveness.”[4] Wilderson thus rejects, in the most radical way possible, a narrative of progressive Black emancipation. Blackness as a structural position remains essentially fixed despite historical changes, no matter how transformative they may seem. “The changes that begin to occur after the Civil War and up through the Civil Rights Movement, Black Power, and the American election of a Black president,” Wilderson argues “are merely changes in the weather.”[5]
 
But Afropessimism not only issues a radical challenge to theories and histories of anti-Blackness. It also challenges the idea that anti-Blackness functions analogously to other forms of oppression and domination that are based on distinctions of gender, race, ethnicity, or class. Anti-Blackness, in Afropessimist thought, isn’t one form of subjugation amongst many forms of oppression (race, gender, class, sexuality, etc.) but a condition of radical alterity and abjection that must be recognised as the limit of the human condition—the other of the category of “human.” Laying claim to humanity in the face of pervasive dehumanisation, Afropessimism insists, is doomed to failure because Blackness denotes a position from which laying claim to “humanity” is a political and, indeed, ontological impossibility.[6] This implies a radical reconceptualisation of the relationship between struggles for Black freedom and struggles against other forms of oppression. In his most recent book, Afropessimism, for example, Wilderson argues that non-Black struggles against domination ultimately only become legible through the comparative illegibility of Black political claims and thus perpetuate the exclusion of Blackness from the category of “human” in order to make themselves legible as “human.”[7]
 
In this series of essays on Afropessimism, which will be published in installments, Michael Dawson, Jordie Davies and Marcus Lee reflect on and grapple with the theoretical and political challenges that Afropessimism poses. In the first essay of the series, Michael Dawson reflects on the question of whether an ontological account of Blackness can theorise anti-Blackness in its complexity and in its changing historical articulations and asks if Afropessimism allows us to recognise the ways in which different forms of domination are articulated. Dawson evaluates Afropessimism’s relationship to other ideological traditions in Black political thought, such as Black nationalism and Black radical thought. In this context, he critically examines Afropessimism’s foregrounding of the libidinal (rather than political) economy and assesses its potential for generating a critique of the entanglements of white supremacy and capitalism.
 
In “Afropessimism and Narrative Theorising”, Marcus Lee offers a rejoinder to Michael Dawson’s critique of Afropessimism. Lee provides a close reading of Frank Wilderson’s authorial and narrative strategies and reflects on how Afropessimism imagines Black sociality and practices of recognition.
 
In the final essay in the series, “After Afropessimism,” which will be published on 31 May, Jordie Davies asks what political opportunities Afropessimism presents by re-centering anti-Blackness in struggles against racism and white supremacy and tackles the implications that Afropessimism has for coalition-building in movement politics.


[1] Wilderson, Frank B. Red, White & Black: Cinema and the Structure of U.S. Antagonisms. Durham; London: Duke University Press, 2010: 18ff.

[2] Patterson, Orlando. Slavery and Social Death: A Comparative Study. ACLS Humanities E-book. Cambridge, Mass.: Harvard University Press, 1982: 38.

[3] George Shulman. "Theorizing Life Against Death." Contemporary Political Theory 17:1 (February 2018), pp. 118-127: 119.

[4] Wilderson, Frank B. Afropessimism. Liveright: Kindle Edition, 2020: 42.

[5] Ibid., 96.

[6] Wilderson, Frank B. Red, White & Black: Cinema and the Structure of U.S. Antagonisms. Durham; London: Duke University Press, 2010: 20

[7] Wilderson, Frank B. Afropessimism Liveright: Kindle Edition, 2020: 243ff.